Averill Earls is an associate professor in history at St. Olaf’s College and her research focuses on sexuality and modern Ireland. Her writing has appeared in the Journal of the History of Sexuality, Historical Reflections (in the top-visited issue of the journal to date), Perspectives Magazine, Nursing Clio, and Notches Blog. In 2021 she was awarded the Judith R. Walkowitz Article Prize for her 2020 article, "Solicitor Brown and His Boy." Prof. Earls is also one of the four feminist historians and award-winning podcasters who founded Dig: A History Podcast in 2017.

Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-1972 (Temple UP, 2025) tells the unexpected, sometimes heartbreaking, stories of Dublin’s men who desired men and the Gardaí who policed them. The book uncovers Ireland’s queer lives of the past. Averill Earls investigates how same-sex-desiring men lived and loved in a country where their sexuality was illegal and seen as unnatural. Across seven social biographical chapters, each highlighting individuals at the nexus of these histories, Earls constructs a narrative of experiences through the larger contexts in which they are embedded. She uses courtroom testimonies, police records, and family history archives as well as “educated speculation” to show how structures governing male same-sex desire in Ireland played out on the bodies of the men who desired men, the teen boys who sold sex to men, and the way the Catholic-nationalist ethos shaped the Gardaí who policed them. Love in the Lav examines the experiences of people such as cabbie James Hand, who was put on trial for gross indecency, to provide a window into the queer working-class subculture of 1930s Dublin. Earls also focuses on issues of consent, especially with teens, and the unregulated queer Irish world of public figures, including Micheál Mac Liammóir, Hilton Edwards, Ronald Brown, and John Broderick. By examining twentieth-century Ireland through the lived experiences of ordinary same-sex-desiring Irish men who were relegated to obscurity by Irish society, Earls reveals the contradictions, possibilities, and magnitude of postcolonial Irish Catholic nationalism.

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