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Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?
In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been.
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By Marshall Poe4
205205 ratings
Mass violence did not always have a name. Like conquest, atrocity was not always seen as violating a moral norm or inviting indignation. Could the concept of atrocity even exist before people could accuse their own country of mass violence committed against the inhabitants of another country?
In Atrocity: A Literary History (Stanford UP, 2025), Bruce Robbins details how, when and where the conceptual space opened to make the recognition of atrocity possible. Robbins reads Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Grimmelshausen's 1668 novel Simplicissimus, Tolstoy's Hadji Murat, Kurt Vonnegut's Slaughterhouse-Five, Gabriel García Márquez's One Hundred Years of Solitude, David Mitchell's Cloud Atlas, and many other writers to examine how writers not only develop but question what representations of atrocity achieve. Critically examining the emergence of a cosmopolitan ethic, and questioning the practical wisdom offered by the indignation or its refusal in the face of atrocity, Robbins argues for the invention of atrocity as a moral achievement, however tainted its development may have been.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

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