At first, seemingly so clearcut, the case ultimately came to be characterized by a “troubling ambiguity” that unsettled Paris for years.

Were the Nozieresan upstanding middle-class family? Was Violette a victim of sexual assault, her father a heinous predator? Was Violette a sexual degenerate? In an age of unprecedented social mobility, had the family tragically overstepped, with the parents granting a wild daughter too much freedom? No one knew.

It was the perfect cautionary tale of the time- giving voice to concerns of contemporary France’s, fears of changing attitudes towards gender, class, industry, economics, art, everything. In Violette Noziere: A Story of Murder in 1930s Paris, Sarah Maza weaves together social history with an astute analysis of the times to paint a vivid portrait of Noziere’s society, her circumstances and her crime.

It’s a gripping tale that provides an intimate glimpse into a period that is often overshadowed: Paris of the 1930s, transfixed by a story of parricide and incest, tensed for the war that is about to come.

 

 

 

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