New Books in Art

By Marshall PoeArts Visual Arts

New Books in Art episodes

September 11 Marjolijn Bol, "The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500" (U Chicago Press, 2023)
Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.
For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.
The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
40 min
September 09 Leonhard Emmerling, "The Idiots: The History of the Homo Nullus" (Seagull Books, 2026)
In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026)
Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society’s norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world.
Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
1 hr 2 min
September 01 Duty, Banality, and Hopefulness with Alex Cain
In this episode Pat speaks with Dr Alex Cain.
Dr Alex Cain researches in the fields of political theory and ethical theory, with a particular focus on the work of Hannah Arendt, among other figures in the history of philosophy. Her work in this field has so far mostly focussed on the topics of friendship, political action, judgement and the role of experience in philosophical inquiry.
They discuss Sidney Nolan’s duty to paint the concentration camps, the hopefulness of Hannah Arendt, and the importance of the banality of evil.
A transcript of this episode will be available on the Concept : Art website here.
Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
30 min
August 25 Transcending Disciplinary Confinements With(in) Beckett Studies
This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space’.
This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on [email protected], for more details.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
1 hr 11 min
August 14 Ellery E. Foutch, "A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026)
Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era’s desire to forestall the march of time and immortalize the fleeting moment through art and technology.
Beginning with an investigation of artist and naturalist Titian Peale’s butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard’s Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period’s preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.
By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
59 min
August 05 Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)
Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western
art: the famous turning point for painting and sculpture usually
emblematized by the works of Édouard Manet and then the Impressionists.
Instead of the usual revaluation of this turning point, Sara Pappas
argues for the importance of the failure to find a cohesive story for
the art world in the period itself, a difficulty that carries forward to
galleries today. In order to demonstrate the importance of incongruity
and disorder, Pappas brings together two worlds that may seem
incompatible: nineteenth-century literary writers involved in naturalism
and the organization of permanent collections of later
nineteenth-century French art in today's museums. Drawing on the art
novels and art criticism of these writers, the book provides optimal
access to the questions that continue to haunt the categorization and
display of nineteenth-century art.
Guest Sara Pappas is Associate Professor of French and Visual Culture
at the University of Richmond. In addition to this volume, she has
published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles
to contemporary artist Kehinde Wiley’s influence on French art, as well
as co-curating an exhibit of Nineteenth Century French and Russian Art
at the Harnett Museum of Art.
Host Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
39 min
August 02 Paulina Banas, "Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century" (American University in Cairo Press, 2025)
Following Napoleon Bonaparte’s 1798 campaign in Egypt, new possibilities of travel and improvements in printing technology saw an emergence of publishing ventures in France and Britain dedicated to the production of albums and travel accounts featuring images of Muslim Egypt and Islamic architecture and catering to a growing European fascination with the East. In her debut book, Visualizing Egypt: European Travel, Book Publishing, and the Commercialization of the Middle East in the Nineteenth Century (American University in Cairo Press, 2025) Paulina Banas analyzes the context and process of production of these highly illustrated publications, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by nineteenth-century audiences. By tracing the long, arduous, and often risky publishing journeys of the makers of these books, including publishers, writers, and artists, such as the Frenchman Émile Prisse d’Avennes, Banas reveals a complex terrain of changing market demands, collaborations, and conflicting views, and the unsettled authorship of these works, prompting us to think more profoundly about artistic and intellectual exchange in the world of nineteenth-century Orientalist book production. Visualizing Egypt considers nineteenth-century book illustrations on Egypt and the “Orient” not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition within it.
Paulina Banas is an Assistant Professor of Art History at The University of Alabama at Birmingham, where she teaches course on Islamic world arts, 19th century European visual culture, and cross-cultural encounters between Europe and the Middle East.
Saman Nasser holds an M.A. in history from James Madison University, where he currently works as an educational staff.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
50 min
July 27 Meredith Gamer, "City of the Gallows: Art and Execution in Eighteenth-Century London" (Yale UP, 2026)
City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day.
Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. [email protected]
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
1 hr 7 min
July 26 Victoria Donovan, "Life in Spite of Everything: Tales from the Ukrainian East" (Daunt Books, 2025)
Life in Spite of Everything: Tales from the Ukrainian East (Daunt Books Publishing, 2025) is
a unique reflection on the much-mythologised Donetsk and Luhansk
regions of the Ukrainian east, the old and recent history of the region
as seen by an esteemed academic multi-disciplinary scholar Victoria
Donovan in her numerous travels to the region prior to the full-scale
invasion. Seen through a deeply empathetic lens of conversations with
local curators, historians, museum workers, and artists, the region is
shown in its complexity, with the uniqueness of its landscapes,
endangered biodiversity, entangled colonialisms of its past and a
threatened future.
Since start of Russia’s war against Ukraine in
2014, its eastern region—Donbas—has been synonymous with conflict. With
the escalation of that war in 2022, its, cities such as Bakhmut and
Lysychansk have become familiar to us through the images and reports of
brutal devastation. Victoria Donovan excavates a rich, multicultural
history of this area, and paints a radically different picture.
Travelling
from the dramatic, jagged peaks of Bilokuzmynivka to the marshland of
Mariupol, from a warehouse rave to an abandoned gypsum mine, the
physical world and its importance to this region’s identity is brought
to vivid life. But above all else, by speaking to those whose lives are
embedded there now—curators, artists, railway workers, young people who
have grown up amidst instability and destruction—Donovan amplifies local
voices and reveals the intensely personal lived reality of Putin’s war.
Victoria
Donovan is Professor of Ukrainian and East European Studies and
Director of the Centre for Global (Post)socialisms, Southeast, Central
and East European Studies at the University of St Andrews.
Viktoriia
Grivina is an independent anthropologist and writer, author of Kharkiv,
a War City (Ibidem, 2025), and Kharkiv is a Dream: Public Art and
Activism, 2013–2023 (Ibidem, 2025).
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
1 hr 5 min
July 22 David Denby, "Eminent Jews: Bernstein, Brooks, Friedan, Mailer" (Henry Holt, 2025)
What made a generation of Jewish artists and intellectuals transform
American culture? In this episode, Rabbi Marc Katz sits down with
acclaimed cultural critic David Denby to discuss his book Eminent Jews: Bernstein, Brooks, Friedan, Mailer (Henry Holt, 2025), a vibrant portrait of four extraordinary Americans whose Jewish identities helped shape the modern United States.
Though
they worked in vastly different fields, Leonard Bernstein, Mel Brooks,
Betty Friedan, and Norman Mailer shared a remarkable historical moment.
Coming of age after World War II, they entered an America where Jewish
opportunity was expanding and antisemitism was beginning to recede.
Their Jewish heritage, energized by the freedoms of American life,
fueled bold, unconventional careers that reshaped music, comedy,
literature, feminism, and public debate.
Denby paints these figures in all their complexity: ambitious,
difficult, generous, provocative, and endlessly creative. Rather than
offering simple hero worship, he explores how their outsized
personalities and relentless drive allowed them to challenge old
assumptions about art, politics, gender, humor, and what it meant to be
both fully Jewish and fully American.
Together, Denby and Katz
explore why this particular generation produced so many cultural
revolutionaries, how Jewish identity informed their work without
defining it, and what their legacies reveal about the changing place of
Jews in postwar America.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
47 min

About New Books in Art

From the publisher's feed

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.