Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, The Futures of Reparations in Latin America: Imagination, Translation, and Belonging (Rutgers UP, 2026)

Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the aut0hor of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.

Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.

Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide, as well as co-editor of Power through Testimony: Residential schools in the age of reconciliation in Canada.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website here

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In Deference and Divergence in Regional Human Rights Courts (Cornell UP, 2026), Dr. Maria A. Sanchez tackles a central tension in global governance: how international human rights courts balance their mandates with the imperative to respect national sovereignty. Despite having similar mandates, the world's three regional human rights courts—the European Court of Human Rights, the Inter-American Court of Human Rights, and the African Court on Human and Peoples' Rights—interpret their authority differently, leading to uneven regional enforcement of global human rights principles.

Dr. Sanchez traces how the geopolitical dynamics of each court's founding moments have manifested in contemporary disparities across the courts' jurisprudences—focusing on disputes involving freedom of expression, personal integrity rights, and LGBTQ+ rights. Her findings expose a paradox: the courts that were founded in the most inhospitable environments for human rights have ended up asserting the most expansive authority over governments.

Deeply researched and insightful, Deference and Divergence in Regional Human Rights Courts speaks to when and how international institutions can leverage authority to intervene in domestic affairs.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. Mexico in Space: From La Raza Cósmica to the Space Race (University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams.

Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures.

As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling counternarrative, demonstrating how Mexican cosmic engagements suggest more just, inclusive ways of inhabiting Earth and beyond and providing vital lessons for reimagining humanity's place in the cosmos.

Anne W. Johnson is a professor in the graduate program in social anthropology in the Department of Social and Political Science at the Universidad Iberoamericana in Mexico City.

Caleb Zakarin is the CEO and Publisher of the New Books Network. He lives in New York City.

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Brought to you by the BISA Environment and Climate Politics Working Group.

Globally, Black people are among the most affected by the climate crisis, despite contributing very little to it. For a long time, the crisis was portrayed as yet another injustice for Black people to care about, on top of the day-to-day oppression they face.

In Black Climates: Notes on Race, Our Environment, and Visions for Equitable Futures (Chatto & Windus, 2025), Selina Nwulu reframes the crisis to encompass our disconnection from each other and the world around us. She argues that the root of climate change lies in historical colonial violence and ongoing exploitation, making it inherently racist.

Nwulu, former Young People's Laureate for London, uses her poetic and skilful voice to directly address Black British readers who have been previously ignored in mainstream environmental conversations. She includes interviews with a wide range of creatives and campaigners to explore a variety of subjects, including air pollution, prison ecology, disability justice, migration, food, nature, community care, and radical imagination.

This is an essential and empowering read for anyone who wants to fully understand the connections between Blackness and the climate crisis, providing the tools to envisage more equitable futures.

Selina Nwulu is a well-known poet and her work has featured in Vogue, i-D and ES Magazine amongst others, and she has been commissioned by many different cultural institutions such as Southbank, Somerset House and Wellcome Trust. Selina was a Young Poet Laureate for London 2015-6, a prestigious award that recognizes talent and potential in the capital. Her debut chapbook, The Secrets I Let Slip, was published by Burning Eye Books in 2015 and is a Poetry Book Society recommendation. In 2019, she was shortlisted for the Brunel International African Poetry Prize and was a 2021 Arts Award Finalist for Environmental Writing.

Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.

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Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico.

Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors.

Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Strangely, Friends: A History of Cuban-Canadian Encounters (Between the Lines, 2025) delves into the rich, often overlooked history of personal and cultural connections between Cubans and Canadians. From the early days of the Cuban Revolution to the present, this book uncovers the stories of Canadians who were drawn to Cuba--teachers, artists, development aid workers, filmmakers, and activists--who left an indelible mark on the island, and Cubans, especially the musicians, who found a home in Canada. Through intimate portraits and serendipitous encounters, Karen Dubinsky explores how these relationships transcended political ideologies and state policies, revealing a shared humanity that defies borders. From the classrooms of Havana to the jazz clubs of Toronto, this book captures the enduring bonds forged through music, education, and mutual curiosity, offering a fresh perspective on the power of people-to-people connections.

Karen Dubinsky is Professor of History at Queens University in Canada.

Katie Coldiron is Latin American & Caribbean Studies Librarian at Florida International University.

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Mexico is among the most unique nations in the world, writes Northwestern University historian Paul Gillingham in Mexico: A 500-Year History (Atlantic Monthly Press, 2025). The country has several claims to fame in this regard - one of the first to abolish slavery, North America's first Black president, North America's only Indigenous president, and its only woman president. Gillingham explains the rich, complex, often bloody, and just as often inspiring history of this place from its early sixteenth century origins, into the turn of the twenty first century. Along the way, readers learn that much of what many Americans think they know about Mexico - a place of violence, drugs, and political chaos - is actually myth. In this sweeping account of Mexican history, the resilience and fortitude of the Mexican people shine through as a major theme in this important synthetic work.

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In Cartographies of Youth Resistance: Hip-Hop, Punk, and Urban Autonomy in Mexico (U California Press, 2020), based on a decade of ethnographic fieldwork, Maurice Magaña considers how urban and migrant youth in Oaxaca embrace subcultures from hip-hop to punk and adopt creative organizing practices to create meaningful channels of participation in local social and political life. In the process, young people remake urban space and construct new identities in ways that directly challenge elite visions of their city and essentialist notions of what it means to be indigenous in the contemporary era. Cartographies of Youth Resistance is essential reading for students and scholars interested in youth politics and culture in Mexico, social movements, urban studies, and migration.

Dr. Magaña is sociocultural anthropologist and Assistant Professor of Mexican American studies at the university of Arizona.

Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.

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Authorities in postrevolutionary Cuba worked to establish a binary society in which citizens were either patriots or traitors. This all-or-nothing approach reflected in the familiar slogan “patria o muerte” (fatherland or death) has recently been challenged in protests that have adopted the theme song “patria y vida” (fatherland and life), a collaboration by exiles that, predictably, has been banned in Cuba itself. 

In Patriots & Traitors in Revolutionary Cuba, 1961-1981 (University of Pittsburgh Press, 2023) Lillian Guerra excavates the rise of a Soviet-advised Communist culture controlled by state institutions and the creation of a multidimensional system of state security whose functions embedded themselves into daily activities and individual consciousness and reinforced these binaries. But despite public performance of patriotism, the life experience of many Cubans was somewhere in between. Guerra explores these in-between spaces and looks at Cuban citizens’ complicity with authoritarianism, leaders’ exploitation of an earnest anti-imperialist nationalism, and the duality of an existence that contains elements of both support and betrayal of a nation and of an ideology.

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“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida.

Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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