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Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion
By Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith Religion · Creative Process Original SeriesSociety & CultureHealth & FitnessMental HealthReligion & SpiritualitySpiritualityPhilosophy
Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion episodes
- Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”
"I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there.
"There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life.
A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023.www.etgarkeret.com
The Middleman www.imdb.com/title/tt11523800
www.jmberlin.de/en/exhibition-inside-out-etgar-keret
https://etgarkeret.substack.com
Jellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast15 min - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”
Author, Screenwriter, and Director Etgar Keret is a recipient of the French Chevalier des Arts et des Lettres, the Charles Bronfman Prize, and the Caméra d’Or at the Cannes Film Festival for Jellyfish, which he directed with his wife Shira Geffen. Most recently, they created the TV mini series The Middleman (L’Agent Immobilier) starring Mathieu Amalric. His books include the short story collections Fly Already, Suddenly a Knock on the Door, and his memoir The Seven Good Years. Etgar’s work has been translated into forty-five languages and has appeared in The New Yorker, The Paris Review,The New York Times, and This American Life.
A frequent collaborator with visual and performing artists, an exhibition inspired by his mother called Inside Out is currently showing at the Jewish Museum in Berlin until February 5th, 2023."I really feel that if there is something about art that I seek - I think people use art for many things - it's really some kind of a belief that we can transcend. I mean, if I try to kind of see it as some kind of a substitute for a religion. You know, religion tells us that there's something out there. There's somebody watching us, somebody doing something. And I think that for me, many times good art says there is something beyond our understanding that exists, and there is a way to get a step closer to it. Maybe not to unveil it, but we can get there.
"There is something about both my parents, but I think especially my mother, it's as if the horrible circumstances that they lived through being Jews in the Holocaust, my mother losing her entire family - it was horrible and traumatic, but it was almost like a very extreme human experiment. And it created something. It's like many times when you put somebody in extreme situations, and most of the time he will crush or she will crush, but sometimes, a superhero will be born. And there is something about my parents, when I came to work on the exhibition about my mother Inside Out, I realized there is something about her that was so unique that it could not have been achieved in normal times. Because the thing that happened with my mother was that, when the war started, she was five years old. When the war ended, she was 11 years old. By the time she was about 10, all the people that she had known before the war had died. Her parents, her brother, her grandfather, her friends."
www.etgarkeret.com
The Middleman www.imdb.com/title/tt11523800
www.jmberlin.de/en/exhibition-inside-out-etgar-keret
https://etgarkeret.substack.com
Jellyfish http://www.imdb.com/title/tt0807721www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: Lielle Sand48 min - Highlights - Mathis Wackernagel - Founder, Pres., Global Footprint Network - World Sustainability Award Winner
"As a minimal condition to be able to persist, we cannot use forever more than what we get back from nature, what nature can renew. It's a very mechanical view, but we are not even fulfilling this mechanical, bottom-line requirement. Ecologists will tell you that to maintain biodiversity because wild species are in competition for that regeneration, maybe it's not a good idea to use the entire capacity of the planet.
So shooting for one planet just means you would be totally dominant, and leave no space for other species. Ecologists say to maintain 85% of preindustrial biodiversity, it would take about at least half the planet left on its own. That would mean getting to half-planet. And now we use at least 1.75. I say at least because our assessments with about 15,000 data points per country in year are based on UN statistics, and their demand side is probably an underestimate because not all demands are included. And also on the supply side or the regeneration side, the UN is very production oriented, so it's the FAO numbers, for example, look at agricultural production, and the depletion side or the destruction side is not factored in adequately."
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures.
www.footprintnetwork.org
www.footprintnetwork.org/tools
www.overshootday.org/power-of-possibility/
www.creativeprocess.info
www.oneplanetpodcast.orgInstagram @creativeprocesspodcast
14 min - Mathis Wackernagel - Founder, President, Global Footprint Network - World Sustainability Award Winner
Mathis Wackernagel is Co-founder and President of Global Footprint Network. He created the Ecological Footprint with Professor William Rees at the University of British Columbia as part of his Ph.D. in community and regional planning. Mathis also earned a mechanical engineering degree from the Swiss Federal Institute of Technology. Mathis has worked on sustainability with governments, corporations and international NGOs on six continents and has lectured at more than 100 universities. Mathis has authored and contributed to more than 100 peer-reviewed papers, numerous articles, reports and various books on sustainability that focus on embracing resource limits and developing metrics for sustainability. Mathis’ awards include the 2018 World Sustainability Award, the 2015 IAIA Global Environment Award, being a 2014 ISSP Sustainability Hall of Fame Inductee, the 2013 Prix Nature Swisscanto, 2012 Blue Planet Prize, 2012 Binding Prize for Nature Conservation, the 2012 Kenneth E. Boulding Memorial Award of the International Society for Ecological Economics, the 2011 Zayed International Prize for the Environment (jointly awarded with UNEP). He was also selected as number 19 on the en(rich) list identifying the 100 top inspirational individuals whose contributions enrich paths to sustainable futures.
"As a minimal condition to be able to persist, we cannot use forever more than what we get back from nature, what nature can renew. It's a very mechanical view, but we are not even fulfilling this mechanical, bottom-line requirement. Ecologists will tell you that to maintain biodiversity because wild species are in competition for that regeneration, maybe it's not a good idea to use the entire capacity of the planet.
So shooting for one planet just means you would be totally dominant, and leave no space for other species. Ecologists say to maintain 85% of preindustrial biodiversity, it would take about at least half the planet left on its own. That would mean getting to half-planet. And now we use at least 1.75. I say at least because our assessments with about 15,000 data points per country in year are based on UN statistics, and their demand side is probably an underestimate because not all demands are included. And also on the supply side or the regeneration side, the UN is very production oriented, so it's the FAO numbers, for example, look at agricultural production, and the depletion side or the destruction side is not factored in adequately."
www.footprintnetwork.org
www.footprintnetwork.org/tools
www.overshootday.org/power-of-possibility/
www.creativeprocess.info
www.oneplanetpodcast.orgInstagram @creativeprocesspodcast
45 min - Highlights - Oberon Sinclair - Founder CEO of Creative/Branding Agency My Young Auntie
“It was really fun and ridiculous and great, and that resonates with people because we've all got inner children. You know, I'm still a little girl at heart. That doesn't go away. You don't suddenly become a grownup, become the most sensible person on the planet, and if you can tap into that on some level, it doesn't even have to be clever. You know, sometimes the simplest ideas are the best, the sweetest.
I also have a sense of humor. I like to laugh. I like to play music in the office. I like to tell jokes. I like to watch documentaries. I like to watch funny things, vintage, new. I don't think there's any right or wrong way. And I don't like perfection or everything having to be perfect because I'm a bit scruffy, but I do wear flowers in my hair because it makes me happy. And I do like to get dressed up every day and wear an outfit. If it's a vintage dress from years ago or something that makes me happy, whatever that is, I like to start my day feeling happy.”
Oberon Sinclair is the CEO and founder of the creative and branding agency, My Young Auntie. Since she founded the company in 1997, Oberon has collaborated with and managed an array of notable clients from the high luxury, art, fashion, food and lifestyle sectors, including Hermès, Vivienne Westwood, Fabergé, the Richemont Group, Jack Spade, ArtForum, Selfridges, Rizzoli Books, Island Records, David Lee Roth, among others. Oberon is known as the Queen of Kale for reviving an interest in the superfood across the world. She’s a Founding Member of NeueHouse where she moderates talks.
https://myyoungauntie.com
www.instagram.com/myyoungauntiepr
www.neuehouse.com
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcastPhoto: Oberon in conversation with artist and fashion designer Jason Wu at NeueHouse
14 min - Oberon Sinclair - Founder CEO of Creative/Branding Agency My Young Auntie - Queen of Kale
Oberon Sinclair is the CEO and founder of the creative and branding agency, My Young Auntie. Since she founded the company in 1997, Oberon has collaborated with and managed an array of notable clients from the high luxury, art, fashion, food and lifestyle sectors, including Hermès, Vivienne Westwood, Fabergé, the Richemont Group, Jack Spade, ArtForum, Selfridges, Rizzoli Books, Island Records, David Lee Roth, among others. Oberon is known as the Queen of Kale for reviving an interest in the superfood across the world. She’s a Founding Member of NeueHouse where she moderates talks.
“It was really fun and ridiculous and great, and that resonates with people because we've all got inner children. You know, I'm still a little girl at heart. That doesn't go away. You don't suddenly become a grownup, become the most sensible person on the planet, and if you can tap into that on some level, it doesn't even have to be clever. You know, sometimes the simplest ideas are the best, the sweetest.
I also have a sense of humor. I like to laugh. I like to play music in the office. I like to tell jokes. I like to watch documentaries. I like to watch funny things, vintage, new. I don't think there's any right or wrong way. And I don't like perfection or everything having to be perfect because I'm a bit scruffy, but I do wear flowers in my hair because it makes me happy. And I do like to get dressed up every day and wear an outfit. If it's a vintage dress from years ago or something that makes me happy, whatever that is, I like to start my day feeling happy.”
https://myyoungauntie.com
www.instagram.com/myyoungauntiepr
www.neuehouse.com
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast43 min - Highlights - Kristin Ohlson - Author of Sweet in Tooth and Claw, and The Soil Will Save Us
"I think it's really interesting how we humans are a massively cooperative species. That's why we dominate the world to the extent that we do. We're very good at working together and stories and metaphors are a lot of what drives us to work together, that drives us towards goals. So that's why I thought it was very important to push against the metaphors that have informed so much of our culture for the last couple of hundred years.
So we have the idea of survival of the fittest, not directly from Darwin, that argued that the growing human population would outstrip the earth's resources and there would inevitably be death and weakness in parts of the population. And Darwin had read Malthus and took that idea of progress through struggle and the weeding out of weaker members by the harsh exigencies of nature, and that was how he came up with his theory of natural selection. Those are phrases that have stuck with our society, and I think our thinking about how nature works and how we work.
So those are phrases that came out of science that affect the culture. And the culture, of course, affects science in terms of what we push science to ask for, what we tell science we want to know about the world. And I'm hoping that the new crop of scientists who are looking at all of these cooperative relations among living things - how that holds together ecosystems, how that determines how species can survive - that that new crop of scientists will inform and reform the metaphors that we use, the stories that we tell ourselves about how nature works, how we work, how the culture works. That's what I'm hoping will happen."
Kristin Ohlson is the author of Sweet in Tooth and Claw: Stories of Generosity and Cooperation in the Natural World. Her other books include The Soil Will Save Us: How Scientists, Farmers and Foodies are Healing the Soil to Save the Planet, and Kabul Beauty School: An American Woman Goes Behind the Veil. Olson appears in the award-winning documentary film Kiss The Ground, speaking about the connection between soil and climate. Her work has appeared in the New York Times, Smithsonian, Discover, New Scientist, Orion, American Archeology, and has also been anthologized in Best American Science Writing, and Best American Food Writing.
www.kristinohlson.com
www.patagonia.com/stories/sweet-in-tooth-and-claw/story-123959.html
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast13 min - Kristin Ohlson - Author of Sweet in Tooth and Claw: Stories of Generosity and Cooperation in the Natural World
Kristin Ohlson is the author of Sweet in Tooth and Claw: Stories of Generosity and Cooperation in the Natural World. Her other books include The Soil Will Save Us: How Scientists, Farmers and Foodies are Healing the Soil to Save the Planet, and Kabul Beauty School: An American Woman Goes Behind the Veil. Olson appears in the award-winning documentary film Kiss The Ground, speaking about the connection between soil and climate. Her work has appeared in the New York Times, Smithsonian, Discover, New Scientist, Orion, American Archeology, and has also been anthologized in Best American Science Writing, and Best American Food Writing.
"I think it's really interesting how we humans are a massively cooperative species. That's why we dominate the world to the extent that we do. We're very good at working together and stories and metaphors are a lot of what drives us to work together, that drives us towards goals. So that's why I thought it was very important to push against the metaphors that have informed so much of our culture for the last couple of hundred years.
So we have the idea of survival of the fittest, not directly from Darwin, that argued that the growing human population would outstrip the earth's resources and there would inevitably be death and weakness in parts of the population. And Darwin had read Malthus and took that idea of progress through struggle and the weeding out of weaker members by the harsh exigencies of nature, and that was how he came up with his theory of natural selection. Those are phrases that have stuck with our society, and I think our thinking about how nature works and how we work.
So those are phrases that came out of science that affect the culture. And the culture, of course, affects science in terms of what we push science to ask for, what we tell science we want to know about the world. And I'm hoping that the new crop of scientists who are looking at all of these cooperative relations among living things - how that holds together ecosystems, how that determines how species can survive - that that new crop of scientists will inform and reform the metaphors that we use, the stories that we tell ourselves about how nature works, how we work, how the culture works. That's what I'm hoping will happen."
www.kristinohlson.com
www.patagonia.com/stories/sweet-in-tooth-and-claw/story-123959.html
www.oneplanetpodcast.org
www.creativeprocess.info
Instagram @creativeprocesspodcast49 min - Highlights - Todd Kashdan - APA Award-winning Author of The Art of Insubordination, and Curious?
"Better than mindfulness, curiosity and the willingness to be open to other perspectives and reveal diversion of perspectives, it's linked with more innovation, it leads to willingness for greater social support for your ideas. So you're talking about finding allies more work, family integration, less burnout, more engagement, and then a greater tendency to experience flow where you lose yourself in your work in the workplace. And there's these wide-ranging benefits that occur.
And what you find is the two dimensions of curiosity that are the most beneficial in the workplace, one is called joyous exploration. And that's really just this pure pleasurable sense of wonder that there's a lot of interesting things in the world, and I just know less than I think I do, and I want to be exposed to that novelty. The second one gets less attention. It's what we call stress tolerance. It's that when you have the lure of the novel, the divergent, and you know, the mysterious and complex, there's always a level of anxiety. You are moving away from the knowns and the own unknowns, and you are going into the face of acknowledging there's uncertainty, and you don't know how things are going to turn out. The people that can better tolerate that without trying to close and reach an answer quickly, they're the ones that are more likely to be creative, more likely to be innovative."
Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.
https://toddkashdan.com
www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast16 min - Todd Kashdan - Award-winning Author of “The Art of Insubordination: How to Dissent and Defy Effectively”
Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.
"Better than mindfulness, curiosity and the willingness to be open to other perspectives and reveal diversion of perspectives, it's linked with more innovation, it leads to willingness for greater social support for your ideas. So you're talking about finding allies more work, family integration, less burnout, more engagement, and then a greater tendency to experience flow where you lose yourself in your work in the workplace. And there's these wide-ranging benefits that occur.
And what you find is the two dimensions of curiosity that are the most beneficial in the workplace, one is called joyous exploration. And that's really just this pure pleasurable sense of wonder that there's a lot of interesting things in the world, and I just know less than I think I do, and I want to be exposed to that novelty. The second one gets less attention. It's what we call stress tolerance. It's that when you have the lure of the novel, the divergent, and you know, the mysterious and complex, there's always a level of anxiety. You are moving away from the knowns and the own unknowns, and you are going into the face of acknowledging there's uncertainty, and you don't know how things are going to turn out. The people that can better tolerate that without trying to close and reach an answer quickly, they're the ones that are more likely to be creative, more likely to be innovative."
https://toddkashdan.com
www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/
www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast58 min
About Spirituality & Mindfulness · The Creative Process: Spiritual Leaders, Mindfulness Experts, Great Thinkers, Authors, Elders, Artists Talk Faith & Religion
From the publisher's feed
Spirituality & Mindfulness episodes of the popular The Creative Process podcast. We speak to spiritual leaders, mindfulness experts, great thinkers and authors, elders, artists, musicians and others discuss paths to faith, connection, and creativity. To listen to ALL arts, education & spirituality episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info
For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
INSTAGRAM: @creativeprocesspodcast
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