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For the next few months, we're sharing some of our favorite conversations from the podcast's archives. This one was originally published on April 19, 2019.
Eagerly awaiting the fifth volume in Robert A. Caro’s epic biography of Lyndon Johnson? You’re part of a big club. In the meantime, Caro published “Working,” a collection of pieces about how he writes his prizewinning books.
On the podcast, Caro talked about his methods and about some of his experiences with imposing people, including the time he spoke to Lady Bird Johnson about a long and significant relationship her husband had with another woman. “That’s the only interview I ever had in my life where I couldn’t bring myself to look at the person I was interviewing,” he says.
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Mark Braude’s new biography, “Kiki Man Ray,” visits a place of perennial interest — Left Bank Paris in the 1920s — through the life of the singer, model, memoirist and muse. On this week’s podcast, Braude says that his subject thoroughly captured the spirit of her age, “a mix of deep pain and a very deep love of life” that emerged after the First World War.
We’re used to reading about this age, Braude says, through the eyes of Americans in Paris, like Hemingway and Fitzgerald. Kiki “represents something that sometimes gets overlooked,” he says, which is “the French contribution to this scene and to this moment. People like Kiki were part of the reason why expats found France and Paris so exciting.” She was “living on a completely different rhythm and in a completely different way. She was just undeniably herself, and wasn’t putting on airs. And just loved life; she just wanted to do everything and meet everyone and go everywhere, and she did.”
Also on this week’s episode, Gregory Cowles and Elisabeth Egan talk about what they’ve been reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“River of Mountains” by Peter Lourie
“Colony” by Anne Rivers Siddons
“The Emperor’s Tomb” by Joseph Roth
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Elisa Gabbert, the Book Review's On Poetry columnist, visits the podcast this week to discuss writing about poetry and her own forthcoming collection of poems, her fourth, “Normal Distance.”
“When I’m writing what I would call nonfiction or an essay or just pure prose, I’m really trying to be accurate,” Gabbert says. “I’m not lying, I’m really telling you what I think. There’s very minimal distance between my persona on the page and who I really am. And then when I’m writing poetry, that persona really takes on more weight. I’m definitely creating more distance, and it really feels more like fiction or even more like theater, I might say. I’m really more creating a character that’s going to be speaking this monologue I’m writing.”
Ian Johnson visits the podcast to talk about his review of “Golden Age,” a novel by Wang Xiaobo recently translated by Yan Yan. The novel, set against Mao’s Cultural Revolution, made waves in China when it was originally published there in the 1990s.
“It was controversial primarily because of sex, there’s a lot of sex in the novel,” Johnson says. “The sex is not really described in graphic detail; this isn’t Henry Miller or something like that. It’s more like they’re having sex to make a point: that they’re independent people and they’re not going to be trampled by the state. And it’s very humorous — he talks about sex using all kinds of euphemisms, like ‘commit great friendship,’ stuff like that. It’s meant to be a sort of parody, a somewhat absurd version of a romance.”
Also on this week’s episode, Elisabeth Egan and Dave Kim talk about what people are reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Time Shelter” by Georgi Gospodinov, translated by Angela Rodel
“The Displacements” by Bruce Holsinger
“The Annotated Wizard of Oz” by L. Frank Baum, edited by Michael Patrick Hearn
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Dan Fesperman’s 13th thriller, “Winter Work,” is set just after the fall of the Berlin Wall. The Stasi, East Germany’s brutal Cold War intelligence service, was busy destroying evidence. The C.I.A. was just as busy trying to learn the enemy organization’s secrets.
“The C.I.A., initially, had people calling ex-Stasi agents,” Fesperman says on this week’s podcast. “They got a hold of a directory with home phone numbers of some of these Stasi foreign intelligence people. And they started cold-calling them — like salesmen, like these irritating calls we get at home, except for the Stasi it was the C.I.A. calling. ‘Hey, would you like to share your secrets with us? We can pay you.’ They were getting mostly hang-ups, a lot of angry lectures. And when that quickly didn’t work out, they then began visiting them door to door, which didn’t work a whole lot better.”
Isaac Fitzgerald visits the podcast to talk about his new memoir, “Dirtbag, Massachusetts,” which recalls his troubled childhood and his eventual coming to terms with those responsible for it.
“I was able to give my parents a little more grace in this book,” Fitzgerald says. “And part of that was recognizing that my story didn’t start with my birth; my story starts with the things that happened to them.”
Also on this week’s episode, Elizabeth Harris has news from the publishing world; and Dwight Garner and Molly Young talk about books they’ve recently reviewed. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Memoirs” by Robert Lowell
“Yoga” by Emmanuel Carrère
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The acclaimed poet Diana Goetsch has now published “This Body I Wore,” which our reviewer, Manuel Betancourt, called an “achingly beautiful memoir” about “a trans woman’s often vexed relationship with her own body.” On this week’s podcast, Goetsch talks about her approach to writing.
“My assumption always, as a poet and as a writer, is — I’m a generalist. And I just think the most idiosyncratic thing about ourselves also happens to be the most universal, if we can get to it and present it in the right way,” she says. “It was never my primary objective to give information about a transition, even if somebody’s initial attraction is prurient. They can now get that on Wikipedia or something. I particularly love artists who have what I call the common touch — Bruce Springsteen has the common touch. my old mentor William Zinsser has the common touch; the ability to say something very well, but also not exclude anyone from it at the same time.”
CJ Hauser visits the podcast to talk about her new essay collection, “The Crane Wife,” the title essay of which became an online phenomenon after The Paris Review published it in 2019. She describes her attempt to overcome the idea that love needs to have a grand narrative attached to it.
“In my family, we love stories. We’re sort of Don Quixote people. We’ve read so many stories and we self-mythologize and we tell stories,” Hauser says. “By the end of the book, I come out into a place of telling a kind of static love story or slow-growing love story. What does it mean to not conflate drama with love, and does love need to be dramatic? Because I think that’s a thing that I inherited.”
Also on this week’s episode, Alexandra Alter discusses new novels about race and racism that find freedom in satire; and Lauren Christensen and Joumana Khatib talk about what they’ve been reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Tomorrow, and Tomorrow, and Tomorrow” by Gabrielle Zevin
“Mating” by Norman Rush
“Norwood” by Charles Portis
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
In “Son of Elsewhere,” Elamin Abdelmahmoud writes about growing up in Canada after moving there from Sudan when he was 12. On this week’s podcast, he talks about that experience, including his first interactions with his new peers.
“This is not a story of bigotry, this is not a story of a classic playground bully,” Abdelmahmoud says. “Most of the demons I was wrestling with in this book were actually returning to the feelings of me needing to put certain parts of my identity on the shelf. Because sometimes you don’t really have to wait for other people to reduce you, you can do that to yourself. So I came to Canada and as I was trying to fit in, for me one of the things that became obvious fairly quickly was: I don’t want to stand out. I don’t want the attention of being the new kid, the immigrant kid. I don’t want to be different.”
The investigative journalist and author Sally Denton visits the podcast to discuss her new book, “The Colony: Faith and Blood in a Promised Land,” which takes readers across the border to a Mormon sect in Mexico. Denton says the idea for the book came to her in 2019, after she saw news of gunmen opening fire on a caravan of three cars from a Mormon community, killing three women and six children.
“When I learned of this incident, it just struck me immediately as: There was more to this story,” Denton says. “This was not a case of mistaken identity, it wasn’t a case of people being at the wrong place at the wrong time. This was a group of women and children intentionally targeted in the most brutal and heinous way. And I was initially really moved by the tragedy, and thought it would be really important to figure out what was going on. And my main impetus was really: Why were these women and children traveling alone on one of the most dangerous roads in the world. Where were the men? Why were they unarmed, why were they unescorted?”
Also on this week’s episode, Alexandra Alter talks about the growing number of independent bookstores and their increased diversity; and Alexandra Jacobs and Jennifer Szalai talk about books they’ve recently reviewed.
Here are the books discussed in this week’s “What We’re Reading”:
“Why We Did It” by Tim Miller
“Hollywood Ending” by Ken Auletta
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
In Alice Elliott Dark’s second novel, “Fellowship Point,” Agnes Lee and Polly Wister have been friends for about 80 years. Their intertwined families own homes on a Maine peninsula, and some of the book’s drama stems from their efforts to preserve the land and keep it out of the hands of developers.
“The issue of land, land ownership, land conservation has always been of deep interest to me,” Dark says on this week’s podcast. “I came to that pretty quickly as I was developing this story. I decided I wanted to write something like a 19th-century-style novel, and I wanted to have it be modern. Women didn’t own land in the 19th century. They didn’t make decisions about land, even if they did own it, and having women landowners dealing with these issues seemed to me a modern version of a big, older, 19th-century-type novel.”
Katherine Chen visits the podcast to discuss her new novel, “Joan,” which imagines Joan of Arc as a born fighter who becomes an avenging warrior.
“I think the central image that keeps us fascinated with Joan of Arc all these years later is the mental image of a woman in armor on horseback going to war,” Chen says. “I think that image keeps us enthralled to this day because it’s as startling and surprising as it is empowering.” We also remain captivated, Chen says, by the “sheer improbability” of Joan’s story.
Also on this week’s episode, Elizabeth Harris has news about librarians caught in the culture war over banned books; and Elisabeth Egan and MJ Franklin talk about what they’ve been reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Everything I Need I Get From You” by Kaitlyn Tiffany
“Thank You For Listening” by Julia Whelan
“A Word Child” by Iris Murdoch
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Gabrielle Zevin’s new novel, “Tomorrow, and Tomorrow, and Tomorrow,” is set in the world of video game design, and follows two friends named Sadie and Sam as they collaborate on what becomes a very successful game.
“A friend of mine described the book as being what it’s like to co-parent something that’s not a child,” Zevin says on this week’s podcast. “Sam and Sadie, they are more intimate with each other than anyone else in their lives. Yet they aren’t spouses, and he’s not her child, and yet this is the most important relationship that both of them have. So I wanted to write about that: What if the most important person in your life was really your colleague and your friend?”
Morgan Talty visits the podcast to discuss his debut story collection, “Night of the Living Rez,” which is set on the Penobscot Indian Nation reservation in Maine, where Talty was raised.
“I was very much aware that Indigenous fiction tries to perform for a white readership, or a largely white readership, and there are instances in books that I’ve admired by Native writers that I could see this. And I always wanted to shy away from it, because I didn’t want to keep feeding into that type of storytelling,” Talty says. “Throughout the book there’s less association with Indigeneity in the characters, so it’s the characters who are front and center, it’s their human nature that’s front and center, as opposed to maybe something cultural.”
Also on this week’s episode, Elizabeth Harris talks about how #BookTok has become a dominant driver of fiction sales; and Dwight Garner and Alexandra Jacobs talk about what people are reading. John Williams is the host.
Here are the books discussed by The Times’s critics this week:
“I Used to Live Here Once” by Miranda Seymour
“The Last Resort” by Sarah Stodola
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Ed Yong’s new book, “An Immense World,” urges readers to break outside their “sensory bubble” to consider the unique ways that dogs, dolphins, mice and other animals experience their surroundings.
“I’ve often said that my beat is everything that is or was once alive, which covers billions of species, across basically the entirety of the planet’s history,” Yong says on this week’s podcast. “One thing I like about this particular topic — the sensory worlds of other animals — is that it, itself, though a singular, cohesive topic, is also the gateway to thousands of small wonders. There’s so much to learn about just in this one corner of biology.”
Terry Alford visits the podcast to talk about his new book, “In the Houses of Their Dead,” an investigation of how Abraham Lincoln, John Wilkes Booth and their families were influenced by spiritualism.
Alford says of Lincoln: “There’s a struggle, as best I see it, in him between the rational side and the side that desires to be comforted and to be in contact with someone you loved who’s not there anymore. He really wanted that, and he said he wanted that to a number of people. But he just felt, at the end of the day, that séance-type contact with the dead was really delusional.”
Also on this week’s episode, Lauren Christensen and Joumana Khatib talk about what they’ve been reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“The Secret History” by Donna Tartt
“Blood Orange Night” by Melissa Bond
“The Hack” by Wilfrid Sheed
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Elisabeth Egan, an editor at the Book Review, curates our Group Text column — a monthly choice of a book that she feels is particularly well suited to book clubs and their discussions. On this week’s podcast, she talks about her latest pick: “Jackie & Me,” by Louis Bayard, which imagines the friendship between Jacqueline Bouvier and Lem Billings, a close friend of the Kennedys.
“This is rooted in reality,” Egan says, “but Bayard runs with it and imagines conversations between Lem and Jackie, and just shows this, on one hand, fabulous life of parties and museums and fun they had together, but also sets up this ticking clock where you come to understand what Jackie really has at stake, and has to lose by committing to this life with the Kennedys.”
Matthew Schneier visits the podcast to discuss Paula Byrne’s new biography, “The Adventures of Miss Barbara Pym.” Pym, a British writer, began publishing novels in the 1950s.
“She published six novels in pretty quick succession, and they’re great,” Schneier says of the first decade or so of her career. “Very clever, very witty, she was often compared to Jane Austen — which was a writer that she loved and appreciated, but also a kind of very easy comparison, whereas Pym’s ironies can be a little bit darker than some of Austen’s. And there’s a sense in her work that she is spotlighting characters who are not the Emma Woodhouses, who are beautiful and rich and effervescent. They’re what she ended up calling ‘excellent women,’ which is the title of I think her best starter novel. These women who are well brought up and very proper, a little bit pious, but can also be a little dowdy, a little dreary, a little bit easier to overlook.”
Also on this week’s episode, Alexandra Alter talks about the filmmaker Werner Herzog and his first novel, “The Twilight World”; and Jennifer Szalai and Molly Young talk about books they’ve recently reviewed. John Williams is the host.
Here are the books discussed by The Times’s critics this week:
“The Facemaker” by Lindsey Fitzharris
“Meet Me by the Fountain” by Alexandra Lange
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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