Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion

Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion

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Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion episodes

  • LOVE - What is love? Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

    00:25 JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of “The Tradition” & “The New Testament”

    00:39 JILL HEINERTH - Explorer, Presenter, Author of “Into The Planet: My Life as a Cave Diver”

    01:02 ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships

    01:31 BERTRAND PICCARD - Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation: 1000+ Profitable Climate Solutions

    02:31 CHRIS BLACKWELL - Founder of Island Records - Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Amy Winehouse…Author of “The Islander: My Life in Music and Beyond"

    03:31 ALICE NOTLEY - Poet & Artist - Academy of American Poets Award Winner

    04:08 MIA FUNK - Artist, Writer & Host of The Creative Process reads “In My Dreams"

    04:45 MAX STOSSEL - Award-winning Poet, Filmmaker, Speaker - Creator of "Words That Move”

    05:04 GERALD FLEMING - Poet, Author of the collections “The Choreographer”, “One”, “Night of Pure Breathing”, among others

    05:29 MARGO BERDESHEVSKY - Award-winning Poet - "Kneel Said the Night”,"Before The Drought”, “Between Soul & Stone”

    05:56 SAM LEVY - Award-winning Cinematographer of “Lady Bird” “Frances Ha” “While We’re Young” “Confess, Fletch”

    06:31 CHAYSE IRVIN - Award-winning Cinematographer - “Blonde" starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s “BlacKkKlansman”

    06:57 KARINA MANASHIL - President of Mad Solar - Creative Confidante for Kid Cudi - Executive Producer of Netflix’s “Entergalactic”, A24’s “Pearl”, “X”

    07:37 CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace”, among others

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    Flower Duet - Leo Delibes
    Creative Commons  Attribution 3.0 Unported  CC BY 3.0
    https://creativecommons.org/licenses/by/3.0/
    Conducted by Philip Milman https://pmmusic.pro/

    10 min
  • Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

    “The history of the film Dream is I was contacted by an advertising agency a number of years ago that had a client who was an animation company that wanted to do a short animation on wildlife. So we met and we discussed how long this would be, and what the content would be. And they said, "Choose several species that are impacted right now." And we chose the baby harp seal because Canada in their great wisdom decided to start hunting baby seals again in eastern Canada. A rhino was chosen because, at that time, rhino poaching was the highest level it had ever been in history. I think more than 2,000 rhinos were killed that year just in South Africa alone, not even counting other countries. We chose to the humpback whale because some imbecile within the United States government decided that there were enough humpback whales now that we could start resuming whale hunting in this country. And the pelican was chosen because of the oil spill in the Gulf of Mexico, which had devastating consequences. And we still have those consequences today. The oil is still there. It's just under the sand. It's not like all the oil has been cleaned up. We were very fortunate that that animation was presented at Cannes that year and it won two awards, a Golden Lion and a Silver Lion Award.”

    Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.

    www.wcff.org
    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    11 min
  • CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

    Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.

    “The history of the film Dream is I was contacted by an advertising agency a number of years ago that had a client who was an animation company that wanted to do a short animation on wildlife. So we met and we discussed how long this would be, and what the content would be. And they said, "Choose several species that are impacted right now." And we chose the baby harp seal because Canada in their great wisdom decided to start hunting baby seals again in eastern Canada. A rhino was chosen because, at that time, rhino poaching was the highest level it had ever been in history. I think more than 2,000 rhinos were killed that year just in South Africa alone, not even counting other countries. We chose to the humpback whale because some imbecile within the United States government decided that there were enough humpback whales now that we could start resuming whale hunting in this country. And the pelican was chosen because of the oil spill in the Gulf of Mexico, which had devastating consequences. And we still have those consequences today. The oil is still there. It's just under the sand. It's not like all the oil has been cleaned up. We were very fortunate that that animation was presented at Cannes that year and it won two awards, a Golden Lion and a Silver Lion Award.”

    www.wcff.org
    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    52 min
  • Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum

    “So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.

    And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.

    I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.

    It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.”

    Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).

    www.piamancini.com

    https://opencollective.com

    https://democracy.earth

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    9 min
  • PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

    Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).

    “So I think this is like the same as it has been forever. This is not new. Centuries and centuries ago we had the same challenges. This all starts with how you behave. And so I think it starts there.

    And then I would say there are a lot of really good tooling that we can still use. If you remember, your generation has been so good at using tooling to hack and troll governments and politicians. And I am in awe. I mean, talk about hack the system. You are like the new Anonymous, and I love that. Like I am right there with you. I don't even use TikTok, but if you want me to use TikTok for something, I will. So just keep using social media to troll the trolls. I think that is a very important thing that you can do and occupy that space. And then lastly, build alternatives and support alternatives. We have distributed social media projects. We have New_ Public, which is this amazing group in the United States that is like designing public spaces and rethinking digital spaces and they're incredible. Support those projects. Support everyone who's building distributed mesh infrastructure. If there's a generation that is multiplayer, it is you guys. And so you need to play in all these different games at the same time and build the alternative while you are using whatever you have at your hands to make sure that we are pushing for our agenda.

    I think it's fundamental that we figure out a way of doing this. I think it's absolutely wrong and unfair that those who are about to leave this Earth are the ones making decisions for those staying on Earth. That doesn't make any sense. So, how do we do it? I am not the right person for doing policy. I'm a systems thinker, so I think about systems, but how we implement the policy for that, I don't know. I do know that philosophically we must include everyone who shares this planet with us in the decision-making process.

    It starts with different levels. It starts with how you react when you read something. It starts with each of us personally, how we behave and how we act on social media, and educating ourselves on misinformation and disinformation tactics to be able to see them and not be part of that hyper-reactionary movement where everything is like a disaster, or we react every time we feel like offended by everything.”

    www.piamancini.com

    https://opencollective.com

    https://democracy.earth

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    40 min
  • LISA JACKSON PULVER - Deputy Vice-Chancellor, University of Sydney's Indigenous Strategy and Services

    Professor Lisa Jackson Pulver is a proud Aboriginal woman with connections to communities in southwestern New South Wales, South Australia, and beyond. She is the Deputy Vice-Chancellor of Indigenous Strategy and Services for the University of Sydney and leads the institution's strategy to advance Indigenous participation, engagement, education, and research, including the university's One Sydney, Many People 2021-2024 strategy.

    She is a recognized expert and tireless advocate for health and education. Her research focuses on capacity building for healthcare workers and improved health for Aboriginal and Torres Strait Islander people. She serves her country in the Royal Australian Air Force Specialist Reserve as a Group Captain and is a member of the Australian Statistical Advisory Committee, the Australian Medical Council, and the Health Performance Council of South Australia.

    "So I think for me, there is an agency in having control over your own learning and really crappy things can happen to you, but it's really about what you can do with those. It's really about recognizing that, you know, there is an opportunity in everything. And for me, that opportunity was to escape at 14, and whilst on the streets, I thought, well, I can either live on the streets and do lots of drugs or become a sex worker...Neither of those things were what I wanted to do. What I really wanted to do was to become a social worker or become a nurse, or become someone who could help others out of this. But first I had to lift myself out of this. So, when I look back at my 14-year-old self and my 15-year-old self and 16 and 17-year-old self, I just cannot believe the wisdom I had then. And sometimes I think about things, and I wonder. I know I'm still not as wise now as I was then in some things. So, yeah, it's pretty interesting."

    www.sydney.edu.au

    www.sydney.edu.au/content/dam/corporate/documents/about-us/values-and-visions/one-sydney-many-people-digital.pdf

    Season 2 of Business & Society focuses on Leaders, Sustainability & Environmental Solutions
    Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org

    48 min
  • Highlights - CHAYSE IRVIN - Award-winning Cinematographer - Blonde starring Ana de Armas, Beyonce: Lemonade, Spike Lee’s BlacKkKlansman

    “That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.

    It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”

    Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.

    www.chayseirvin.com

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    16 min
  • CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling

    Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.

    “That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.

    It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”

    www.chayseirvin.com

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    1 hr 15 min
  • Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts Architecture Dept.

    “I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.

    We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”

    Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.

    www.pritzkerprize.com
    www.pritzkerprize.com/jury#jury-node-2236
    www.labiennale.org/en
    Photo credits: Anselm Kiefer, Sylviane Sarfati

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    11 min
  • MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts Architecture Dept.

    Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.

    “I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.

    We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”

    www.pritzkerprize.com
    www.pritzkerprize.com/jury#jury-node-2236
    www.labiennale.org/en
    Photo credit: Anselm Kiefer

    www.creativeprocess.info
    www.oneplanetpodcast.org
    IG www.instagram.com/creativeprocesspodcast

    1 hr 2 min

About Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion

From the publisher's feed

Spirituality & Mindfulness episodes of the popular The Creative Process podcast. We speak to spiritual leaders, mindfulness experts, great thinkers and authors, elders, artists, musicians and others discuss paths to faith, connection, and creativity. To listen to ALL arts, education & spirituality episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!

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The Creative Process in 10 minutes or less · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Sustainability, Social Justice, Spirituality, Feminism, Technology by The Creative Process • Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Social Justice, Spirituality, Feminism, Technology…

The Creative Process in 10 minutes or less · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Sustainability, Social Justice, Spirituality, Feminism, Technology

18 Listeners

Music & Dance: Musicians, Composers, Singers, Dancers, Choreographers, Performers Talk Art, Creativity & The Creative Process by Musicians, Composers, Performers, Dancers, Choreographers...in Conversation: Creative Process Original Series

Music & Dance: Musicians, Composers, Singers, Dancers, Choreographers, Performers Talk Art, Creativity & The Creative Process

33 Listeners

Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment by Empowering Stories, Inspiring Women: Creative Process Original Series

Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment

40 Listeners

Film & TV, The Creative Process: Acting, Directing, Writing, Cinematography, Producers, Composers, Costume Design, Talk Art & Creativity by Acting, Directing, Writing, Cinematography Producing Conversations: Creative Process Original Series

Film & TV, The Creative Process: Acting, Directing, Writing, Cinematography, Producers, Composers, Costume Design, Talk Art & Creativity

81 Listeners

Books & Writers: Novelists, Screenwriters, Poets, Journalists, Playwrights, Non-fiction Writers & Showrunners Talk Writing, Creativity & The Creative Process by Novelists, Screenwriters, Poets, Playwrights, Non-fiction Writers, Journalists & Showrunners Talk Writing - Creative Process Original Series

Books & Writers: Novelists, Screenwriters, Poets, Journalists, Playwrights, Non-fiction Writers & Showrunners Talk Writing, Creativity & The Creative Process

11 Listeners

Theatre · The Creative Process: Acting, Directing, Writing & Behind the Scenes Conversations by Acting, Directing, Writing & Behind the Scenes Conversations · Creative Process Original Series

Theatre · The Creative Process: Acting, Directing, Writing & Behind the Scenes Conversations

35 Listeners

The Creative Process · Arts, Culture & Society: 2022-2023 by The Creative Process - Books, Film, Music, TV, Art, Writing, Education, Environment, Theatre, Dance, LGBTQ, Social Justice, Spirituality, Feminism, Technology, AI

The Creative Process · Arts, Culture & Society: 2022-2023

2 Listeners

Environment, Climate Change, Renewable Energy, Regeneration, Sustainability, Nature, Politics, Circular Economy - One Planet Podcast 2021-2022 by Environmental Solutions - One Planet Podcast - Creative Process Original Series

Environment, Climate Change, Renewable Energy, Regeneration, Sustainability, Nature, Politics, Circular Economy - One Planet Podcast 2021-2022

3 Listeners