Monsoon Voyagers follows the voyage of a single dhow (sailing vessel), the Crooked, along with its captain and crew, from Kuwait to port cities around the Persian Gulf and Western Indian Ocean, from 1924 to 1925. Through his account of the voyage, Fahad Ahmad Bishara unpacks a much broader history of circulation and exchange across the Arabian Sea in the time of empire. From their offices in India, Arabia, and East Africa, Gulf merchants utilized the technologies of colonial capitalism — banks, steamships, railroads, telegraphs, and more — to transform their own regional bazaar economy. In the process, they remade the Gulf itself. Drawing on the Crooked's first-person logbooks, along with letters, notes, and business accounts from a range of port cities, Monsoon Voyagers narrates the still-untold connected histories of the Gulf and Indian Ocean. The Gulf's past, it suggests, played out across the sea as much as it did the land.

Monsoon Voyagers doesn’t just tell a vivid, imaginative narrative—it teaches. Each port-of-call chapter can work as a stand-alone module. And the brief “Inscription” interludes double as turn-key primary-source labs—perfect for document analysis, quick mapping, and mini-quant work with weights, measures, and credit instruments. It invites undergraduates into a connected oceanic world and the big questions of world history, while graduate students get a method—how to read vernacular archives across scales and languages to design their own transregional, archive-driven projects.

A quick heads-up: Traditional local musical interludes (see below for credits and links) will punctuate our voyage as chapter markers you can use to pause and reflect—as we sail from Kuwait to the Shatt al-Arab, then out across the Gulf to Oman, Karachi, Gujarat, Bombay, and the Malabar coast. We’ll return via Muscat and Bahrain, dropping anchor once more in Kuwait.

Music Credits and Links: 
Prologue: The Logbook
1. Kuwait
Inscription: Debts
2. The Shatt Al-ʿArab
Inscription: Freightage
3. The Gulf
Inscription: Passage
4. The Sea of Oman
Inscription: Guides
5. Karachi to Kathiawar
Inscription: Letters
6. Bombay
Inscription: Transfers
7. Malabar
Inscription: Conversions
8. Crossings
Inscription: Maps
9. Muscat
Inscription: Poems
10. Bahrain
Inscription: Accounts
11. Returns
Epilogue: Triumph and Loss

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In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today?

Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats.

As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant."

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Algerian and Christian are two words that many people do not put together. Dr. Patrick Brittenden does. In this episode, we talk with Patrick about his new book Algerian and Christian: Christian Theological Formation, Identity and Mission in Contemporary Algeria (Regnum Books International, 2025). He invites readers into the complex, often painful, yet deeply hopeful journey of following Jesus in a land where faith in Christ is seen as foreign. In a country founded on a vision of being irreducibly Muslim and Arab, what does it mean to be both fully Algerian and fully Christian? Through the lenses of Berber identity, Algerian Islam, and the influence of state education, Brittenden offers a compassionate and contextual approach to theological formation. At the heart of this book is the idea of liminality—the experience of living between worlds. While often marked by pain and marginalization, this in-between space can also become a place of freedom, transformation, and fruitful mission. This is a book about pain and possibility. About being “in but not of” the world. And about how embracing this in-between space can shape a liberated identity - for the Church, and for the world it seeks to serve.

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The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.

Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.

Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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In this episode, Claudia Radiven and Chella Ward spoke with Ismail Patel and Hatem Bazian about Pro-Palestinian resistance and the nature of protests - from the Iraq war demonstrations to the recent protests after the events of October 7th 2023. This conversation extended into the nature of colonial projects of occupation and the role coloniality still plays in conflicts today. Hatem Bazian is a Palestinian scholar in the Departments of Near Eastern and Asian American and Asian Diaspora Studies at the University of California Berkley. He is also editor in chief of the Islamophobia Studies journal and president of the International Islamophobia Studies Research Association. He has been active in the struggle for Palestinian liberation at least since the 1990s when he founded the first chapter of Students for Justice in Palestine at UC Berkeley. Ismail Patel is the founder of the Friends of Al Aqsa, an UK based NGO which organises politically for the liberation of Palestine. The Friends of Al Aqsa work with MPs, grassroots organisers and educators to advocate for political change and organise events including the Palestine Expo.

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It is easy to believe that manners are empty gestures, little more than social artifice or practiced etiquette whose sole purpose is to project civility and facilitate social interaction. But if we look more closely, they can tell us much more than we might first suppose, revealing what conventional accounts of state, economy, and religion often ignore. With Empire of Manners: Ottoman Sociability and War-Making in the Long Eighteenth Century (Stanford UP, 2025), Dr. James Grehan offers a panoramic view of manners and sociability across the eighteenth-century Ottoman Empire, from the Balkans to the Middle East to North Africa. Studying chronicles, biographical dictionaries, and travel accounts, he throws new light on the inner dynamics of Ottoman society during a transitional period in Ottoman history which has too often been misunderstood.

Empire of Manners proposes a new way of thinking about the history of manners, arguing that violence and war-making, as much as civility and etiquette, have a central role in shaping them. The eighteenth century proved to be a turning point in this paradoxical relationship between violence and manners as war-making turned into a substantially more complex and costly enterprise, leaving a deeper and wider social footprint. The interplay between violence and manners, an unlikely couple, unexpectedly narrates the Ottoman path to the modern age.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In 1923, archaeologist Leonard Woolley stumbled upon a room that dated back to 530BC, the time of the Babylonians. Oddly, the room was filled with artifacts that were thousands of years older. A clay drum led Woolley to speculate that he might have stumbled across the world’s first museum.

Whether that was really the case is still somewhat unknown. But this room is the inspiration behind Moudhy Al-Rashid’s book Between Two Rivers: Ancient Mesopotamia and the Birth of History (W.W. Norton / Hodder, 2025) which dives into the many different aspects of life and society across the many states that governed Mesopotamia.

Moudhy Al-Rashid is an honorary fellow at the University of Oxford’s Wolfson College, where she specializes in the languages and history of ancient Mesopotamia.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Between Two Rivers. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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In this episode, we speak with Hamid Dabashi about his new book, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization (Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.

After Savagery challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.

At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.
Joe Williams
History PhD researcher at the University of Coimbra and translator website
- Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War
- "Year X of the National Revolution" — Salazarist Palingenetic Myth in the Diário da Manhã

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Beginning in the late nineteenth century, British companies used the resources of empire to create an imperial oil industry that controlled 20% of global oil reserves by 1939 and allowed for the movement of capital and labor between regions and companies. The imperial oil complex encompassed colonies—Burma and Trinidad—and dependent states-Iraq and Iraq. In both, the imperial state used its political and military power to support British oil interests. The oil complex drew on the resources of empire but also bolstered it with profits and tax revenues while a global set of oil sites supplied the British military and civilian consumers. British companies built an infrastructure of oil production that gave them quasi-state power in oil regions while connecting these areas to global and imperial networks of communication and transportation.
Fuelling Empire: The British Imperial Oil Complex, 1886-1945 (Oxford UP, 2025) highlights the significance of Britain to the development of the global oil industry. It demonstrates the ways in which the global histories of oil and empire are inextricably interlinked. The imperial oil complex relied on a racially stratified hierarchy of labor where white supervisors managed indigenous and migrant workers. The harsh conditions of work and low pay fueled labor conflicts that resonated with emerging colonial nationalist movements that sought to limit the power of oil companies. Despite robust private and state security operations, the imperial oil complex faced greater insecurity before World War II. While the imperial oil complex survived the war, in the postwar era decolonization and Britain's financial weakness led to its decline.

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Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.

The Life of an Enslaved African in the Ottoman Empire and Iran is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.

Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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