What happens when artificial intelligence comes for the novelists? Journalist Stephen Marche investigates in Death of an Author, a gripping speculative mystery that was written 95% by AI, aka “Aidan Marchine,” and 5% by Marche, who skillfully crafted the story outline and machine prompts. You can get Death of an Author now at https://www.pushkin.fm/audiobooks/death-of-an-author or wherever you get your audiobooks and eBooks.

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Introducing Bubbles with Isaac Adamson | Development Hell from Revisionist History.

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DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].

Introducing Heart's Nancy Wilson from Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond.

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Guitarist and songwriter Nancy Wilson is one half of the rock band Heart, along with her older sister Ann Wilson. Nancy and Ann have been the face of the band since the mid-70s. Heart’s first album, Dreamboat Annie, was released in 1976 right as the band was making traction opening for big acts like Rod Stewart and The Bee Gees. Soon their songs, like “Magic Man” and “Crazy On You,” started to take off in the States, and Heart quickly became a headlining act.

Nearly 50 years since their debut album, Heart has experienced career highs—like a string of chart-topping hits and an induction into the Rock N Roll Hall Of Fame—as well as their fair share of personal and professional adversity. Today Ann and Nancy remain steadfast in continuing Heart’s legacy. This month they embarked on a world tour—their first in five years.

To celebrate Ann and Nancy Wilson’s massive contribution to rock n roll history, we will feature conversations with both sisters over the next two weeks. Today we’ll hear Leah Rose talk to Nancy about how the popular drugs of the ‘70s and ‘80s influenced Heart’s sound. She also describes how being accepted by the musicians of Seattle’s grunge scene helped her overcome Heart’s fraught experience recording power ballads in the ‘80s. And she describes the lo-fi setup she used to score the soundtracks of her ex-husband Cameron Crowe’s hit movies: Almost Famous, Vanilla Sky, and Jerry McGuire.

You can hear a playlist of some of our favorite Heart songs HERE.

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DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].

Introducing Hey Jude from McCartney: A Life in Lyrics.

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DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].

At the start of 2021, Elon Musk briefly became the richest man in the world. The global pandemic was a boom time for American billionaires, many of whom saw their wealth rise even as much of the world was locked down. As Musk, Bezos, Gates and others jockeyed for first place in the world’s richest-man contest, the rise of cryptocurrencies was generating headlines about the fictive quality of money. “All forms of currency are acts of imagination”, says Jill Lepore: they require communal belief in their value - what economists sometimes call the Tinkerbell Effect. Musk started tweeting about Dogecoin - a cryptocurrency started as a joke, based on a meme about a dog - even dubbing himself 'The Dogefather'. Although Musk’s tweets looked ironic, jokey, irreverent, they seemed to be having a very real and destabilizing effect on financial markets.

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The science fiction that Silicon Valley techno-billionaires like Elon Musk, Jeff Bezos and Peter Thiel adore often concerns gleaming futures in which fantastically powerful and often immensely rich men colonize other planets. In this episode, Jill Lepore takes a look at the science fiction that’s usually left out of this vision. New Wave, feminist, post-colonial science fiction. Including the story of Baby X, a story from the 1970s about a child - like Musk’s youngest son - named X.

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How Silicon Valley capitalism is as much about narrative as the bottom line. In 2008 when Tesla Motors launched their first car, the completely electric Roadster, Tesla was a great story. Something genuinely new. An engineering marvel. Elon Musk as CEO was an even better story. He had already disrupted banking and aerospace. Now the automobile industry. That same year, the superhero film Iron Man was released. Its creators turned to Musk to help shape this version of the character of Tony Stark, a billionaire arms dealer who believes everything is achievable through technology, and private enterprise. Musk was on the cover of countless magazines, under headlines like “Elon Musk AKA Tony Stark, Wants to Save the World.” He was becoming a celebrity, on a superhero scale.

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Why does Elon Musk believe he can save the world by colonizing Mars? When PayPal was bought for $1.5 billion, Elon Musk and other company founders made huge personal fortunes. Musk used his to start the rocket company, SpaceX. He also began talking about very big plans for the future of humanity. He wanted humans to become ‘a multi-planetary species’ and said he was accumulating resources to 'extend the light of consciousness to the stars’. Soon he was talking about humans moving permanently to Mars. Future-of-humanity questions used to belong to religion and philosophy. Under ‘Muskism’ they belong more to engineering and entrepreneurship. Jill Lepore traces the history of Silicon Valley's fascination with existential catastrophism. In the second of five programs, strap in to head to Mars.

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Coming November 1 from Pushkin Industries and the BBC

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