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William Gallois joins the podcast to discuss his latest book, Qayrawān: The Amuletic City, published by The Pennsylvania State University Press in 2024.
Qayrawān: The Amuletic City investigates the fascinating history of the Tunisian city of Qayrawān, which in the last years of the nineteenth century found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.
Using visual archaeological methods, Qayrawān highlights the ‘unknown artist’ as an actor of ‘unnoticed agency’ and a practitioner of living traditional arts. Locating pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera, Gallois identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.
The book challenges tacit assumptions of foreign categories and standards of aesthetics imposed upon Islamic and African art. It contributes to further explorations of the exploration of the ways in which Islam was interwoven with preexisting cultures and forms of expression, particularly in calling for a continued reimagining of the study of “Islamic art.” The book makes welcome contributions to Islamic, African, and Middle Eastern studies, particularly in relation to colonial and art histories. It will be welcomed by scholars of Islamic Studies, African Studies, and Art History.
William Gallois is Professor of the Islamic Mediterranean in the Institute of Arab and Islamic Studies at the University of Exeter, in England. In addition to Qayrawān: The Amuletic City, Prof Gallois is the author of A History of Violence in the Early Algerian Colony (2013) and The Administration of Sickness (2008), among other works.
Yaseen Christian Andrewsen is a DPhil candidate at the University of Oxford, specialising in Islamic intellectual history in West Africa focusing on issues in Sufism, theology, renewal, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.
He can be reached by email at: [email protected]
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
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William Gallois joins the podcast to discuss his latest book, Qayrawān: The Amuletic City, published by The Pennsylvania State University Press in 2024.
Qayrawān: The Amuletic City investigates the fascinating history of the Tunisian city of Qayrawān, which in the last years of the nineteenth century found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.
Using visual archaeological methods, Qayrawān highlights the ‘unknown artist’ as an actor of ‘unnoticed agency’ and a practitioner of living traditional arts. Locating pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera, Gallois identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.
The book challenges tacit assumptions of foreign categories and standards of aesthetics imposed upon Islamic and African art. It contributes to further explorations of the exploration of the ways in which Islam was interwoven with preexisting cultures and forms of expression, particularly in calling for a continued reimagining of the study of “Islamic art.” The book makes welcome contributions to Islamic, African, and Middle Eastern studies, particularly in relation to colonial and art histories. It will be welcomed by scholars of Islamic Studies, African Studies, and Art History.
William Gallois is Professor of the Islamic Mediterranean in the Institute of Arab and Islamic Studies at the University of Exeter, in England. In addition to Qayrawān: The Amuletic City, Prof Gallois is the author of A History of Violence in the Early Algerian Colony (2013) and The Administration of Sickness (2008), among other works.
Yaseen Christian Andrewsen is a DPhil candidate at the University of Oxford, specialising in Islamic intellectual history in West Africa focusing on issues in Sufism, theology, renewal, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.
He can be reached by email at: [email protected]
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
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