Dr. Simkovich has crossed lines and offered some controversy in her time as a scholar. She taught in a Catholic University and now is at JPS and YU. She continues her interfaith dialogue throughout. But here we spoke, among other things, about the concept of diaspora and exile - what is a Judean, a Judahite, and an Israelite. These are terms that are often thrown around interchangeably, but understanding the meaning and etymology of each helps us understand the spatial and temporal elements of being Jewish, of Judean roots, and in the context of today. 

Letters from Home: The Creation of Diaspora in Jewish Antiquity (Eisenbrauns, 2024) is an analysis of letters from Jewish Antiquity and spans the Persian and Babylonian Empires in space and time and touches upon the Greek and Roman Empires. Is diaspora curse? If a main prohibition was for Israelites to return to Egypt, how is one of the most ancient Jewish communities found in Egypt? How and why did they get there? Was it a negative or positive evolution of the exile? 

As the conversation evolved Dr. Simkovich let out a call for suggested readings on the term and concept of "golah" as opposed to "galut", diaspora and exile. Please reach out if you want to share your thoughts on this and the significance of the diaspora as a phenomenon.

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A New Orient: From German Scholarship to Middle Eastern Studies in Israel (Brandeis UP, 2024) explores the fascinating history of Zionist and Israeli "Oriental Studies" (mizrahanut), particularly the study of Islam, Arabic, and the Middle East, as a field deeply rooted in the academic traditions of early 20th-century German universities. Drawing on rich archival documentation in German, Arabic, English, and Hebrew, it traces the migration of Orientalist knowledge from Germany to Mandatory Palestine. The book examines how research – and researchers – were transformed as their encounter with the Orient shifted from a textual-philological exercise to a direct, physical engagement, marked by contradictions and tensions against the backdrop of the intensifying Jewish-Arab conflict.

Among its key themes, the book reveals how prominent Orientalist scholars extended their work beyond study rooms and libraries, engaging in efforts to foster Jewish-Arab understanding or collaborating with diplomatic and security institutions.

By shedding new light on the development of academic research in Mandatory Palestine and the early years of Israel, the book offers a compelling case study of the intricate relationship between "pure" scholarship and the political, social, and cultural challenges of the time. It also provides a fresh perspective on the roots of the Jewish-Arab conflict and the influential role of knowledge in shaping it.

Amit Levy is a Spinoza postdoctoral fellow in the Department of Israel Studies, School of Regional and Historical Studies, University of Haifa. His research focuses on the history of knowledge and migration and their impact on cross-cultural encounters. He earned his PhD from the Hebrew University of Jerusalem in 2021, and has held postdoctoral fellowships at the University of Oxford, the University of Wisconsin–Madison, and the Open University of Israel. His book A New Orient received the Jordan Schnitzer First Book Publication Award, administered by the Association for Jewish Studies.

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Historian Emine Ö. Evered’s Prohibition in Turkey: Alcohol and the Politics of Identity (University of Texas Press, 2024) investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates.

Evered's account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation.

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Arab nationalism has been one of the dominant ideologies in the Middle East and North Africa since the early twentieth century. However, a clear definition of Arab nationalism, even as a subject of scholarly inquiry, does not yet exist.

Peter Wien’s Arab Nationalism: The Politics of History and Culture in the Modern Middle East (Routledge, 2017) sheds light on cultural expressions of Arab nationalism and the sometimes contradictory meanings attached to it in the process of identity formation in the modern world. It presents nationalism as an experienceable set of identity markers – in stories, visual culture, narratives of memory, and struggles with ideology, sometimes in culturally sophisticated forms, sometimes in utterly vulgar forms of expression. Utilizing various case studies, the present work transcends a conventional history that reduces nationalism in the Arab lands to a pattern of political rise and decline. It offers a glimpse at ways in which Arabs have constructed an identifiable shared national culture, and it critically dissects conceptions about Arab nationalism as an easily graspable secular and authoritarian ideology modeled on Western ideas and visions of modernity.

This book offers an entirely new portrayal of nationalism and a crucial update to the field, and as such, is indispensable reading for students, scholars and policymakers looking to gain a deeper understanding of nationalism in the Arab world.

Peter Wien is Professor of Modern Middle Eastern History at the University of Maryland, College Park.

Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an educational staff.

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The period from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) witnessed the production of a substantial corpus of Middle English crusade romances. In English Literature and the Crusades: Anxieties of Holy War, 1291–1453 (Cambridge University Press, 2024) Dr. Marcel Elias places these romances in dialogue with multifarious European writings to offer a novel account of late medieval crusade culture: as ambivalent and self-critical, animated by tensions and debates, and fraught with anxiety. These romances uphold ideals of holy war while expressing anxieties about issues as diverse as God's endorsement of the crusading enterprise, the conversion of Christians to Islam, the sinfulness of crusaders, and the morality of violence.

Reinvigorating debates in medieval postcolonialism, drawing on emotion studies, and excavating a rich multilingual archive, this book is a major contribution to the cultural history of the crusades. This title is part of the Flip it Open programme and may also be available open access. Check our website Cambridge Core for details.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Palestine's Christians and the Nationalist Cause: The Late Ottoman and Mandatory Periods (Routledge, 2024) provides an historical overview of Palestine's Christian communities and their role in the Palestinian nationalist movement during the late Ottoman and British mandatory periods. More than being a history of Palestine's Christian Arabs, the book focuses on Palestine's Christians during the formative period of Palestinian Arab national identity, attentive to the broader topic of the relationship between nationalism and religion--in this case, between Arab identity and Islam. Whereas until recently historians have tended to assume that national and religious identities are distinct and mostly mutually exclusive things, more recent scholarship has addressed the fact that often there exists considerable overlap between the two, though it should be noted, often in ways that are not by any means inherently exclusive of those not belonging to the majority faith, as is the case here. The relationship is also an ever-changing one, hence the final chapter of the book, which functions as something of an epilogue regarding the current status of Palestine's Christians vis-à-vis their place in the nationalist cause and relationship with the broader Muslim population. The book will be of interest to historians and scholars focused on the modern Middle East, Palestinian history, Muslim-Christian inter-communal relations, and the relationship between nationalism and religion.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref Website: www.robertomazza.org

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Dr. David Graves is a philosopher, artist, musician and author. He helped found the Academic College of Tel Aviv, where he is Senior Lecturer in Art and Philosophy. In this exciting interview, he talks about his recent book New Realism in Contemporary Israeli Painting (Austin Macauley, 2023), and shares insight on what is true and real about the world we live in, the stories we tell, and the worlds we create.

About the book: Art today can be whatever one wants it to be: a rotting cadaver, a photograph of someone else's photograph, a banana... In this post-modern age of post-truth, of social media and the selfie, when everyone has a high-resolution digital camera at their fingertips, one wonders what would possess a talented artist to sit for days, weeks, often months, to paint a portrait of a friend or a landscape of home. Today, a group of 20 or so remarkable painters have revived a fascinating style of realistic painting, and in Israel of all places, where realistic art has never played any significant role. Their brand of realism is not mundane photographic realism, but rather it is an intensified sort of realism, a kind of hyper-realism. This book offers an initial explanation as to what these artists are doing, and how they are doing it.

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From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.

How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.

Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.

Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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William Gallois joins the podcast to discuss his latest book, Qayrawān: The Amuletic City, published by The Pennsylvania State University Press in 2024.

Qayrawān: The Amuletic City investigates the fascinating history of the Tunisian city of Qayrawān, which in the last years of the nineteenth century found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.

Using visual archaeological methods, Qayrawān highlights the ‘unknown artist’ as an actor of ‘unnoticed agency’ and a practitioner of living traditional arts. Locating pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera, Gallois identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.

The book challenges tacit assumptions of foreign categories and standards of aesthetics imposed upon Islamic and African art. It contributes to further explorations of the exploration of the ways in which Islam was interwoven with preexisting cultures and forms of expression, particularly in calling for a continued reimagining of the study of “Islamic art.” The book makes welcome contributions to Islamic, African, and Middle Eastern studies, particularly in relation to colonial and art histories. It will be welcomed by scholars of Islamic Studies, African Studies, and Art History.

William Gallois is Professor of the Islamic Mediterranean in the Institute of Arab and Islamic Studies at the University of Exeter, in England. In addition to Qayrawān: The Amuletic City, Prof Gallois is the author of A History of Violence in the Early Algerian Colony (2013) and The Administration of Sickness (2008), among other works.

Yaseen Christian Andrewsen is a DPhil candidate at the University of Oxford, specialising in Islamic intellectual history in West Africa focusing on issues in Sufism, theology, renewal, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.

He can be reached by email at: [email protected]

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Political anthropologists Ajantha Subramanian and Lori Allen are back to continue RTB's Violent Majorities series with a set of three episodes on long-distance ethno-nationalism. Today, they speak with Peter Beinart (an editor at Jewish Currents and Professor of Journalism and Political Science at the City University of New York) about his just-released book, Being Jewish After the Destruction of Gaza: A Reckoning (Knopf, 2025). It aims to mobilize Jewish religious ethics and teachings to reach a Jewish-American audience shaped by Zionism. Beinart seeks to debunk myths that prevent many from realizing that the moral abominations committed against Palestinians are part of the Israeli settler-colonial-nation-state project.

Peter is haunted by the fact that some of the most ardent opposition to apartheid in his parents’ country of South Africa came from secular Jewish people, and is troubled by the nationalistic tendency of religiously observant Jews there in the apartheid era. The three also discuss questions of solidarity against and among authoritarians, Israel’s threat to international law, the dangers of minority alliances with majoritarian politics, campus politics, and the importance of seeing Gaza and Palestine as connected to us all.

Peter’s Recallable Book is Accepting the Yoke of Heaven: Commentary on the Weekly Torah Portion, by Orthodox scientist, philosopher, and Judaica scholar Yeshayahu Leibowitz (1903-1994), who emphasized the idolatry of investing the state with anything more than a supportive role in Jewish life.

Mentioned in the Episode:

Listen and Read Here.

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