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Bion and Thoughts Too Deep for Words: Psychoanalysis, Suggestion, and the Language of the Unconscious (Routledge, 2020) is Robert Caper's most recent book, and it offers a sustained exploration and discussion of key problematics that have informed psychoanalysis since its inception. Caper offers a nuanced discussion of psychotherapy's tendency to fall into suggestion, and thus move away from an exploration of the truth, which he considers to be psychoanalysis's central task. The psychoanalyst has to mirror back to the patient who they are, rather than keep them in a state of blithe affirmation, and thereby inspire in them the notion that the therapist, like the analysand, is unwilling to explore what lies beneath the rubble of conscious beliefs and statements.
In his discussion of these matters, Caper draws on a wide range of thinkers, most importantly that of W.R. Bion, asserting that there are always "thoughts too big for words," which is a reminder that there is always more. He hightlights the importance of the aesthetic drawing on Meltzer, and he introduces a new distinction between maternal and paternal container.
I greatly enjoyed both reading the book and talking to Robert, and I happily recommend this book to anyone seeking to reconnect to psychoanalysis's foundations, utilizing the British school's key thinkers.
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By Marshall Poe4.4
182182 ratings
Bion and Thoughts Too Deep for Words: Psychoanalysis, Suggestion, and the Language of the Unconscious (Routledge, 2020) is Robert Caper's most recent book, and it offers a sustained exploration and discussion of key problematics that have informed psychoanalysis since its inception. Caper offers a nuanced discussion of psychotherapy's tendency to fall into suggestion, and thus move away from an exploration of the truth, which he considers to be psychoanalysis's central task. The psychoanalyst has to mirror back to the patient who they are, rather than keep them in a state of blithe affirmation, and thereby inspire in them the notion that the therapist, like the analysand, is unwilling to explore what lies beneath the rubble of conscious beliefs and statements.
In his discussion of these matters, Caper draws on a wide range of thinkers, most importantly that of W.R. Bion, asserting that there are always "thoughts too big for words," which is a reminder that there is always more. He hightlights the importance of the aesthetic drawing on Meltzer, and he introduces a new distinction between maternal and paternal container.
I greatly enjoyed both reading the book and talking to Robert, and I happily recommend this book to anyone seeking to reconnect to psychoanalysis's foundations, utilizing the British school's key thinkers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

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