Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland.

Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century.

Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction.

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Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times?

Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.

It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.

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The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities.

Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance.

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Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.

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Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.

Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? 

In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.

Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011).

The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.

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Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women.

Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties. 

Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life.

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In The Woman Question in Islamic Studies (Princeton UP, 2024), the Introduction of which is available at the publisher's website, Kecia Ali delves into the deeply entrenched ways sexism continues to shape the academic landscape of Islamic Studies.

Despite the growing presence of women scholars in the field, Ali finds that women’s work remains marginalized, relegated to the periphery while male-authored research is treated as more authoritative. Ali tackles this issue with a mix of sharp analysis and humor, showing how gender biases persist at every level of scholarship—from course syllabi to citations to job hiring practices to editorial decisions. Through a combination of broad surveys and focused analyses, she uncovers the patterns of exclusion that, to quote her, “beget exclusion.” The issue isn’t simply of women not being cited or mentioned in indices and footnotes and bibliographies, but also of how women’s scholarship is talked about compared to how men’s scholarship is described, hyped, and promoted.

Even male scholars who present themselves as gender-inclusive often overlook or fail to cite women’s scholarship, which further highlights the deep-seated nature of this problem and of the pattern that Ali is exploring.

The book doesn't just highlight the problem but also provides actionable strategies for transforming the field. Ali offers a practical "Beginner’s Guide to Eradicating Sexism in Islamic Studies," addressing areas like peer reviewing, citation practices, curriculum design, invitation for lectures and talks. This guide provides scholars with tools to counteract the biases that limit women’s visibility and contribution. With a keen eye on the wider academic context, Ali situates these issues not only within Islamic Studies but as part of broader patterns of gender inequality in disciplines across the academy – such as in Economics, in Political Science, in Philosophy, in the natural sciences, in Jewish Studies, in Religious Studies broadly. The Woman Question in Islamic Studies is both a compelling critique and a roadmap for change, urging scholars to recognize the ethical and intellectual importance of equitable citation and inclusion.

In our conversation today, Ali identifies some of the main points of the book, explains how the book came about and what her methodology is; we also discuss why women aren’t being cited and why their exclusion from scholarship matters, why women are more likely than men to be more equitable in their citation practices, and how the book has been received so far and how Ali hopes people will respond.

Ali and Lolo Serrano have co-author an article examining gender bias across fifteen years of book reviews in the Journal of the American Academy of Religion (2006–2020), which has been published in the same journal (accessible here). The article concludes that reviewers of all gender consistently prioritize and celebrate men’s scholarship at a disproportionate rate, and male reviewers are found to cite the works of male scholars at a significantly higher rate.

This book will appeal to scholars, researchers, students, and others professionals in Islamic Studies, Religious Studies, Gender Studies, and related fields, as well as anyone interested in academic equity and the dynamics of citation practices. It is an essential read for those looking to understand the persistent gender disparities in academia and for educators, researchers, and policymakers seeking practical strategies for fostering a more inclusive and equitable scholarly environment. Moreover, anyone invested in challenging systemic sexism across disciplines, from the humanities to the social sciences, will find Ali’s insights both compelling and transformative. And especially those who don’t believe gender is relevant to their research, or who don’t think there are enough women they can cite in their works, will find the book immensely useful.

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