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Almost daily in popular media the Muslim World is pinpointed as a homogeneous entity that stands separate and parallel to the similarly imagined West. But even scratching the surface of the idea of a Muslim World reveals the geographic, social, linguistic, and religious diversity of Muslims throughout the world. So what work is performed through the employment and use of this phrase? And in what context did the idea of the Muslim World emerge?
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In recent years, several scholars of religion have moved away from the examination of discursive textual domains or the meaning of ritual practices towards analyzing the material worlds in which these practices and beliefs exists. S. Brent Plate, Visiting Associate Professor of Religious Studies at Hamilton College, has been one of the forerunners of this turn and provides an accessible staring point for novices in Key Terms in Material Religion (Bloomsbury, 2015). The collected set of short essays explores new perspectives on a number of familiar themes that have been historically important within the study of religion, such as belief, magic, fetish, words, sacred, or ritual. The volume also reveals the dominant themes in the field of material religion, such as objects, senses, time and space, and new horizons like sound, smell, and taste. Overall, the authors begin from the perspective that material forms shape how we understand the world and solidify identities through physical performance. In our conversations we discussed the long history of the collection and its beginnings in the Material Religion: The Journal of Objects, Art, and Belief, the selection of terms, what we privilege when thinking about material aspects of religion, creative ways to use the text in the classroom, material aesthetics, urban space and religion in the city, prayer as a site of materiality, exhibiting religion in museums, and where young scholars might take new research in material religion.
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Among the most powerful and equally insidious aspects of the new global politics of religion is the discourse of religious moderation that seeks to produce moderate religious subjects at ease with the aims and fantasies of liberal secular politics. For Muslim communities in the US and beyond, few expectations and pressures have carried more weight and urgency than that to pass the test of moderation. In her brilliant new book, Making Moderate Islam: Sufism, Service, and the Ground Zero Mosque Controversy (Stanford University Press, 2016), Rosemary Corbett, Visiting Professor at the Bard Prison Initiative, interrogates the tensions and ambiguities surrounding the moderate Muslim discourse. Far from an exclusively post 9/11 phenomenon, she presents the long running historical and political forces that have shaped the demand for moderation, especially in the equation of Sufism with moderate Islam. The strength of this book lies in the way it combines a deep knowledge of American religious history with the historical narrative and contemporary dynamics of American Islam. Written with breathtaking clarity, this book will spark important conversations in multiple fields including the study of Islam, American Religion, and secularism studies.
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Rebecca Gould‘s Writers and Rebels: Literature of Insurgency in the Caucasus (Yale University Press, 2016) is the first existing comparative study of Chechen, Dagestani and Georgian literatures and a major contribution to the study of the cultures of the Caucasus. The book examines literary representations of anticolonial violence in the Caucasus across more than a century-long period of time. The monographs central focus is on the figure of abrek (bandit), prominent across all three national literatures under scrutiny. Gould explores the figure of abrek through the prism of what she calls “transgressive sanctity” –“the process though which sanctity is made transgressive and transgression is made sacred through violence against the state.” Through this process, violence is aesthetisized and aesthetics is endowed with the capacity to generate violence. Of particular interest is Gould’s approach to the study of violence an investigation in which, she suggests, literature can and should play a central role.
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Brandon Kendhammer takes a fresh approach to the juxtaposition of Islam and democracy in his latest book, Muslims Talking Politics: Framing Islam, Democracy and Law in Northern Nigeria (University of Chicago Press, 2016). Rather than employing a top-down approach to understanding Islam’s compatibility with democracy, Kendhammer chose to speak with blue-collar, working-class Muslims in cities across Northern Nigeria. Through this approach, Kendhammer exposes the pragmatic views of ordinary citizens more concerned with economic stability than jihadist rhetoric.
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Contemporary scholarship on the Mughal empire has generally ignored the role Sanskrit played in imperial political and literary projects. However, in Culture of Encounters: Sanskrit at the Mughal Court (Columbia University Press, 2016), Audrey Truschke, Assistant Professor of South Asian History at Rutgers University–Newark, demonstrates that Sanskrit was central to the process of royal self-definition. She documents how Brahman and Jain intellectuals were working closely with Persian-speaking Islamic elite around the cultural framework of the central royal court. These projects often revolved around cross-cultural textual production and translation, putting Sanskrit and Persian works in conversation. The production of Mughal-backed texts, and the literary reflection or silence about Brahman and Jain participation reveals unexplored horizons for understanding South Asia imperial history. In our conversation we discussed the dynamics of the Mughal court, the influential leaders Akbar, Jahangir, and Shah Jahan, Persian translation of Sanskrit epics, the integration of Sanskrit materials into imperial knowledge, the end of Sanskrit at the Mughal court, and the tricky reception of contested histories in contemporary India.
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The Study Quran: A New Translation and Commentary (HarperOne, 2015) represents years of effort from a team of dedicated translators and editors (Seyyed Hossein Nasr, Joseph Lumbard, Maria Dakake, Caner Dagli, and Mohammad Rustom). The book is a remarkable achievement. The text features a complete new translation of the Quran as well as multiple complementary essays written by leading scholars of Quranic studies. The tome also includes over a million words of running commentary from Muslim exegetes across the centuries including contributions from Sunni, Shii, and Sufi schools of thought among others. This feature, in particular, showcases its encompassing and truly oceanic scope. The text proves noteworthy as well, given its intersection between confessional scholarship and Western academic approaches to Islamic studies. The text has already begun to make waves across North America and beyond and has set a new precedent as not only a translation but also a reference work on Quran. Its user-friendly organization, moreover, will make the text accessible to just about anyone as it offers levels of depth according to what the reader seeks.
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American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance.
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In her fascinating new book The Politics of Islamic Law: Local Elites, Colonial Authority, and the Making of the Muslim State (University of Chicago Press, 2017), Iza Hussin, Lecturer of Politics at University of Cambridge examines the transformation of Islamic law in colonial Malay, Egypt, and India. Combining archival, institutional, and political history, this book charts in staggering detail the centralization of Islamic Law in the shadow of colonial power during and after its attempted marginalization in Muslim societies. Much of this book is focused on explaining this apparent paradox, and a task that it achieves with convincing clarity. By presenting a nuanced and complicated picture of the interaction of colonial power and the colonized elite, Hussin offers a narrative of the making and remaking of Islamic Law in modernity that will delight the intellectual palate of specialists and non-specialists alike.
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Medieval Egypt had a rapid influx of Sufis, which has previously been explained through reactionary models of analysis. It was argued that the widespread popularity of Sufism was marked by a public adoption of practices that satisfied the masses in ways the religious elite were not fully addressing. In The Popularisation of Sufism in Ayyubid and Mamluk Egypt, 1173-1325 (Edinburgh University Press, 2015), Nathan Hofer, Assistant Professor at the University of Missouri, critiques the social binary that these assumptions create, as well as, rethinks the mechanisms within the social production of Sufi culture. He explores these concerns in the context of the Ayyubid and Mamluk states and their relationships with Sufi masters and communities. First, a state-sponsored Sufi lodge serves as the site for professionalization of Sufis and the public consumption of Sufi culture that aligns with state objectives. The emergence of the Shādhilīya sufi order serves as a case of the textualization of an idealized sufi identity, and its subsequent popularization through the production of a collective community. Finally, Hofer explores the unique context of Upper-Egyptian Sufism, which relied on charismatic authority and miraculous work in the creation of a community. In our conversation we discussed the notion of Popular Culture in the medieval world, hagiography and biography, miracles, the khanqah of Cairo, state religious sponsorship, professional sufis, and contemporary methods for investigating the past.
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