The Book Review

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2017 and 2018, respectively.

The longtime New York Times comedy critic Jason Zinoman is the first person ever to hold that position at the paper, and he’s a natural fit for it: In 2017, when his biography of the late-night host David Letterman was published, he explained on the podcast that his early love of Letterman had shaped not only his love of comedy but to some extent his outlook on the world: “I worshiped David Letterman as a kid,” Zinoman told the host Pamela Paul. “He is one of these people who I loved before I thought like a critic. And I do believe that you love things as a kid in a deep way that you don’t love things as an adult. And to a large degree I think my sense of humor was defined by David Letterman. When I was a kid I talked like him. I smiled like him. My sense of sarcasm came from him. Even as an adult I can sort of see traces of it.”

Also this week, we revisit our 2018 conversation with the New York Times Magazine writer Sam Anderson, who talked about basketball, Oklahoma City and his book “Boom Town.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2016 and 2018, respectively.

Since winning the Pulitzer Prize in general nonfiction for his first book, “The Emperor of All Maladies: A Biography of Cancer,” in 2011, the physician and professor Siddhartha Mukherjee has gone on to write two more sweeping studies of medical and scientific subjects: “The Song of the Cell,” which will be released next week, and “The Gene: An Intimate History,” which came out in 2016. Mukherjee was a guest on the podcast when “The Gene” was published, and he told the host Pamela Paul that his earlier book about cancer had led him naturally to the topic of genetics and heredity. “The more I thought about disease, illness, the more I came back to the question of inheritance: What do we inherit, what do our families give to us? How much of it is genetic, how much of it is environmental?” he said.

Also this week, we revisit Kate Atkinson’s podcast appearance from 2018, when she discussed her World War II spy novel “Transcription” and its heroine, who starts out as “a very clever girl who’s slightly out of order.” Atkinson’s latest novel, “Shrines of Gaiety,” was published last month.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2017 and 2019, respectively.

The writer George Saunders has long been acclaimed for his short stories, which he has collected into five books since 1996 (including this year’s “Liberation Day”). But in 2017 he showed he was comfortable with longer narratives as well when he released his first novel, “Lincoln in the Bardo,” invoking multiple voices and ghostly spirits to portray President Lincoln’s grief at the death of his young son even as the Civil War raged. Saunders visited the podcast that year to talk about the novel, and how the process of writing it was different for him from story writing. “It seemed like something that was going to have to be approached pretty earnestly, and I wasn’t sure I had the chops to do that,” he told the host Pamela Paul. “I kind of had this little talk with myself: Dude, you’re 50-whatever-I-was ... This is something you’ve been wanting to write your whole life. You’ve now been through many of the major milestones of life. You know, I’m old, I have beautiful kids, everything. Why is this material too earnest for you, or too whatever? So I made a little contract with myself that I would do three months of trying, just to see if it caught fire.”

Also this week, we revisit Paul’s 2019 conversation with the journalist Patrick Radden Keefe about his book “Say Nothing: A True Story of Murder and Memory in Northern Ireland,” which looked at the Troubles in Northern Ireland through the lens of one young widow’s disappearance in 1972. “I’m drafting on an incredibly brave effort by her children, starting in the 1990s, to come out and break the code of silence in Ireland, and say: ‘We need to know what happened,’” said Keefe, whose book went on to be named one of our 10 Best Books of 2019.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2019 and 2020, respectively.

In 1965, James Baldwin, by then internationally famous, faced off against William F. Buckley Jr., one of the leading voices of American conservatism, in a debate hosted by the Cambridge Union in England (and currently being dramatized as a stage show at the Public Theater in New York). The debate proposition before the house was: “The American dream is at the expense of the American Negro.”

Nicholas Buccola’s 2019 book “The Fire Is Upon Us” tells the story of that intellectual prizefight as well as the larger story of Buckley’s and Baldwin’s lives.

“Although the union had existed for 150 years prior to this night,” Buccola said on the podcast in 2019, “I’m pretty sure that there was never a speech quite like the speech that Baldwin delivered that night, because a lot of formal debate is this combination of intellectual exercise and performance art — you know, a lot of humor injected and that sort of thing. But Baldwin arrives that night and he delivers a sermon; he delivers a jeremiad. He is there to say things that people don’t want to hear.”

Also this week, we revisit Lydia Millet’s podcast appearance from 2020, when she discussed her novel “The Children’s Bible,” which went on to be named one of our 10 Best Books of the year. The book was inspired, she told the host Pamela Paul, by younger people who are increasingly alarmed by the future they will inherit: “This generation is starting to notice and get angry, and I think the rage is long overdue, and I think it’s the only rational response to the threats we face.” Millet’s new novel, “Dinosaurs,” will be published next week.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2017 and 2015, respectively.

Before “Little Fires Everywhere” was a hit series streaming on Hulu, it was a best-selling novel by Celeste Ng, who is also the author of the novels “Everything I Never Told You” and, most recently, the dystopian “Our Missing Hearts.” Ng came on the podcast in 2017 to talk about “Little Fires Everywhere,” which addressed themes of race, class and privilege in a fictionalized version of Shaker Heights, Ohio, where she grew up. “There’s a real difference between the surface of things and what the true state of things is,” Ng told the host Pamela Paul during her appearance. “That’s sort of a theme throughout — everyone in here, there’s a difference between the surface of who they appear to be and who they actually are inside.”

Also this week, we revisit Paul’s 2015 conversation with the esteemed children’s book author Judy Blume, who visited the podcast to discuss the recent publication of one of her adult novels, “In the Unlikely Event.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2017 and 2019, respectively.

Jann Wenner, the co-founder and longtime editor of Rolling Stone magazine, has a new memoir out — but it’s not the first book to tell his life story: In 2017, the journalist Joe Hagan published a biography, “Sticky Fingers,” that Wenner authorized and then repudiated after it included unflattering details. Hagan was a guest on the podcast in 2017, and explained his approach to the book’s most noteworthy revelations: “I made a decision, really at the outset, that I was going to be honest with him and always be frank with him,” he told Pamela Paul and John Williams. “And if I came across difficult material, I was just going to address it with him. So in that way, it kind of let some of the pressure off. And by the end, we reached a point where I really tried to present him with the most radioactive material and make him aware of what I knew, so he wouldn’t be surprised.”

Also this week, we revisit a 2019 conversation among Williams and The Times’s staff book critics Dwight Garner, Jennifer Szalai and Parul Sehgal about their list ranking the 50 best memoirs of the past 50 years. No. 1: “Fierce Attachments,” by Vivian Gornick.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2017 and 2015, respectively.

Andrew Sean Greer won a Pulitzer Prize in 2018 for his comic novel “Less,” about a down-on-his-luck novelist named Arthur Less who embarks on a round-the-world trip to forget his sorrows. (Greer’s new novel, “Less Is Lost,” continues Less’s adventures in the same comic vein, this time setting him loose across America.) When “Less” was published, in 2017, Greer visited the podcast and told the host Pamela Paul why he had decided to write comic fiction after five well-received but much more serious novels: “I found funny things happening all the time, and they were always my fault,” he said. “Because I was the thing out of place, with terrible misperceptions about what was supposed to happen.”

Also this week, we revisit the New Yorker staff writer William Finnegan’s 2015 podcast appearance, in which he discussed his memoir “Barbarian Days,” about his lifelong love of surfing. “It’s all about this experience of beauty,” he told Paul. “You know, this certain kind of drenched experience and beauty — and the physical risks are very much footnotes.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2010 and 2020, respectively.

Jennifer Egan’s latest novel, “The Candy House,” is a follow-up to her Pulitzer-winning novel “A Visit From the Goon Squad,” which came out in 2010. That year she appeared on the podcast and told the host Sam Tanenhaus how she had gone about organizing the book’s centrifugal structure: “What I was really interested in was trying to move through time and work with the difference between private and public. We see people and they seem to be easily categorizable — sometimes they seem like types. And I loved then taking that person that we had seen peripherally and showing us that person’s inner life in a really immediate way,” she says. “It happened very organically. … I just followed the trail of my own curiosity.”

Also this week, we revisit the actor and writer Stephen Fry’s 2020 conversation with the host Pamela Paul, in which he discussed topics including Oscar Wilde, Fry’s own love of language and his book “Heroes: The Greek Myths Reimagined.” “It’s a miraculous thing about Greek mythology that there is a timeline and a chronology,” Fry says. “It’s probably reverse-engineered by Hesiod and Homer and the later poets, obviously. But nonetheless, it has a shape, a beginning and an end, which other mythic structures don’t seem to have. And they’re so deep in the — I hesitate to use such a cliché, but I can’t avoid it — in the DNA of our own culture and art that it’s part of who we are.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This one was originally published on June 2, 2017.

The essayist and humorist David Sedaris started keeping diaries nearly half a century ago, and in 2017 he published a broad selection of entries from them in his book “Theft by Finding: Diaries (1977-2002).” On the podcast, he talked about how the diaries evolved, the kinds of details and eccentricities that tend to catch his eye, and the process of combing through thousands of pages to produce this 500-page book.

“I have a hundred and, I believe, 64 volumes of my diary, and each one is thicker than this book,” he says. “And a lot of it is crazy person — tiny letters, front and back page. So this is just a tiny fraction of my diary. … I tried to detach myself, and think, Would this be of interest to anyone? I mean, a lot of it wasn’t even interesting to me. Or, it was just interesting for, you know, nostalgic reasons. So I was just looking for things that might possibly interest someone who I don’t know.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

For the next few months, we’re sharing some of our favorite conversations from the podcast’s archives. This week’s segments first appeared in 2011 and 2021, respectively.

The actor John Lithgow has been nominated for 13 Emmy Awards and has won six times, for roles as varied as the British prime minister Winston Churchill (on “The Crown”) and the extraterrestrial high commander Dick Solomon (on “3rd Rock From the Sun”). In 2011 he talked to Sam Tanenhaus, the Book Review’s editor at the time, about his memoir “Drama” and his education as an actor. “The more that an actor can accommodate himself to the truth that he will eventually be forgotten, the better off he is,” he says.

Also this week, the writer Maggie O’Farrell discusses her acclaimed novel “Hamnet,” which imagines the life of William Shakespeare, his wife, Anne (or Agnes) Hathaway, and the couple’s son Hamnet, who died at 11 years old in 1596. In her 2021 podcast appearance, O’Farrell told the host Pamela Paul that she hoped to capture a sense of the young boy at its center. “I think he’s been consigned to a literary footnote,” she says. “And I believe, quite strongly, that without him — without his tragically short life — we wouldn’t have the play ‘Hamlet.’ We probably wouldn’t have ‘Twelfth Night.’ As an audience, we are enormously in debt to him.”

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.