New Books in Architecture

Jake Rudin and Erin Pellegrino's book Out of Architecture: The Value of Architects Beyond Traditional Practice (Routledge, 2022) is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors' own stories and routes out of architecture.

The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a calling. Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself.

Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable listen. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the chapters of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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What do the technical practices, procedures, and systems that have shaped institutions of higher learning in the United States, from the Ivy League and women’s colleges to historically black colleges and land-grant universities, teach us about the production and distribution of knowledge? Addressing media theory, architectural history, and the history of academia, Knowledge Worlds: Media, Materiality, and the Making of the Modern University (Columbia UP, 2021) reconceives the university as a media complex comprising a network of infrastructures and operations through which knowledge is made, conveyed, and withheld.

Reinhold Martin argues that the material infrastructures of the modern university—the architecture of academic buildings, the configuration of seminar tables, the organization of campus plans—reveal the ways in which knowledge is created and reproduced in different kinds of institutions. He reconstructs changes in aesthetic strategies, pedagogical techniques, and political economy to show how the boundaries that govern higher education have shifted over the past two centuries. From colleges chartered as rights-bearing corporations to research universities conceived as knowledge factories, educating some has always depended upon excluding others. Knowledge Worlds shows how the division of intellectual labor was redrawn as new students entered, expertise circulated, science repurposed old myths, and humanists cultivated new forms of social and intellectual capital. Combining histories of architecture, technology, knowledge, and institutions into a critical media history, Martin traces the uneven movement in the academy from liberal to neoliberal reason.

Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.

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Brian Tokar and Tamra Gilbertson's book Climate Justice and Community Renewal: Resistance and Grassroots Solutions (Routledge, 2020) brings together the voices of people from five continents who live, work, and research on the front lines of climate resistance and renewal.

The many contributors to this volume explore the impacts of extreme weather events in Africa, the Caribbean and on Pacific islands, experiences of life-long defenders of the land and forests in Brazil, India, Indonesia, and eastern Canada, and efforts to halt the expansion of fossil-fuel infrastructure from North America to South Africa. They offer various perspectives on how a just transition toward a fossil-free economy can take shape, as they share efforts to protect water resources, better feed their communities, and implement new approaches to urban policy and energy democracy.

Climate Justice and Community Renewal uniquely highlights the accounts of people who are directly engaged in local climate struggles and community renewal efforts, including on-the-ground land defenders, community organizers, leaders of international campaigns, agroecologists, activist-scholars, and many others. It will appeal to students, researchers, activists, and all who appreciate the need for a truly justice-centered response to escalating climate disruptions.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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Development, Architecture, and the Formation of Heritage in Late Twentieth-Century Iran (Manchester UP, 2020) analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities.

The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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The Building as Screen: A History, Theory, and Practice of Massive Media (Amsterdam UP, 2019) describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago.

The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. Reconstructing the Garrick: Adler and Sullivan's Lost Masterpiece (Alphawood Exhibitions, 2021) documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality.

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Where people are killed and abused in warfare and violent conflict, artifacts of cultural heritage are often destroyed and mistreated as well. Indeed, in the World War II-era efforts to promote the then-novel idea of genocide, the Polish lawyer and activist Raphael Lemkin sought to codify the notion that genocide was both personal and cultural. What has come of his efforts?

In this episode of International Horizons, we are joined by Irina Bokova, former Director-General of UNESCO and former Bulgarian ambassador to France and Monaco, who discusses the reasons why cultural heritage should be defended and preserved. Bokova provides different examples of how terrorist groups have destroyed ancient cultural heritage, the evolution of the legal frameworks to protect it, and how -- despite the disregard for international law these days -- the protection of cultural heritage is evolving.

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Why technology is most transformative when it is playful, and innovative spatial design happens only when designers are both tinkerers and dreamers.

In Urban Play: Make-Believe, Technology, and Space (MIT Press, 2021), Fábio Duarte and Ricardo Álvarez argue that the merely functional aspects of technology may undermine its transformative power. Technology is powerful not when it becomes optimally functional, but while it is still playful and open to experimentation. It is through play—in the sense of acting for one's own enjoyment rather than to achieve a goal—that we explore new territories, create new devices and languages, and transform ourselves. Only then can innovative spatial design create resonant spaces that go beyond functionalism to evoke an emotional response in those who use them.

The authors show how creativity emerges in moments of instability, when a new technology overthrows an established one, or when internal factors change a technology until it becomes a different technology. Exploring the role of fantasy in design, they examine Disney World and its outsize influence on design and on forms of social interaction beyond the entertainment world. They also consider Las Vegas and Dubai, desert cities that combine technology with fantasies of pleasure and wealth. Video games and interactive media, they show, infuse the design process with interactivity and participatory dynamics, leaving spaces open to variations depending on the users' behavior. Throughout, they pinpoint the critical moments when technology plays a key role in reshaping how we design and experience spaces.

Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].

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A new model of urban governance, mapping the route to a more equitable management of a city’s infrastructure and services. The majority of the world’s inhabitants live in cities, but even with the vast wealth and resources these cities generate, their most vulnerable populations live without adequate or affordable housing, safe water, healthy food, and other essentials. And yet, cities also often harbor the solutions to the inequalities they create, as this book makes clear. 

With examples drawn from cities worldwide, Co-Cities: Innovative Transitions toward Just and Self-Sustaining Communities (MIT Press, 2022) outlines practices, laws, and policies that are presently fostering innovation in the provision of urban services, spurring collaborative economies as a driver of local sustainable development, and promoting inclusive and equitable regeneration of blighted urban areas. Identifying core elements of these diverse efforts, Sheila R. Foster and Christian Iaione develop a framework for understanding how certain initiatives position local communities as key actors in the production, delivery, and management of urban assets or local resources. Within this framework, they explain the forms such initiatives increasingly take, like community land trusts, new kinds of co-housing, neighborhood cooperatives, community-shared broadband and energy networks, and new local offices focused on citizen science and civic imagination. The “Co-City” framework is uniquely rooted in the authors’ own decades-long research and first-hand experience working in cities around the world. Foster and Iaione offer their observations as “design principles”—adaptable to local context—to help guide further experimentation in building just and self-sustaining urban communities.

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Cape Cod and the islands of Martha’s Vineyard and Nantucket are special places known for their distinctive flora, including pine-oak forests, sandplain grasslands, and sand dunes peppered with bearberry shrubs. Unfortunately, this unique sense of place is under threat. In recent decades, contemporary landscape practices have come to depend on environmentally stressful fertilizers and irrigation systems, replacing this sensitive ecoregion’s native flora with generic turfgrasses and popular commercial nursery trees and shrubs that could exist anywhere.

Design with Nature on Cape Cod and the Islands (U Massachusetts Press, 2022) seeks to reverse this damaging trend by offering landscape professionals, local officials, and homeowners a sustainable approach to landscape design based on the ecoregion’s native plants and plant communities. Presenting detailed discussions of Cape Cod’s natural history, Jack Ahern focuses on the principal plant communities that define its landscape character and that are well adapted to local soils and growing conditions, including climate change. The book also includes strategies for ecological planting design and a portfolio of photographs of active ecologically designed landscapes.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture

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