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How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?
Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected.
"The mind-body problem has been the main thing that I explored in my days in philosophy because I also had some small romances with philosophy as well. And I think this is not a matter of empirical investigation. So I don't think that there is any experience experiment that could tell you if there is a soul that is non-physical. I think that at the end of the day, this is for a philosophical and metaphysical discussion that could be determined by arguments and not experiments."
https://people.socsci.tau.ac.il/mu/mudriklab
https://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popup
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean. Over a quarter of all marine life exists in these rain forests of the sea.
Gator Halpern is the Co-founder and President of Coral Vita, a mission-driven company working to restore our world’s dying coral reefs. He is a lifelong entrepreneur who is passionate about starting projects that can help create a better harmony between society and nature. His work has earned him a number of awards including being named a United Nation’s Young Champion of the Earth, a Forbes 30 Under 30 social entrepreneur, and an Echoing Green fellow. Before founding Coral Vita, he worked on development projects in Brazil, Peru, and South Africa. During his career, he has helped distribute millions of baby fish for aquaculture to remote villages in the Amazon, he’s analyzed the environmental effects of land-use change projects on three different continents, and worked for the World Wildlife Fund Global Marine Program. Gator founded Coral Vita during his graduate studies at the Yale School of Forestry and Environmental Studies, and he lives and works in the Bahamas where Coral Vita operates the world’s first commercial land-based coral farm for reef restoration.
“Coral reefs are the most biodiverse habitat on the planet, despite covering less than 1 percent of the ocean area, over a quarter of all marine life exists in these rainforests of the sea. And if you think of a coral reef as a rainforest, the trees are the coral themselves. Which are incredible organisms, so, magic is really the right word to describe them. They're these animals that are one of the original forms of animal life, the second branch of the animal kingdom is actually Cnidaria, which includes coral and jellyfish. So, an ancient animal, but they have a symbiotic relationship with algae, and so inside the animal tissue are these zooxanthellae, these algae that do photosynthesis, like algae do, like plants do. It's able to capture sunlight and convert it into sugars and energy. And so, it's an animal, but it's got plants that live inside it, this algae, and then even more wild - it grows a skeleton that is rock!
So coral skeleton is actually calcium carbonate, which is limestone. And most of the limestone that exists on the earth was grown by these organisms. And so they're animals with plants inside of them that grow rock as skeleton. And the rock skeletons form these incredibly intricate structures that are coral reefs that can grow for thousands of miles and the corals can live for thousands of years to be seen from space and to create these essential ecosystems that are really the cornerstone of all of life in the ocean and, and therefore much of life on Earth.”
https://coralvita.co
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Learning about environmentalism in school, you look at specific figures like John Muir, etc. And I wanted people to also have that association when it came to the environmental justice movement because I think sometimes that really is a helpful learning tool for students.
So in particular, Hazel M. Johnson, I'm so fascinated by her because she's often not really written about in environmental textbooks at all. She was just a woman in Chicago who had no environmental experience, but she started realizing that a lot of people in her community, including her husband, were getting all sorts of forms of cancers and other heart diseases and things like that at what she suspected were alarming rates. So when she investigated, she found that her neighborhood was built on top of toxic waste and other things, and she defined this term called a toxic doughnut that her community and so many other communities that were similar to hers that were lower income and primarily Black neighborhoods that were formerly redlined were surrounded by a toxic doughnut of waste, of landfills, highways running through their neighborhoods, and sometimes even buried radioactive waste, etc.
So she was one of the first people who really made a stir about this, and I think something that's really cool in her work, and then also Dr. Robert Bullard, to formalize that research or that hunch that she had and produced the first study on toxic waste and race and really made the field of environmental justice is that they also were really just faith-based people that spoke about this amongst their churches.
And I think again, that's something that's really cool because in the environmental or scientific community, sometimes people do try to separate faith advocacy from science. However, these are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet.
So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered."
Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023.
www.intersectionalenvironmentalist.com
www.instagram.com/greengirlleah
www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious
Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions
Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk
www.oneplanetpodcast.org
“Sometimes people do try to separate faith advocacy from science. However, Hazel Johnson and Dr. Robert Bullard are people who were mobilizing in their churches and talking about it in their sermons and seeing how they could transform their communities to be better for people and the planet.
So I think it's just a great story, and I really want people to know the names of people like Hazel Johnson and Dr. Robert Bullard just like they know the names of people like John Muir because they've done such a beautiful job, and I want their legacies to be remembered."
Leah Thomas is an intersectional environmental activist and eco-communicator based in Southern California. She’s passionate about advocating for and exploring the relationship between social justice and environmentalism and was the first to define the term “Intersectional Environmentalism.” She is the founder of @greengirlleah and The Intersectional Environmentalist platform. Her articles on this topic have appeared in Vogue, Elle, The Good Trade, and Youth to the People and she has been featured in Harper’s Bazaar, W Magazine, Domino, GOOP, Fashionista, BuzzFeed, and numerous podcasts. She has a B.S. in Environmental Science and Policy from Chapman University and worked for the National Park Service and Patagonia headquarters before pursuing activism full time. She lives in Carpinteria, California. She is the author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet, and Winner of the Creative Force Foundation Award 2023.
www.intersectionalenvironmentalist.com
www.instagram.com/greengirlleah
www.hachettebookgroup.com/titles/leah-thomas/the-intersectional-environmentalist/9780316281935/?lens=voracious
Season 2 of Business & Society focuses on CEOs , Sustainability & Environmental Solutions
Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk
www.oneplanetpodcast.org
"I found faith very late in life. And while it has been an incredible joy for me, a joyful journey. It remains a journey. You still are traveling. You don't suddenly think like, now I've got it all figured out! So you still are aware of your own struggles. And the fact that it took me so long to come to a place where I could believe...I was 49 when I was baptized. And I had gone down every stupid, wrong, obviously dishonest road it was possible to go down. I was not somebody who converted at 19 and never changed my mind. I changed my mind a million times. And so I was aware of where all the dead ends were. Now I can at least say I know that this road ends here, and this road ends there, logically, morally, and emotionally. And that's been helpful to me."
What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process?
Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series.
www.andrewklavan.com
www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What makes a good drama? What advantages do human storytellers have over their AI counterparts? Where do ideas come from? And what do spiritual beliefs share with artists' faith in the creative process?
Andrew Klavan is the author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don’t Say A Word, filmed starring Michael Douglas, Empire of Lies and When Christmas Comes. He has been nominated for the Mystery Writers of America’s Edgar Award five times and has won twice. He wrote the screenplays to A Shock to The System starring Michael Caine, One Missed Call starring Edward Burns, and Gosnell: The Trial of America’s Biggest Serial Killer starring Dean Cain. His essays have appeared in the Wall Street Journal, The New York Times, and the Los Angeles Times, his political satire videos have been viewed by tens of millions of people, and he hosts a popular podcast The Andrew Klavan Show at the Daily Wire. He is also the author of a memoir about his religious journey The Great Good Thing: A Secular Jew Comes to Faith in Christ and the USA Today bestseller The Truth and Beauty: How the Lives and Works of England's Greatest Poets Point the Way to a Deeper Understanding of the Words of Jesus. His latest crime novel is The House of Love and Death, the third book in the Cameron Winter series.
"I found faith very late in life. And while it has been an incredible joy for me, a joyful journey. It remains a journey. You still are traveling. You don't suddenly think like, now I've got it all figured out! So you still are aware of your own struggles. And the fact that it took me so long to come to a place where I could believe...I was 49 when I was baptized. And I had gone down every stupid, wrong, obviously dishonest road it was possible to go down. I was not somebody who converted at 19 and never changed my mind. I changed my mind a million times. And so I was aware of where all the dead ends were. Now I can at least say I know that this road ends here, and this road ends there, logically, morally, and emotionally. And that's been helpful to me."
www.andrewklavan.com
www.amazon.com/House-Death-Cameron-Winter-Mysteries/dp/1613164467
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Joseph M. Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.
Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.
Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.
www.lizablack.com
www.josephmpierce.com
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?
April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.
She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages.
www.aprilgornik.com
www.thechurchsagharbor.org
www.milesmcenery.com/exhibitions/april-gornik2
https://sagharborcinema.org/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846
Creative Commons CC0 1.0 Universal Public Domain
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world?
April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC.
She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages.
"I was so mad at the Catholic Church and my upbringing and the way that my parents, my mother particularly, was so manipulated to think that if she did one thing for herself that she was somehow hurting Jesus and the local priests. I mean, it's such a brainwashing kind of situation. On the other hand, if you're raised Catholic, you're raised to believe in miracles. And the idea of transubstantiation. There's so many things about Catholicism, there's so much imagery that's magic, magical thinking, that lets your mind run free to a certain extent. You know, it does give you the willful ability to dream and imagine and just take off on crazy tangents. I mean religious people tend to be seekers and seekers tend to be the people that keep us whole and spiritually grounded and not just religious per se."
www.aprilgornik.com
www.thechurchsagharbor.org
www.milesmcenery.com/exhibitions/april-gornik2
https://sagharborcinema.org/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846
Creative Commons CC0 1.0 Universal Public Domain
Additional audio courtesy of Sag Harbor Cinema Arts Center.
"Confidence is a series of mental, physical, and emotional habits that can be learned. And once you learn them, you can gain the compound interest benefits of confidence."
How important is confidence? Psychologists say confidence is a series of mental, physical, and emotional habits that can be learned. What makes some people overconfident while others are realistic about their abilities and why are both outlooks important to succeed in life?
Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and Co-Leader of The BrainHealth Project at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology. He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia.
https://ianrobertson.org
www.gbhi.org
www.penguin.co.uk/books/441931/how-confidence-works-by-robertson-ian/9781787633728
https://centerforbrainhealth.org/project
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
From the publisher's feed
Spirituality & Mindfulness episodes of the popular The Creative Process podcast. We speak to spiritual leaders, mindfulness experts, great thinkers and authors, elders, artists, musicians and others discuss paths to faith, connection, and creativity. To listen to ALL arts, education & spirituality episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info
For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
INSTAGRAM: @creativeprocesspodcast

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