New Books in Gender

Across Pakistan's rooftops, pigeon flyers devote enormous care and labor to birds that soar the skies, take part in competitions, and knit together communities otherwise divided by caste, class, language, and ethnicity. Spies and Other Pigeons: Hospitality and Hostility in Multispecies Pakistan (U Washington, 2026) follows these flyers across four provinces, revealing a world of shauq (passionate pursuits) where training, feeding, and flying become affective acts to welcome a more-than-human other into the home.

When cherished birds cross the militarized India-Pakistan border, they are recast as intruders and “spies," exposing the thin line between welcome and suspicion, hospitality and hostility. Through long-term ethnography, Dr. Muhammed Kavesh traces the layered meanings of arrival, both at the home and the homeland, showing how pigeons illuminate political tensions while sustaining bonds of play, care, and enthusiasm. Interweaving anthropology, South Asian studies, and multispecies studies with the Punjabi folktale of Heer Ranjha, Dr. Kavesh offers a conceptually rich account of human-pigeon relatedness. Moving from village lofts and urban rooftops to racing clubs and borderlands, the book demonstrates how animals mediate danger, belonging, and reciprocity across contested lines.

Original and exciting, Spies and Other Pigeons reframes multispecies anthropology through a South Asian lens, revealing how the care and labor of pigeon keeping anchor local worlds and unsettle national borders.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement. 

XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission. 

The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. 

In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include: 

• Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.
• The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.
• The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.
• Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.
• Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.
• Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.
• The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status. 

One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.

 The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly. 

Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond. 

The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. 

Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University. 

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Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.

Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).

Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.

Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.

Playlist:

• Thanks to Life
• The Madres de la Plaza de Mayo
• The Things We Didn't Know
• In The Garden Behind The Moon
• The Common
• The Translators Daughter
• We Take Our Cities With Us
• A Calm and Normal Heart
• The Names of All the Flowers

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

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Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about.

New Books in Late Antiquity is Presented by Ancient Jew Review

Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Sociology of Gender in India brings together feminist and queer scholarship to chart the changing landscape of gender debates in Indian sociology. Spanning over five decades of disciplinary evolution, this volume interrogates how gender, caste, sexuality, class, and digitalisation intersect in shaping contemporary social life. With chapters by a new generation of scholars, it critically engages with foundational debates in kinship, marriage, labour, media, nationalism, and pedagogy, while foregrounding neglected areas such as femtech, queer infrastructures, and digital precarity. The volume not only reanimates classic concerns of Indian feminist sociology but also aims to intervene in global conversations on intersectionality, decolonial knowledge, and the sociology of everyday life.

Pushpesh Kumar teaches sociology at the University of Hyderabad. He has written extensively on gender and sexuality issues. 

Rituparna Patgiri teaches Sociology in the Department of Humanities and Social Sciences (HSS) at the Indian Institute of Technology (IIT), Guwahati. Her research explores questions of culture, food, media, gender, and pedagogy. 

Deepali Aparajita Dungdung teaches in the Department of Sociology, Ranchi University. Her research examines the intersections of gender, ethnicity, and care work within contemporary capitalism, with her more recent work focusing on language, education, and development.

Priyam Sinha is an Early-Career Fellow at the Wee Kim Wee School of Communication and Information, Nanyang Technological University, where her work sits at the intersection of critical media industry studies, production cultures, disability studies, gender studies, and digital media development in Asia. She previously held a Humboldt Postdoctoral Research Fellowship at the Institute for Asian and African Studies, Humboldt University Berlin, and her doctoral research was awarded by the Singapore Indian Chamber of Commerce and Industry. Her articles appear in the European Journal of Cultural Studies; Media, Culture and Society; Communication, Culture and Critique; and South Asian Diaspora, among others. Committed to public scholarship, she is a regular host on the New Books Network and has written for the Economic and Political Weekly, the Asian Film Archive, and FemAsia. Her work can be found at here and you can follow her on X here

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The clothes we inherit, covet, purchase, borrow, wear, store, destroy, or give away are intricately woven into our ideas about who we are and how we relate to others and the world around us. Clothes are things that can console us or trouble us. They can be objects buoyant with cherished memories and self-affirming associations—or weighed down with loss, disappointment, or other difficult feelings. Sometimes, they can be both at once.

Dressays (Bloomsbury Visual Arts, 2026) is a new collection of essays about dress just out with Bloomsbury. Edited by the feminist media scholar Dr Rosie Findlay, Senior Lecturer in Media at City, University of London, it’s a rich and idiosyncratic book that carefully attends to everyday practices of dress as they connect to emotion, memory, imagination, and experience.

Diverse in its approach to dress—including clothing as well as jewellery, wigs, prosthetics, and other garments that we wear close to the skin—Dressays also brings together an array of writing styles and voices. These beautifully written essays bridge the personal and the theoretical as they seek to find language to express the complicated meanings we invest (or discover) in our clothes.

For the New Books Network, Rosie chats with Alix Beeston—one clothes-lover to another—about her approach to dress, the practicalities of crafting an anthology of new and existing works, the realities of obsessive, tenacious research practices (which may or may not be slightly “unhinged”!), and the value of scholarship as a form of collective dialogue that invites readers along to the party.

Passionate and insightful at each turn, Rosie also offers some courageous and moving reflections about the influence on her life and work of her mum Sarah, who died shortly before Dressays was published and to whom it's dedicated with love. Dressays emerges as a powerful testament to Sarah’s—and Rosie’s—ability to bring together people as well as they do outfits.

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Americans have nowhere to go. Nationwide, countless public spaces lack one crucial thing: bathrooms, never mind ones that are safe and functional. Yet in the past, political leaders celebrated the opening of public bathrooms with boisterous press conferences and showy ribbon-cutting ceremonies. 

For Customers Only: Public Bathrooms and the Making of American Inequality (University of Chicago Press, 2026) is the first book to tell the larger history of public bathrooms in the United States, a fascinating story characterized by persistent discrimination, squeamishness about unknown bodies, and disinvestment in public amenities. Acclaimed writer and historian Dr. Bryant Simon argues that restrooms aren’t only an architectural feature, but an emblem of control and inequality. In the late nineteenth century, cities vied for the newest and biggest comfort stations to meet the demands of their bustling economies and accommodate a broad and growing public. They built restrooms with gold-domed entrances and ornamented stall doors to inspire cleanliness and order. 

But officials soon grew anxious about who might take advantage of this privacy: gay men, the unhoused, and eventually drug users. And as the civil rights movement challenged segregation, officials in the north and south closed public toilets rather than integrate them. By the end of the twentieth century, only people with means could use private bathrooms while out and about—provided they made a purchase at a business. Today, as the fights over trans rights reveal, bathroom access remains a flash point across the country. Meanwhile, some municipalities are again calling for widely available public toilets, but as a tool for economic revitalization, not a public necessity. 

The political and cultural history of a squirm-inducing subject, For Customers Only reveals the real and symbolic power of the most ordinary of things. Bathrooms, Dr. Simon shows, have always reflected our fragmented national values. Whether these spaces will ever become more accessible and inclusive is ultimately up to us.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

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Women, Gender, and Socialist Ideology in Soviet Russia (Routledge, 2026) examines the place of women in Soviet Russia from the 1917 Revolution through the post-World War II period, discussing how the Soviet construction of gender perpetuated inequality even as it dramatically expanded women’s roles in society.

Chapters of this book explore Bolshevik activists’ ideals of women’s liberation and their failure to realize these ideals; the significance of women’s labor to the Soviet economy, alongside continued workplace discrimination; state reproductive policies and essentialist understandings of femininity; women’s World War II military service and representations of gender in postwar commemorations; and the role of socialist ideology in the formation of the Soviet system and Stalinist culture. Throughout, Hoffmann places Soviet history in its international context, including comparisons of Soviet women’s social positions with those of their counterparts in other countries. The book makes clear the centrality of the Soviet gender order to the country’s social, cultural, and political history, as well as providing an important historical case for understanding the broader struggle for women’s equality.

Intended for students and scholars alike, this book is a valuable resource for all those interested in gender history, Soviet history, labor history, and World War II.

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During the interwar years, Vietnamese society witnessed a rapid change in the way women looked. Rejecting the model of a sequestered maiden with blackened teeth and long hair, they embraced a vivid palette of colors—and a colorful lifestyle to match. Before the war, Vietnam would have seemed like an unlikely place for a beauty industry to thrive. Virtuous young women were expected to hide their natural beauty, not manipulate it with makeup or flaunt it at a beauty contest. Yet ordinary women began seeking out the latest fashions—to great public consternation.

In Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia UP, 2025), Christina E. Firpo explores the development of beauty culture in this period, showing how women’s faces and bodies became contested sites for envisioning what it meant to be Vietnamese in the modern world. She considers dress patterns, lip-lining tutorials, hairstyles, physiques, and beauty pageants alongside new technologies of media, transportation, and leisure and the anxieties they provoked. The everyday decisions women made about their appearance, Firpo argues, were ways to stake a claim to the roles they wanted to play in the new society taking shape around them. Drawing on a vast array of sources, Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia University Press, 2026) offers fresh insight into the tumultuous political, economic, social, and cultural changes that swept across Vietnam during this crucial period.


Christina E. Firpo is professor of history at California Polytechnic State University, San Luis Obispo. She is the author of Black Market Business: Selling Sex in Northern Vietnam, 1920–1945 (Cornell University Press, 2020) and The Uprooted: Race, Children, and Imperialism in French Indochina, 1890–1980 (University of Hawai'i Press, 2016).

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on 20th-century Vietnamese literature, socialist realism, and literary translation in Vietnam across French, Vietnamese, Chinese, and English. She can be reached at [email protected].

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How can we achieve lasting social and political equality for women? Dr. Leda Pérez tackles this thorny question in Searching for Democracy: Women, Domestic Work, and Social Reproduction in Latin America (Temple University Press, 2026) by interrogating egalitarianism in Latin America, where nearly 20% of women work in domestic service. She examines how women’s participation in society, labor, and politics continues to be conditioned by their relationship to domestic and care work.

Dr. Pérez argues that women’s relationship to these spheres of life is indicative of a nation’s development and democracy. She provides a comparative focus on the socio-cultural valuation of this labor and the experiences of women in Bolivia, Chile, Peru, and Uruguay, among other countries. Pérez asserts that it is only by changing sociocultural views on this “women’s work” that nations can create political change, foster equitable legislation, and ensure implementation of effective policies that benefit women.

Searching for Democracy shows why real and lasting equality cannot be achieved without fully enfranchising women in the lowest tiers of employment and closing the equality gap among women. Dr. Pérez’s models for gender equality are relevant for women around the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

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