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“I still do workshops on oppression generally, but at this point, I've been focusing mostly on a workshop that's called Reclaiming Nature Writing, which has been a workshop that takes the idea of nature writing, which at least in the US has always been seen as a predominantly white male field and looks at writers that have existed for hundreds of years that have always been writing about nature but have maybe not been considered nature writers by the field generally.
So we look at writers like Audre Lorde who wrote about nature all the time but is not usually seen as a nature writer. And many others like that because it addresses ideas of land trauma and severement from nature and what are the historical causes for that? And what are the systems of oppression that have led certain people to be disconnected from nature in certain ways? And how can we heal that by telling new stories about the outdoors and travel and nature in general?”
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
“I still do workshops on oppression generally, but at this point, I've been focusing mostly on a workshop that's called Reclaiming Nature Writing, which has been a workshop that takes the idea of nature writing, which at least in the US has always been seen as a predominantly white male field and looks at writers that have existed for hundreds of years that have always been writing about nature but have maybe not been considered nature writers by the field generally.
So we look at writers like Audre Lorde who wrote about nature all the time but is not usually seen as a nature writer. And many others like that because it addresses ideas of land trauma and severement from nature and what are the historical causes for that? And what are the systems of oppression that have led certain people to be disconnected from nature in certain ways? And how can we heal that by telling new stories about the outdoors and travel and nature in general?”
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“The Singularity reminds me - of course aware of lots and lots of differences - but it's a tendency which is as old as Gnosticism. I think, and a dream that people have had. It's a peculiar dream, in my mind because it's sort of saying that life is something like being in prison, and what we need to do, the future that we ought to want for ourselves, is to get out of jail. And so this is a profound denial of life. I guess that's what it is, we seem to be having a view that technology can free us from problems that we have.
It's as though nature has been the cause of our problem, and if we could only marshal our strongest self, which is seen in terms of this kind of powerful calculative type of reasoning, then we'll be able to achieve something, which is I guess utopian but reminds me of some kind of semi-religious kind of promise. So this sets everything up, and the need for rethinking a lot of things. We are material, physical, living creatures, and not just minds that are trapped inside a body.”
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
“The Singularity reminds me - of course aware of lots and lots of differences - but it's a tendency which is as old as Gnosticism. I think, and a dream that people have had. It's a peculiar dream, in my mind because it's sort of saying that life is something like being in prison, and what we need to do, the future that we ought to want for ourselves, is to get out of jail. And so this is a profound denial of life. I guess that's what it is, we seem to be having a view that technology can free us from problems that we have.
It's as though nature has been the cause of our problem, and if we could only marshal our strongest self, which is seen in terms of this kind of powerful calculative type of reasoning, then we'll be able to achieve something, which is I guess utopian but reminds me of some kind of semi-religious kind of promise. So this sets everything up, and the need for rethinking a lot of things. We are material, physical, living creatures, and not just minds that are trapped inside a body.”
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“People sometimes ask me if I'm optimistic, and sometimes they ask me if I've got hope. And I think there is a difference between the two. I mean, optimism is the kind of feeling that the probability is it's all going to be fine. And hope is the feeling that there's still a good chance that things could work out well. And I think I'm more at the kind of hope that the optimism that, you know, we have so much knowledge within our grasp. And we have so much technology that we could use. But it isn't just about technology, it's also about values. What kind of values, and what kind of society do we want to live in? What kind of values do we have collectively as a community, and as a society? And that's a much more contested field. I do think that we do need to really raise that as an issue in society. What kind of society do we want to live in? And what kind of future do we want for ourselves? But also for those that will come after us? And I think that's a crucial debate that we should be having now. I think this big issue is what are the values that drive our society? What kind of a future do we want? And I'd like to see much more of a debate in public discussion about that.”
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022.
www.lshtm.ac.uk
https://tylerprize.org
www.interacademies.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Andy Haines was formerly a family doctor and Professor of Primary Health Care at UCL. He developed an interest in climate change and health in the 1990’s and was a member of the Intergovernmental Panel on Climate Change for the 2nd and 3rd assessment exercises and review editor for the health chapter in the 5th assessment. He was Director (formerly Dean) of the London School of Hygiene & Tropical Medicine from 2001- October 2010. He chaired the Scientific Advisory Panel for the 2013 WHO World Health Report, the Rockefeller /Lancet Commission on Planetary Health (2014-15) and the European Academies Science Advisory Council working group on climate change and health (2018-19). He currently co-chairs the InterAcademy Partnership (140 science academies worldwide) working group on climate change and health and is also co-chairing the Lancet Pathfinder Commission on health in the zero-carbon economy. He has published many papers on topics such as the effects of environmental change on health and the health co-benefits of low carbon policies. His current research focuses on climate change mitigation, sustainable healthy food systems and complex urban systems for sustainability. He was awarded the Tyler Prize for Environmental Achievement in 2022.
“People sometimes ask me if I'm optimistic, and sometimes they ask me if I've got hope. And I think there is a difference between the two. I mean, optimism is the kind of feeling that the probability is it's all going to be fine. And hope is the feeling that there's still a good chance that things could work out well. And I think I'm more at the kind of hope that the optimism that, you know, we have so much knowledge within our grasp. And we have so much technology that we could use. But it isn't just about technology, it's also about values. What kind of values, and what kind of society do we want to live in? What kind of values do we have collectively as a community, and as a society? And that's a much more contested field. I do think that we do need to really raise that as an issue in society. What kind of society do we want to live in? And what kind of future do we want for ourselves? But also for those that will come after us? And I think that's a crucial debate that we should be having now. I think this big issue is what are the values that drive our society? What kind of a future do we want? And I'd like to see much more of a debate in public discussion about that.”
www.lshtm.ac.uk
https://tylerprize.org
www.interacademies.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There's a great David Bowie song called ‘Memory of a Free Festival.’ It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.
So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.’ And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing.
And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.
And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”
Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.
www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846
https://myriadeditions.com/creator/nicholas-royle/
https://quickfiction.co.uk/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Nicholas Royle is Professor Emeritus of English at the University of Sussex, England, where he has been based since 1999. He has also taught at the University of Oxford, the University of Tampere, and the University of Stirling; and has been a visiting professor at the universities of Århus, Santiago del Compostela, Turku, Manitoba, and Lille. He is a managing editor of the Oxford Literary Review and director of Quick Fictions. He has published many books, including Telepathy and Literature, E.M. Forster, Jacques Derrida, The Uncanny, Veering: A Theory of Literature, How to Read Shakespeare, and Hélène Cixous: Dreamer, Realist, Analyst, Writing, as well as the novels Quilt and An English Guide to Birdwatching, and Mother: A Memoir. In addition, he is co-author with Andrew Bennett of three books: Elizabeth Bowen and the Dissolution of the Novel, This Thing Called Literature: Reading, Thinking, Writing, and An Introduction to Literature, Criticism and Theory Sixth edition, 2023. Royle’s current projects include a detective novel, a collection of essays about new approaches to narrative theory, and a collaborative work with Timothy Morton on Covid-19. His latest book, David Bowie, Enid Blyton and the Sun Machine, is due to be published in November 2023.
“There's a great David Bowie song called ‘Memory of a Free Festival.’ It's a song about a concert that he organized in Beckenham in August 1969, the same weekend of Woodstock. He wrote this song about that concert. And in August 1969, also, his father died just 10 days or so before the concert. And his funeral took place days before.
So the song that Bowie wrote is, I think, deeply resonant of the death of his father, as well as about the concert itself. And it's an extraordinary song about the end of the 1960s as well. I think there's a sort of critical consensus that it's with this song that Bowie really started coming into his own. And the second part is just kind of chorus. ‘The Sun Machine is coming down, and we are going to have a party.’ And it's kind of demonic. It's an extraordinary refrain, which really, it's hypnotic. It's mesmerizing.
And I found myself trying to think about this idea of a sun machine. What is a sun machine? How might we describe a sun machine? What do we feel about the idea of a sun machine? Something affirmative but strange that is arriving, that's coming down, and that we are going to celebrate. We're going to have a party. So the sun machine in the book is in part an attempt to think about what music does to me, or what music might do to people more generally.
And that's another key way, I suppose, in which I'm interested in the wordless. The power of listening. The power of music. The capacity that music has to transport and to transform, but also the power of music. And this is something that David Bowie realized very early on. I think the power of music and its links with memory. So the relationship between music and mourning, but also the way in which our memories of our lives are bound up with music and how listening to music can be like opening a portal into the past. And into particular ways of thinking about memory.”
www.routledge.com/An-Introduction-to-Literature-Criticism-and-Theory/Bennett-Royle/p/book/9781032158846
https://myriadeditions.com/creator/nicholas-royle/
https://quickfiction.co.uk/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.”
Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club.
www.intotheplanet.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer, and filmmaker. She is a veteran of over thirty years of filming, photography, and exploration on projects in submerged caves around the world. She has made TV series, consulted on movies, written several books and is a frequent corporate keynote speaker. Jill is the first Explorer in Residence for the Royal Canadian Geographical Society, recipient of Canada’s prestigious Polar Medal and is a Fellow of the International Scuba Divers Hall of Fame. In recognition of her lifetime achievement, Jill was awarded the Sir Christopher Ondaatje Medal for Exploration from the RCGS and the William Beebe Award from the Explorers Club.
“I wrote a book called The Aquanaut for kids. I realized that our best hope for humanity is to ignite the imagination of kids. There were lots of things I was afraid of when I was a little kid. I was afraid of the dark. I was afraid to go down the basement stairs, and yet now I live most of my entire career in the dark, in places that would make people feel terrified and claustrophobic. So a lot of those young life experiences that I had I actually turned into my superpowers. And I want to encourage children to know that anything they dream of that they can make it come true with hard work and dedication. I talk all the time to groups, big and small, and I still get asked by people, 'Do you believe in climate change?' And I'm like, it's not a question of belief. It's science. It's happening. And although I might feel frustrated, I try to never communicate that frustration. I recognize that for whatever reason, someone just doesn't have the knowledge. So maybe it hasn't been taught at school. Maybe they've become subjected to the very strong voices of a political entity that has steered them away from believing in climate change. And so I try to take people at wherever they are and try to just very carefully and without judgment share what I've seen and my experiences and try to gently guide them towards better information sources because we can't just be polarized. We can't just call each other names when we don't understand. We have to help people to understand, put out a hand, and, hopefully, bring them onto our side, onto a better understanding of the science of what's occurring.”
www.intotheplanet.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
From the publisher's feed
Spirituality & Mindfulness episodes of the popular The Creative Process podcast. We speak to spiritual leaders, mindfulness experts, great thinkers and authors, elders, artists, musicians and others discuss paths to faith, connection, and creativity. To listen to ALL arts, education & spirituality episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info
For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
INSTAGRAM: @creativeprocesspodcast

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