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Thomas Fisher’s new book, “The Emergency,” details his life as an emergency physician at the University of Chicago Medical Center, where he’s worked for 20 years. It provides an up-close look at a hospital during the pandemic, and also zooms out to address the systemic issues that afflict American health care.
“This book was conceptualized prior to Covid,” Fisher says on this week’s podcast. “But Covid laid bare so much of what I intended to discuss from the beginning. So in some ways it was weirdly fortuitous. It gave the opportunity to discuss many of the details in much more vivid relief because we had this pandemic laying out all the things that have been a problem for so long.”
The critic and essayist Maud Newton’s first book, “Ancestor Trouble,” details her investigations into her family’s fascinating and sometimes discomfiting history, and reflects on our culture’s increased obsession with genealogy.
“Allowing ourselves to really imagine our ancestors, in all of their fullness — the difficult and bad things that they did, and of course the wonderful things that they did — can just be a really transformative experience,” Newton says. “I’ve come to find that the line between imagination and spirituality has become a lot more porous over the course of writing this book.”
Also on this week’s episode, Dwight Garner and Molly Young talk about books they’ve recently reviewed. John Williams is the host.
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Fintan O’Toole was born in Dublin in 1958, the same year that T.K. Whitaker, a member of the Irish government, published an influential report suggesting that Ireland open its doors economically and culturally to the rest of the world. O’Toole’s new book, “We Don’t Know Ourselves,” weaves memoir with history to tell the story of modern Ireland.
“There’s a lot of dark stuff in the book,” he says, “there’s a lot of violence and repression and hypocrisy and abuse. But there’s also the story of a people coming to terms with itself. One of the reasons why we’re still dealing with darkness is at least we’re dealing with it. There’s a kind of confrontation with the past going on in Ireland which I think is very healthy. It’s not easy.” He continues: “One of the hopeful things about the Irish story is that it shows you that you can transform a nation — you can make it in many ways an awful lot better than it was, you can open it up to the world, you can develop much more complex, ambivalent, nonbinary senses of who you are — and yet you can still feel very much attached to a place and an identity.”
Julie Otsuka visits the podcast to discuss her third novel, “The Swimmers,” which begins with a large group of characters at a public pool before becoming the powerful story of one particular woman, Alice, who is suffering from dementia.
Alice is “actually there from the very beginning,” Otsuka says. “She’s there at the end of the very first paragraph. But I did not want the reader to be too aware of her. I want her to be there very peripherally, just as one of many. I want the reader to realize, as the story is going on, that it is Alice’s story, but I don’t want that to be so apparent in the beginning. I really wanted to paint the world that she had thrived in before she enters the second half of the book.”
Also on this week’s episode, Alexandra Alter has news from the publishing world; and Gregory Cowles and Dave Kim talk about what people are reading. John Williams is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Lucky Breaks” by Yevgenia Belorusets
“2666” by Roberto Bolaño
“Mrs Palfrey at the Claremont” by Elizabeth Taylor
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
In “A Molecule Away From Madness,” the neurologist Sara Manning Peskin writes about the errant molecular activity that underlies many serious mental afflictions. Peskin’s book, reminiscent of the work of Oliver Sacks, conveys its scientific information through narrative.
“I wanted to capture how this actually unfolds in real time,” she says on this week’s podcast. “For a lot of us, we go to doctors and you get a diagnosis and it’s as if that diagnosis has always existed. But in fact, the diagnosis was invented by someone who discovered something. And the history behind these diseases is often lost.”
J. Kenji López-Alt visits the podcast to discuss his latest book, “The Wok: Recipes and Techniques.” López-Alt comes from a family of scientists, and is known for his science-based approach to home cooking.
“I was cooking for a number of years in restaurants, and all through that time I had a lot of questions,” he says. “For me, it’s natural to ask why we do something, why is this working the way it does? And in restaurants, just by the nature of how a restaurant works and the goal of a restaurant, which is more speed and consistency, you don’t have a lot of time to really focus on thinking about those types of questions or experimenting with them. So I had this backlog of questions built up in my head that eventually I started to get to explore.”
Also on this week’s episode, Alexandra Jacobs and Jennifer Szalai talk about books they’ve recently reviewed. Pamela Paul is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“I Was Better Last Night” by Harvey Fierstein
Books about shame
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Scholars have long believed that the first Americans arrived via land bridge some 13,000 years ago, when retreating glaciers created an inland corridor from Siberia. Jennifer Raff, an anthropological geneticist at the University of Kansas, tells a different story in “Origin.” According to Raff, the path to the Americas was coastal rather than inland, and what we’ve thought of as a bridge was a homeland inhabited for millenniums. Raff talks about the book on this week’s podcast.
“In recent years, the ability to obtain complete genomes from ancient ancestors has really given us new insights — extraordinary new insights — into the histories not only of individuals and populations but also of our ancestors globally,” Raff says. “We can now identify the populations who originally gave rise to the ancestors of Native Americans. And we can identify extremely important evolutionary events in that process going back, starting about 26,000 years ago. So we can use genetics to identify biological histories, to characterize biological histories, and even identify populations which we had no idea existed based on archaeology alone.’
Ira Rutkow visits the podcast to talk about “Empire of the Scalpel: The History of Surgery.” Rutkow says the idea for the book evolved over the course of 50 years, and that he wrote it for the general public and surgeons alike.
“I was dismayed, over the course of my surgical practice, at how little patients understood about the whys and wherefores of what a surgeon did, or how a surgeon becomes a surgeon,” he says. And he was “shocked” when he would ask colleagues historical questions — “When did anesthesia come about? When did Lister discover antisepsis?” — and “they would have no idea.”
Also on this week’s episode, Alexandra Alter has news from the publishing world, and Elisabeth Egan and John Williams talk about what they’ve been reading. Pamela Paul is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“The Days of Afrekete” by Asali Solomon
“A Word Child” by Iris Murdoch
“The Examined Life” by Stephen Grosz
“The True American” by Anand Giridharadas
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
In 2017, Frank Bruni suffered a stroke while sleeping in the middle of the night, an event that led to blindness in his right eye. His new memoir, “The Beauty of Dusk,” examines not only his physical condition but the emotional and spiritual counsel he sought from others in order to deal with it. On this week’s podcast, he discusses the experience, including his initial reaction to it.
“I woke up one October morning and I felt like I had some sort of smear — some gunk or something — in my eye, because the right side of my field of vision had this dappled fog over it,” Bruni says. “I think like a lot of boomers, I had this sense of invincibility. When I was diagnosed, at one point, with mild gout, I took Allopurinol every day and that was solved. When my cholesterol was un-ideal, I took a statin, and that was solved. I kind of thought modern medicine solves everything and we boomers, with our gym workouts, et cetera, are indestructible. So for hours I thought, ‘This is just an oddity.’ I took a shower and washed my eye, but the fog didn’t go away. I thought, ‘Maybe I haven’t had enough coffee.’ I thought, ‘Maybe I had too much wine last night.’ It was a good 12 to 24 hours later before I accepted, something is really wrong here.”
Meghan O’Rourke visits the podcast to talk about her latest book, “The Invisible Kingdom: Reimagining Chronic Illness,” which is also about personal pain and the larger context around it. O’Rourke spent many years experiencing symptoms that were misdiagnosed or dismissed.
“I just kept getting sicker and sicker, but it took so long to realize, OK, something is quite wrong.” She attributes some of this delayed realization to the “problem of subjectivity,” especially when younger. “None of us know what others are experiencing, so I thought, ‘OK, maybe pain is normal. Maybe brain fog is normal. Maybe I just should never eat dessert. It really did take maturing into my 30s and getting really sick to cross that line where it became unignorable.”
Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.
Here are the books discussed by The Times’s critics this week:
“Black Cloud Rising” by David Wright Faladé
“The Founders” by Jimmy Soni
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
You probably take the index for granted. It might be hard to remember that the handy list of subjects at the back of a book, with the corresponding page numbers on which each subject is discussed, had to be invented. This happened in the early 13th century, and on this week’s podcast, Dennis Duncan talks about his new book, “Index, a History of the,” and about the earliest examples of the form.
“What’s really interesting is, it’s invented twice at the same time,” Duncan says. “So it’s one of those inventions, like the light bulb or like mathematical calculus — the moment is so ripe for it that two people in separate places invent it. So the index gets invented once in Paris, and at the same time in Oxford. and there are very slight differences between what these inventions look like.”
Brendan Slocumb visits the podcast to talk about his debut novel, “The Violin Conspiracy.” Slocumb is himself an accomplished violinist, and the book — both a mystery and a musical-coming-of-age story — was inspired, in part, by an experience he had as a teenager.
“When I was a senior in high school, we came home from a family trip, and my violin — I actually make reference to it in the novel — my 1953 Eugene Lehman violin was stolen, along with a bunch of other stuff that I didn’t care about,” Slocumb says. “If your instrument is taken, as a musician, it’s like a part of you is missing. I felt like I was missing a limb. It was right before I was supposed to go to college. It was supposed to take me through school, and I had nothing. It was a devastating experience.”
Also on this week’s episode, Lauren Christensen and MJ Franklin talk about what they’ve been reading. Pamela Paul is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“The Chiffon Trenches” by André Leon Talley
“Recitatif” by Toni Morrison
“How to Be Perfect” by Michael Schur
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Jennifer Haigh’s new novel, “Mercy Street” — which Richard Russo calls “extraordinary” in his review — is about a woman named Claudia who works at a women’s clinic in Boston. It’s also about the protesters outside. On this week’s podcast, Haigh says the novel was inspired in part by her own time working on a clinic’s hotline.
“Obviously I am strongly pro-choice or I wouldn’t have been volunteering at this clinic,” Haigh says. “But until this experience, I knew very little about what abortion actually means in a person’s life. And I think that’s true for many people who have strong convictions about abortions. Most people don’t know very much about it. It’s ironic when you consider, this is such a common experience, right? We know that about one in four American women will at some point have an abortion. And yet there’s such a climate of secrecy around this procedure that most of them don’t feel free to talk about it honestly. And many never tell anyone that they’ve done this. The result being that the average person knows very, very little about this experience.”
Megan Walsh visits the podcast to talk about her new book, “The Subplot: What China Is Reading and Why It Matters.”
And why does it matter? “We tend to think about China in quite binary terms these days, as friend or foe,” Walsh says. “If we do properly pay attention to what people are genuinely trying to process and think about in China — which is peculiar, diverse, strange, innovative, some of it’s terrible, some of it’s amazing — I feel like we get an alternative way of understanding the complexities at the heart of a country which we are defining ourselves against, and we have an opportunity to also understand without seeing it as a sort of monolith.”
Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Jennifer Szalai and Molly Young talk about books they’ve recently reviewed. Pamela Paul is the host.
Here are the books discussed by The Times’s critics this week:
“The Power Law” by Sebastian Mallaby
“Eating to Extinction” by Dan Saladino
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Harley Rustad’s new book, “Lost in the Valley of Death,” is about an American adventurer named Justin Alexander Shetler, who went on a quest in the Himalayas that ended in his disappearance. One of Shetler’s heroes was Christopher McCandless, whose story was told in Jon Krakauer’s “Into the Wild.” On this week’s podcast, Rustad discusses Shetler’s life, including his use of social media and how that dovetailed — and didn’t — with his spiritual journey.
“He was a very good-looking guy. He’s somebody that could be potentially quite easy to roll your eyes at and write off. There are a fair amount of shirtless selfies on his Instagram account,” Rustad says. But that curated image, the author says, doesn’t necessarily reflect the full truth. Rustad continues: “I think there was something that he was deeply trying to search for. And his social media accounts, while they gave him a platform to potentially inspire people — something that he really, really longed for and struggled with was solitude. And right now it’s almost impossible to achieve that true solitude in this world of deep, profound connectivity. And so as much as he validated and found value in that platform, it also was impossible; it created this barrier for him to achieve something pure.”
Jessamine Chan visits the podcast to discuss her debut novel, “The School for Good Mothers,” which imagines a future where parents (mostly women) get sent to government-run reform school.
“The standards in the book are purposefully set up to be impossible,” Chan says, “to draw attention to the way that our culture and society and government sets up such punishing standards for moms. So if the moms do succeed, it’s really by chance.”
Also on this week’s episode, Alexandra Alter has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“Mercy Street” by Jennifer Haigh
“After Me Comes the Flood” by Sarah Perry
“Our Mutual Friend” by Charles Dickens
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Ruta Sepetys writes Y.A. historical fiction that draws plenty of adult readers as well. Her new novel, “I Must Betray You,” is about a Romanian teenager who is blackmailed to become an informer for a Communist regime. On this week’s podcast, Sepetys talks about why she turned her focus to the epochal events of 1989, and about what she wants readers to see in them.
“What I want to get across is the strength and fortitude of the Romanian people, particularly the young people,” Sepetys says. “Oftentimes what we don’t think about is that these authoritarian regimes or totalitarian regimes, they often are disassembled from within. And that’s what happened here. And it was the young people, on Dec. 21, who took to the streets, completely unarmed, and in some cases were attacking tanks with their bare hands. They put themselves in harm’s way. The courage, it blows my mind. And the leader gunned them down, until the military switched sides and sided with the people.”
The novelist Jami Attenberg visits the podcast to talk about her first memoir, “I Came All This Way to Meet You: Writing Myself Home.” Having written about fictional characters for so long, Attenberg says it was initially a challenge to make herself the central figure.
“It was really hard at first because I couldn’t see myself in that way,” she says. “At some point I did have to make a decision of which version of myself I was going to show to the world, because there are so many versions that are possible.”
Also on this week’s episode, Elizabeth Harris has news from the publishing world, and Gregory Cowles and John Williams talk about what they’ve been reading. Pamela Paul is the host.
Here are the books discussed in this week’s “What We’re Reading”:
“The Black Prince” by Iris Murdoch
“Drive Your Plow Over the Bones of the Dead” by Olga Tokarczuk
“Death Be Not Proud” by John Gunther
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Imani Perry’s new book, “South to America,” joins a tradition of books that travel the South to find keys to the United States: its foundations, its changes and its tensions. Perry, who was born in Alabama, approaches the task from a variety of angles, and discusses some of them on this week’s podcast.
“It includes personal stories,” Perry says. “It is a book about encounters. It is a book about the encounter with history but also with human beings. And as part of it, self-discovery, to try to understand why a Southern identity is so centrally important to me, and why it’s so centrally important to the formation of this country.”
Oliver Roeder visits the podcast to discuss his new book, “Seven Games,” a history of checkers, backgammon, chess, Go, poker, Scrabble and bridge that also asks why we play.
“The simplest answer is, they’re fun,” Roeder says. “We enjoy playing them as a pastime. Another answer is, they’re practice. Games are very simplified, distilled models of the real world in which we live. So for example, a game like poker allows us to practice dealing with uncertainty and hidden information. We don’t know our opponents’ cards. And of course, we see situations like that in real life all the time.”
Also on this week’s episode, Alexandra Alter has news from the publishing world, and Dwight Garner and Alexandra Jacobs talk about books they’ve recently reviewed. Pamela Paul is the host.
Here are the books discussed by The Times’s critics this week:
“The Betrayal of Anne Frank” by Rosemary Sullivan
“Devil House” by John Darnielle
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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