In Mapping Beyond Measure: Art, Cartography, and the Space of Global Modernity (U Nebraska Press, 2019), Simon Ferdinand analyzes diverse map-based works of painting, collage, film, walking performance, and digital drawing, made in Britain, Japan, the Netherlands, Ukraine, the United States, and the former Soviet Union, arguing that together they challenge the dominant modern view of the world as a measurable and malleable geometrical space.

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