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Siam’s New Detectives: Visualizing Crime and Conspiracy in Modern Thailand (University of Hawaii Press, 2016) is a rewarding, multilayered study of how Thailand became the Kingdom of Crime, and its police, masters of simulation and representation. While working towards an account of the visual culture of criminality, Samson Lim carefully documents the establishment and growth of the police force in Thailand, hitherto Siam, and its adoption of technologies to identify, name, class, measure, investigate and explain criminal phenomena. Photography, mapping and fingerprinting altered fundamentally conceptions of what constituted evidence. Perceptions of what crime is and how it can be captured for presentation at trial also underwent profound change. According to Lim “the determination of how things should look became a key preoccupation of the state.” With time, crime scene reconstruction morphed into a powerful new genre of reenactment, which ostensibly helps to organize existing knowledge about crime, while in fact doing something altogether different. Together, Lim convincingly shows, reconstruction and reenactment have brought the criminal act to life, not only for the purposes of assembled judges, but perhaps even more importantly, for the cameras of assembled journalists. Need proof? Look no further than the cover of your typical Bangkok daily.
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4.7
1919 ratings
Siam’s New Detectives: Visualizing Crime and Conspiracy in Modern Thailand (University of Hawaii Press, 2016) is a rewarding, multilayered study of how Thailand became the Kingdom of Crime, and its police, masters of simulation and representation. While working towards an account of the visual culture of criminality, Samson Lim carefully documents the establishment and growth of the police force in Thailand, hitherto Siam, and its adoption of technologies to identify, name, class, measure, investigate and explain criminal phenomena. Photography, mapping and fingerprinting altered fundamentally conceptions of what constituted evidence. Perceptions of what crime is and how it can be captured for presentation at trial also underwent profound change. According to Lim “the determination of how things should look became a key preoccupation of the state.” With time, crime scene reconstruction morphed into a powerful new genre of reenactment, which ostensibly helps to organize existing knowledge about crime, while in fact doing something altogether different. Together, Lim convincingly shows, reconstruction and reenactment have brought the criminal act to life, not only for the purposes of assembled judges, but perhaps even more importantly, for the cameras of assembled journalists. Need proof? Look no further than the cover of your typical Bangkok daily.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies
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