The extraordinary life story of the billionaire businessman Jimmy Lai, a leading Hong Kong democracy activist fighting for freedom of speech who became China’s most famous political prisoner.

Jimmy Lai escaped mainland China when he was twelve years old, at the height of a famine that killed tens of millions. In Hong Kong, he hustled and often slept overnight on a table in a clothing factory where he did odd jobs. At twenty-one, he was running a factory. By his mid-twenties, he owned one and was supplying sweaters and shirts to some of the biggest brands in the United States, from Polo to The Limited. His ideas about retail led him to create Giordano in 1981, and with it “fast fashion.” But then came the 1989 democracy spring protests and the June 4th Tiananmen massacre.

His reaction to the violence was to enter the media industry to push China toward more freedoms. He started a magazine, Next, to advocate for democracy in Hong Kong. Then, just two years before the city was to return to Chinese control, he founded the Apple Daily newspaper. Its mix of bold graphics, gossip, local news, and opposition to the Chinese Communist Party was an immediate hit. For more than two decades, Lai used Appleand Next as part of a personal push for democracy.

A draconian new security law came into effect in Hong Kong in mid-2020, effectively making human rights advocacy and free speech a crime and censorship a fact. Lai was arrested and held without bail before being convicted on trumped-up charges. At the end of 2023, a lengthy national security trial, that could see him jailed for life, alleged “collusion with foreign forces” and printing seditious materials. China’s most famous political prisoner has been held in solitary confinement since December 2020, while his supporters and family continue the fight to have him freed.

Mark L. Clifford, former editor-in-chief of the South China Morning Post and the Standard and President of The Committee for Freedom in Hong Kong Foundation, draws on his three-decade friendship with Lai to tell the inside story of Lai's activism and his bravery in standing up to China.

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The extraordinary life story of the billionaire businessman Jimmy Lai, a leading Hong Kong democracy activist fighting for freedom of speech who became China’s most famous political prisoner.

Jimmy Lai escaped mainland China when he was twelve years old, at the height of a famine that killed tens of millions. In Hong Kong, he hustled and often slept overnight on a table in a clothing factory where he did odd jobs. At twenty-one, he was running a factory. By his mid-twenties, he owned one and was supplying sweaters and shirts to some of the biggest brands in the United States, from Polo to The Limited. His ideas about retail led him to create Giordano in 1981, and with it “fast fashion.” But then came the 1989 democracy spring protests and the June 4th Tiananmen massacre.

His reaction to the violence was to enter the media industry to push China toward more freedoms. He started a magazine, Next, to advocate for democracy in Hong Kong. Then, just two years before the city was to return to Chinese control, he founded the Apple Daily newspaper. Its mix of bold graphics, gossip, local news, and opposition to the Chinese Communist Party was an immediate hit. For more than two decades, Lai used Appleand Next as part of a personal push for democracy.

A draconian new security law came into effect in Hong Kong in mid-2020, effectively making human rights advocacy and free speech a crime and censorship a fact. Lai was arrested and held without bail before being convicted on trumped-up charges. At the end of 2023, a lengthy national security trial, that could see him jailed for life, alleged “collusion with foreign forces” and printing seditious materials. China’s most famous political prisoner has been held in solitary confinement since December 2020, while his supporters and family continue the fight to have him freed.

Mark L. Clifford, former editor-in-chief of the South China Morning Post and the Standard and President of The Committee for Freedom in Hong Kong Foundation, draws on his three-decade friendship with Lai to tell the inside story of Lai's activism and his bravery in standing up to China.

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How is artificial intelligence transforming journalism as both a profession and an institution? In this episode, Ning Ao speaks to Dr. Joanne Kuai, exploring how AI reshapes journalistic roles, organisational structures, and governance systems through the lens of China’s media landscape—while drawing comparisons with the US and EU.

Dr. Joanne Kuai is a Research Fellow in the School of Media and Communication at RMIT University and holds a PhD from Karlstad University in Sweden. Her research focuses on digital journalism, the social implications of automation and algorithms, and the governance of data and AI.

Ning Ao is a PhD student at the Centre for East and South-East Asian Studies (ACE) at Lund University. Her research looks at generational differences among Chinese Mongols.

Episode producer: Ning Ao

- - - - - -

Links:

Joanne’s article-based PhD dissertation:

AI, News, and the State: Reinstitutionalising Journalism in Global China’s Algorithmic Age

Joanne’s recommendations:

Julie E. Cohen’s Between Truth and Power: The Legal Constructions of Informational Capitalism

Kevin Xu’s bilingual newsletter - Interconnected

Ghost in the Shell (1995)

Detroit: Become Human

Follow Joanne’s research on:

Joanne Kuai at RMIT University

ResearchGate

Linkedin

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners:

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In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition.

Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy.

Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.

Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale.

Caleb Zakarin is editor of the New Books Network.

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Exploring the boundaries, fringes, and inner workings of civil society, Taru Salmenkari investigates local forms of political agency in China in light of the globalization of political values, practices, and institutions in Global Ideas, Local Adaptations: Chinese Activism and the Will to Make Civil Society (Edward Elgar, 2025). She provides a theoretical framework for globalization, examining new forms of governance emerging with non-governmental organizations (NGOs) and how these have reconfigured social power in China.
This topical book outlines how civil society has been promoted globally since the 1980s, as NGOs advance development cooperation, democratization, and neoliberal third-sector service production. Salmenkari studies the outcomes of these processes in China, where civil society promotion met strong localizing forces rising from NGO activists'' own values, governmental regulation, and local society. Evaluating various forms of Chinese self-organizing, she discusses the social omissions of Chinese environmental NGO agendas, Confucian ties in global translations, gay self-organizing, and the idea and practice of Minjian. The book identifies complexities within Chinese civil society and how it navigates academia, global partnerships, social exclusions and alternative values, analyzing how these conflicting positions influence Chinese politics and society.

Taru Salmenkari is senior research at the University of Helsinki.

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In the long run, countries in Northeast Asia will have to see the need for collective defense. Otherwise, you won’t be able to stop rivalry between powers like the U.S. and China. It sounds utopian now, but so did the idea of French and German soldiers serving under the same command a century ago.
                                                                                                                                        – Y.S. Lee, NBN Interview (2025)

Sustainable Peace in Northeast Asia (Anthem Press, 2023) examines the enduring political and military tensions in one of the world’s most dynamic yet unstable regions, from China and the Korean Peninsula to Japan, Mongolia, and Russia’s Far East. Despite its economic vitality, Northeast Asia remains fraught with persistent risks of conflict including North Korea’s nuclear program, and the unresolved disputes over territory, history, and power imbalances fueled in part by China’s rise.

Y.S. Lee traces the political, historical, military, and economic forces behind these tensions and their global implications. Offering a comparative, country-by-country analysis, he also explores the influence of external powers such as the United States and Russia. The book assesses the prospects and consequences of Korean reunification and provides a fresh look at Mongolia’s often-overlooked role in regional stability, suggesting how imagination and diplomacy together might begin to rebuild trust across the region.

In this NBN interview, Professor Lee discusses how history, ideology, and institutional design intersect across the region – from the entanglement of North Korea’s Juche ideology with its nuclear ambitions to Japan’s struggle for reconciliation, and South Korea’s evolving identity as a middle power. He argues that sustainable peace requires economic, political, and even eventual military cooperation akin to Europe’s postwar transformation, which was once unthinkable, but ultimately necessary.

Yong-Shik Lee is Director of the Law and Development Institute and a leading scholar of international economic law and institutional reform. His previous works include Law and Development: Theory and Practice (2011; 2nd ed. 2021), Reclaiming Development in the World Trading System (Cambridge University Press, 2nd ed. 2016), and Safeguard Measures in World Trade: The Legal Analysis (Edward Elgar, 3rd ed. 2014). His research bridges economic theory and policy design to advance inclusive development and peace.

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Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses: Wenren Landscape in Chinese Cinema of the Mao Era (U Hawai’i Press, 2019) explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films―Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)― Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.

Jing Li teaches Chinese language, literature, and film. Her research explores rural China and independent cinema. She’s also guest editor for the Chinese Independent Cinema Observer.

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What does contemporary China’s diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with the arts and ideas of China’s people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? 

In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Democratic backsliding, culture wars and partisan politics in the past two decades has seen the regression of human rights protections in the courts and across societies. However, having made incremental gains in constitutional courts, LGBTQ+ rights operate as somewhat of a paradox. In this pivotal work, Professor Rehan Abeyratne makes an argument that the progress made in LGBTQ+ rights protection obscures an increased shift towards authoritarian legality in the courts and beyond. Case studies of three apex courts - the U.S. Supreme Court, the Supreme Court of India, and the Hong Kong Court of Final Appeal - provide insight into the erosion of democracy and the rule of law across these jurisdictions. Courts and  LGBTQ+ Rights in an Age of Judicial Retrenchment (Oxford UP, 2025) is an important work and should serve as a warning sign to constitutional lawyers, human rights scholars and anybody interested in the values that underpin liberal democracy as to the the limited ability of constitutional courts to protect rights in the current climate.  

Professor Rehan Abeyratne is is Professor and Associate Dean (Higher Degree Research) at Western Sydney University School of Law, where he teaches Government and Public Law, Legal Research and Methodology, and Comparative Law: Legal Systems of the World. He also coordinates the School of Law's Honours Program. Professor Abeyratne holds a PhD from Monash University, a JD from Harvard Law School, and a BA (Hons.) in Political Science from Brown University. He researches comparative constitutional law and has published several books and articles in world leading journals. Most of Prof. Abeyratne's research can be freely accessed on SSRN, Academia, and Google Scholar.

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