New Books in Architecture

Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In Form and Flow: The Spatial Politics of Urban Resilience and Climate Justice (MIT Press, 2021), Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community groups to fight the perceived injustices and oversights of these plans. Looking through the lenses of urban design and socioecological spatial politics, Goh reveals how contested visions of the future city are produced and gain power.

Goh describes, on the one hand, a growing global network of urban environmental planning organizations intertwined with capitalist urban development, and, on the other, social movements that themselves often harness the power of networks. She explores such initiatives as Rebuild By Design in New York, the Giant Sea Wall plan in Jakarta, and Rotterdam Climate Proof, and discovers competing narratives, including community resiliency in Brooklyn and grassroots activism in the informal “kampungs” of Jakarta. Drawing on participatory fieldwork and her own background in architecture and urban design, Goh offers both theoretical explanations and practical planning and design strategies. She reframes the critical concerns of urban climate change responses, presenting a sociospatial typology of urban adaptation and considering the notion of a “just” resilience. Finally, she proposes a theoretical framework for designing equitable and just urban climate futures.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Beautiful Light: An Insider’s Guide to LED Lighting in Homes and Gardens (Routledge, 2021) by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success.It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles.

Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, Beautiful Light helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Elaborately conceived, grandly constructed insane asylums—ranging in appearance from classical temples to Gothic castles—were once a common sight looming on the outskirts of American towns and cities. Many of these buildings were razed long ago, and those that remain stand as grim reminders of an often cruel system. For much of the nineteenth century, however, these asylums epitomized the widely held belief among doctors and social reformers that insanity was a curable disease and that environment—architecture in particular—was the most effective means of treatment.

In The Architecture of Madness: Insane Asylums in the United States (U Minnesota Press, 2007), Carla Yanni tells a compelling story of therapeutic design, from America’s earliest purpose—built institutions for the insane to the asylum construction frenzy in the second half of the century. At the center of Yanni’s inquiry is Dr. Thomas Kirkbride, a Pennsylvania-born Quaker, who in the 1840s devised a novel way to house the mentally diseased that emphasized segregation by severity of illness, ease of treatment and surveillance, and ventilation. After the Civil War, American architects designed Kirkbride-plan hospitals across the country.

Before the end of the century, interest in the Kirkbride plan had begun to decline. Many of the asylums had deteriorated into human warehouses, strengthening arguments against the monolithic structures advocated by Kirkbride. At the same time, the medical profession began embracing a more neurological approach to mental disease that considered architecture as largely irrelevant to its treatment.

Generously illustrated, The Architecture of Madness is a fresh and original look at the American medical establishment’s century-long preoccupation with therapeutic architecture as a way to cure social ills.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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Attempting to derive aesthetic systems from natural structures of human cognition, designers looked toward the “savage mind”—a way of thinking they associated with a racialized subaltern. In Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design (U Minnesota Press, 2021), Ginger Nolan uncovers an enduring relationship between “the savage” and the development of technology and its wide-ranging impact on society, including in the fields of architecture and urbanism, the industrial arts, and digital design.

Nolan focuses on the relationship between the applied arts and the structuralist social sciences, proposing that the late-nineteenth-century rise of Freudian psychology, ethnology, and structuralist linguistics offered innovations and new opportunities in studying human cognition. She looks at institutions ranging from the Public Industrial Arts School of Philadelphia and the Weimar Bauhaus to the MIT Media Lab and the Centre Mondial Informatique, revealing a persistent theme of twentieth-century design: to supplant language with more subliminal, aesthetic modes of communication, thereby inculcating a deep intimacy between human habit and new technologies of production, communication, and consumption.

This book’s ultimate critique is of the development of the ergonomics of the spirit—the design of the human cognitive apparatus in relation to new aesthetic technologies. Nolan sees these ergonomics as a means of depoliticizing societies through aesthetic technologies intended to seamlessly integrate humans into the programs of capitalist modernity. Revising key modernist design narratives, Savage Mind to Savage Machine provides a deep historical foundation for understanding our contemporary world.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam.

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Inspired by the complexity and heterogeneity of the world around us, and by the rise of new technologies and their associated behavior, The Architecture Concept Book (Thames and Hudson, 2018) seeks to stimulate young architects and students to think outside of what is often a rather conservative and self-perpetuating professional domain and to be influenced by everything around them.

Organized thematically, the book explores thirty-five architectural concepts, which cover wide-ranging topics not always typically included in the study of architecture. James Tait traces the connections between concepts such as familiarity, control, and memory and basic architectural components such as the entrance, arch, columns, and services, to social phenomena such as gathering and reveling, before concluding with texts on shelter, relaxing, and working. Even in a digital age, Tait insists that “we must always think before we design. We must always have a reason to build.”

Each theme is accompanied by photographs, plans, and illustrations specifically drawn by the author to explain spatial ideas, form small scale to the urban.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience (Cambridge UP, 2021) is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to Sultan Salih of Egypt. She became his concubine, was manumitted, became his wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general and for political expediency to marry him.

Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. D. Fairchild Ruggles' Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr (Oxford UP, 2020)--the first ever in English--places the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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The late 19th and early 20th centuries in Europe were times of intense technological, social and political change and transformation, and so it’s no surprise that much of the art and literature of this period was equal in its innovative intensity, attempting to make sense of times that were radically out of joint. Traditional scholarship on this period has focused on the alienation and disassociation that can be experienced when trying to keep up with the frenetic pace of modern life. But is this what the artists and writers of the day were trying to communicate to their audience?

Without discounting the alienating effects of modernity, Malika Maskarinec has stepped in with a fascinating monograph on the period, The Forces of Form in German Modernism (Northwestern UP, 2018), which challenges and complicates this reading, drawing our attention to other themes present in the work of the period. Turning to various archival sources to see what the artists and their peers were interested in, Maskarinec finds a collection of figures reflecting on questions of the forces and forms that hold bodies together against the weight of gravity. In this intellectual milieu, buildings and statues capacity to hold themselves up can be part of profound aesthetic experience, abstract shapes maintaining their position on a page can stir feelings of empathy, and even simple everyday activities such as laying down, standing up and walking around are activities of profound existential importance. Touching on figures such as Schopenhauer, Rodin, Simmel, Klee and Kafka, Maskarinec’s book is overflowing with insights that will help students and scholars of the period revisit these works with fresh eyes, and like the artists and writers discussed, she will prove an excellent interlocutor for all those interested in what it means to be human.

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In Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930 (Park Publishing, 2020), Anna Bokov examines the history of the Higher Art and Technical Studios (Vysshie khudozhestvenno-tekhnicheskie masterskie) in Moscow, known most commonly by its acronym Vkhutemas. Operating between 1920 and 1930, Vkhutemas was a centre for developing new pedagogical methods to support mass education in art and technology. In this richly illustrated study, Bokov traces how radical experiments in art, architecture, and design were translated into systematic body of knowledge – and how this knowledge was then applied in various projects aimed at shaping modern Soviet society. From small utensils and furniture pieces to large-scale urban designs, the Vkhutemas influence was visible everywhere, and Bokov foregrounds the school’s impact both on the formation of modernism, along with its lasting creative legacy.

Anna Bokov is an architect, urban designer, and historian specialising in the history of the avant-garde movements and design pedagogy. She is a faculty member at the Cooper Union and the City College in New York and Fellow of the Centre for Advanced Studies in Architecture at ETH Zürich.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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