Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.

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