New Books in Architecture

Few figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility.

In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer.

Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, Minoru Yamasaki and the Fragility of Architecture (Routledge, 2021) will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Part of the series CAHIM Connecting Art Histories in the Museum, Anna McSweeney's book From Granada to Berlin: The Alhambra Cupola (Kettler Verlag, 2020) is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss is central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.

Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.

Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.

Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: [email protected].

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Michael S. Dodson's Bureaucracy, Belonging, and the City in North India: 1870-1930 (Routledge, 2020) is a re-evaluation of modern urbanism and architecture and a history of urbanism, architecture, and local identity in colonial north India at the turn of the twentieth century.

Focusing on Banaras and Jaunpur, two of northern India's most traditional cities, the book examines the workings of colonial bureaucracy in the cities and argues that interactions with the colonial state were an integral aspect of the ways that Indians created a sense of their own personal investment in the city in which they lived. The book explores the every-day and the mundane to better understand the limits of British colonial power, and the role of Indians themselves, in the making of the modern city. Based on highly localized archival source material, the author analyses two key aspects of city-making in this era: the building of new infrastructure, such as water supply and sewerage, and new policies governing historical architectural conservation. The book also incorporates an ethnography of contemporary urban space in these cities to advocate for a more nuanced and responsible approach to writing the history of such cities and to address the myriad problems of present-day north Indian urbanism.

Containing examples of bureaucratic procedure and its contradictions and enlivened by a set of personal reflections and narratives of the author's own experiences, this book is a valuable addition to the field of South Asian Studies, Asian History and Asian Culture and Society, Colonial History and Urban History.

Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison

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Three Cities After Hitler: Redemptive Reconstruction Across Cold War Borders (U Pittsburgh Press, 2021) compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as “sacred sites” to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold “redemptive reconstruction” after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler—in terms of both top-down planning policies and residents’ spontaneous efforts to make home out of their city as its shape shifted around them.

Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe.

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The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space―the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings.

For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models.

Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms (Actar, 2022), from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Brutal Beauty: Aesthetics and Aspiration in the Indian City (Northwestern UP, 2021) follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life.

Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‑class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.

Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com

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Creating a Culture of Predictable Outcomes: How Leadership, Collaboration, and Decision-Making Drive Architecture and Construction (Routledge, 2020) demonstrates the importance of creating cultures in the design and construction industries grounded in sophisticated-caring leadership, high-performing collaborative teams, and master-level decision-making discipline, informed by values, to finally address massive inefficiencies, waste, and unpredictability.

Barbara White Bryson offers specific guidance to industry stakeholders to succeed in achieving project-related predictable outcomes by focusing on culture rather than process. This includes selecting the right team members by hiring and firing bravely, valuing psychological safety, leading with values, practicing respect and transparency, fostering empowerment to make decisions at the right level at the right time, and more.

This book is a must-read for design and construction professionals who want to finally understand how to set goals and meet those goals for their clients as well as for their teams.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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In Asphalt: A History (U Nebraska Press, 2021), Kenneth O’Reilly provides a history of this everyday substance. By tracing the history of asphalt—in both its natural and processed forms—from ancient times to the present, O’Reilly sets out to identify its importance within various contexts of human society and culture. Although O’Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O’Reilly explores asphalt’s contribution to the history, and future, of America and the world.

Mohamed Gamal-Eldin is a historian of Modern Egypt, who is interested in questions related to the built environment, urban history, architecture, social history and environmental ecology of urban centers in 19th and early 20th century Egypt, the Middle East and globally.

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How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media.

Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.

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