Sign up to save your podcasts
Or
Share Laure Astourian, "The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema" (Indiana UP, 2024)
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
Laure Astourian, "The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema" (Indiana UP, 2024)
The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema.
Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
View all episodes
By New Books Network
3.9
5959 ratings
The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema.
Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
More shows like New Books in Intellectual History
View all
The LRB Podcast
288 Listeners
The Partially Examined Life Philosophy Podcast
2,106 Listeners
In Our Time
5,431 Listeners
New Books in History
211 Listeners
New Books in Military History
161 Listeners
New Books in Critical Theory
149 Listeners
New Books in Sociology
46 Listeners
New Books in Political Science
64 Listeners
New Books in Economics
27 Listeners
Arts & Ideas
293 Listeners
New Books in Psychoanalysis
189 Listeners
New Books in African American Studies
165 Listeners
New Books in Literary Studies
23 Listeners
New Books in American Studies
30 Listeners
Philosophy Bites
1,542 Listeners
Philosophy For Our Times
307 Listeners
Entitled Opinions (about Life and Literature)
506 Listeners
Why Theory
581 Listeners
Theory & Philosophy
375 Listeners
Acid Horizon
198 Listeners
What's Left of Philosophy
262 Listeners
Close Readings
69 Listeners
Past Present Future
323 Listeners