New Books in Architecture

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize.

Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference.

Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries.

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Nadia Amoroso’s Representing Landscapes: A Visual Collection of Landscape Architectural Drawings (Routledge, 2012) is a collaboration between landscape architecture professors and practitioners leading the field today. The inspiration for the book came from her design studios. She wanted to demonstrate to students how they too could produce beautiful graphics by utilizing a software workflow. The book is divided into the major visual language alphabet for landscape architects: diagrams and mapping, presentation plans, axonometric, section-elevations, perspectives, modeling, and finally case studies. Each section contains an essay describing the graphic elements and usefulness for students and professionals. Nadia Amoroso is the co-founder and Creative Director of DataAppeal, a visualization firm that focuses on the creative mapping of digital media, urban design and GIS representation. She also actively teaches design studios at the University of Guelph. Her academic background includes degrees in Landscape Architecture & Urban Design from the University of Toronto and a PhD from the Bartlett School of Architecture.  

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We know quite a bit about the physical signatures of urban “modernity” foisted upon Paris by Baron Haussmann in the late nineteenth century — the broad boulevards, networked infrastructures, connected apartment houses, and assorted monuments — but little scholarship has seized on its precursors in the half-century prior. In Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris (University of Pittsburgh Press, 2018), Sun-Young Park turns to another modernity, recovering a daunting array of Romantic and especially post-Napoleonic interventions — less spectacular but arguably more complex — on mobile Parisian bodies and the everyday spaces that host them. Park considers military gymnasia, schools, barracks, leisure gardens, and other spaces purpose-built to inculcate vigor in both individuated physical bodies and, their proponents hoped amid specters of national decline, in the French body politic. Each of these spaces, Park shows, a “threshold” between fully private and fully public realms, helped install — albeit imperfectly — its own “ideal” of the sanitized and gendered human subject. Ideals of the Body is a detailed, visually rich, theoretically motivated study in urban and architectural history, one that just might realign how we periodize and make sense of urban modernity writ large.

Peter Ekman is Lecturer in Human Geography at the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at [email protected].

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A new book explores how and why New York City became a showcase for the art and architectural styles of ancient Greece and Rome. Classical New York: Discovering Greece and Rome in Gotham (Empire States Editions, 2018), co-edited by Elizabeth Macaulay-Lewis and Matthew McGowan (Fordham University Press, 2018), examines the Greco-Roman influence on buildings, monuments and public spaces from Rockefeller Center to the Gould Memorial Library at Bronx Community College.

Walking around New York, Macaulay-Lewis says she “was struck by how many classical-looking buildings there were.” Indeed, references to the myths, gods, motifs and structures of the ancient world are seemingly everywhere: in courthouses, museums and libraries, in arches and columns, in Latin inscriptions and sculptures. But these classical references aren’t just about aesthetics or engineering. They also symbolize the aspirations of a city that saw itself as a capital of learning, culture, and civic life, on par with the finest institutions of the ancient world.

This interview is part of an occasional series on the history of New York City sponsored by the Gotham Center at CUNY.

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It rose against the Texas sun in all its architectural audacity: a domed stadium big enough to cover a baseball field. When it opened in 1965, the Houston Astrodome defied engineering precedent and forever changed professional sports. Today, its legacy today is complicated, and its future remains uncertain.

Robert Trumpbour and Kenneth Womack tell the story of this groundbreaking building in The Eighth Wonder of the World The Life of Houston's Iconic Astrodome (University of Nebraska Press, 2016). The book won the Seymour Medal from the Society for American Baseball Research in 2017.

Trumpbour is professor of communications at Penn State University. He is also the author of The New Cathedrals: Politics and Media in the History of Stadium Construction (Syracuse Univ. Press, 2006). Womack is a dean and professor of English at Monmouth University, and the author of several books, including Long and Winding Roads: The Evolving Artistry of the Beatles (Bloomsbury, 2007).

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McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!

Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has become the largest domestic construction project in twenty-first century America. The result? Approximately 700 miles of fencing, barricades, and walls comprised of newly built and repurposed materials, strategically placed along the 1,954-mile international border between the United Mexican States and the United States of America. At an initial cost of $3.4 billion, the most current estimates predict that the expense of maintaining the existing wall will exceed $49 billion by 2032. Envisioned solely as a piece of security infrastructure—with minimal input from architects and designers—the existing barrier has also levied a heavy toll on the lives of individuals, communities, municipalities, and the surrounding environment. In Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary (UC Press, 2017), Professor Ronald Rael proposes a series of architectural designs that advocate for the transformation of the existing 700-mile-wall into a piece of civic infrastructure that makes positive contributions to the social, cultural, and ecological landscapes of the U.S.-Mexico borderlands. As both a muse and act of political protest, Rael’s designs challenge us to question the efficacy of the current barrier, while simultaneously stoking our imagination concerning its future.

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Pamela Woolner, senior lecturer in education at Newcastle University, joins us in this episode to discuss her edited volume, School Design Together (Routledge, 2014). Pam is an expert in understanding and developing learning environments, particularly the use of participatory research methods to engage and empower users to share their experiences and knowledge.

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Laura Neitzel’s The Life We Longed for: Danchi Housing and the Middle Class Dream in Postwar Japan (MerwinAsia, 2016) is a chronicle of the large, government-sponsored housing projects called danchi that were built during Japan’s high-growth years, roughly 1955 until the first oil shock in the early 1970s. Though only a minority of Japanese lived in the danchi, they took on an outsized place in the public imagination of and aspirations for the ideal new “bright life” of postwar Japan. The danchi, built by the Japan Housing Corporation (JHC) to accommodate the rush of families relocating to the cities during this transformational period, were the symbol of a new “democratic” middle-class life freed from the “feudal” past, a great social and architectural experiment, and the source of enormous social cathexis. Drawing on a wide range of sources from government white papers to popular women’s magazines, and paying close attention to the danchi as an everyday revolution of the everyday, to both the positive and negative views of the danchi, and to their relationship to contemporaneous social imaginaries of democratic-capitalist affluence around the world, Neitzel paints a clear and concise portrait of the danchi as aspiration, but also paradoxically as a kind of nostalgia a longed-for life that never really was. The book provides a clear and sensitive look at danchi as modern design and design for modernity, as a fantasy of middle-class life and a middle-class fantasy, warts and all.

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Beginning in the mid-1800s, Paris experienced an unprecedented growth in the development of parks, squares, and gardens. This greenspace was part of Napoleon III’s plan for a new, modern Paris and a France restored to glory on the international stage.  Adolphe Alphand, as director of the newly established park service, brought his own democratic and egalitarian vision to urban planning.  In Planning the Greenspaces of Nineteenth-Century Paris (Louisiana State University Press, 2015), Dr. Richard S. Hopkins examines the urban landscape of Paris from the Second Empire through the Third Republic as an expression of France’s revolutionary past in which disparate groups—from planners, reformers, and engineers to neighborhood residents and park visitors—came together to create, define, and negotiate this new public space.

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