New Books in Islamic Studies

An interview with Prof. Salman Sayyid on one of the theoretical constructs that underpins Critical Muslim Studies: Post-Positivism. 

Interviewer: Hizer Mir.

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In Iran and Palestine: Past, Present and Future (Routledge, 2019), Seyed Ali Alavi (SOAS University of London) surveys the history of the relationship between Iran – and especially the Islamic Republic of Iran - with Palestinian organisations and leadership. It also, quite obviously, deals with Iranian views of Israel and the Israeli-Palestinian conflict.

Analysing the connections of the Iranian revolutionary movements, both the Left and the Islamic camps’ perspectives are scrutinized. To provide a historical background to the post-revolutionary period, the genealogy of pro-Palestinian sentiments before 1979 are traced additionally.

Demonstrating the pro-Palestinian stance of post-revolutionary Iran, the study focuses on the causes of roots of the ideological outlook and the interest of the state. Despite a growing body of literature on the Iranian Revolution and its impacts on the region, Iran’s connection with Palestine have been overlooked. This new volume fills the gap in the literature and enables readers to unpack the history of the two states.

This unique and comprehensive coverage of Iran and Palestine’s relationship is a key resource for scholars and students interested in international relations, politics, Islamic and Middle East studies.

Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.

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Lahore's Hall Road is the largest electronics market in Pakistan. Once the center of film and media piracy in South Asia, it now specializes in smartphones and accessories. For Hall Road's traders, conflicts between the economic promises and the moral dangers of film loom large. To reconcile their secular trade with their responsibilities as devoted Muslims, they often look to adjudicate the good or bad moral "atmosphere" (mahaul) that can cling to film and media.

In Moral Atmospheres: Islam and Media in a Pakistani Marketplace (Columbia UP, 2024),Timothy P. A. Cooper examines the diverse and coexisting moral atmospheres that surround media in Pakistan, tracing public understandings of ethical life and showing how they influence economic behavior. Drawing on extensive ethnographic work among traders, consumers, collectors, archivists, cinephiles, and cinephobes, Moral Atmospheres explores varied views on what the relationship between film and faith should look, sound, and feel like for Pakistan's Muslim-majority public. Cooper considers the preservation and censorship of film in and outside of the state bureaucracy, contestations surrounding heritage and urban infrastructure, and the production and circulation of sound and video recordings among the country's religious minorities. He argues that a focus on atmosphere provides ways of seeing moral thresholds as mutable and affective, rather than as fixed ethical standpoints. At once a vivid ethnography of a market street and a generative theorization of atmosphere, this book offers fresh perspectives on moral experience and the relationship between religion and media.

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Shakespeare through Islamic Worlds (Routledge, 2024) investigates the peculiar absence of Islam and Muslims from Shakespeare’s canon. While many of Shakespeare’s plays were set in the Mediterranean, a geography occupied by Muslim empires and cultures, his work eschews direct engagement with the religion and its people. This erasure is striking given the popularity of this topic in the plays of Shakespeare’s contemporaries. 

By exploring the limited ways in which Shakespeare uses Islamic and Muslim tropes and topoi, Ambereen Dadabhoy, Associate Professor of Literature at Harvey Mudd College, argues that Islam and Muslim cultures function as an alternate or shadow text in his works, ranging from his staged Mediterranean plays to his histories and comedies. By consigning the diverse cultures of the Islamic regimes that occupied and populated the early modern Mediterranean, Shakespeare constructs a Europe and Mediterranean freed from the presence of non-white, non-European, and non-Christian Others, which belied the reality of the world in which he lived. Focusing on the Muslims at the margins of Shakespeare’s works, Dadabhoy reveals that Islam and its cultures informed the plots, themes, and intellectual investments of Shakespeare’s plays. 

In our conversation we discussed Shakespeare’s worldmaking and the social and political worlds of western Europe, the Mediterranean, and the Ottoman empires, famous plays, such as The Tempest, The Merchant of Venice, Twelfth Night, and Othello, the figure of the “Moor,” and the threat of turning “Turk,” the intersection of race and geography in Shakespeare’s works, disrupting Anti-Muslim racism and Islamophobia through critical reading, and Muslim adaptations of Shakespeare.

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Sari Nusseibeh's book Avicenna's Al-Shifā': Oriental Philosophy (Routledge, 2018) deals with the philosophy of Ibn Sina - Avicenna as he was known in the Latin West- a Persian Muslim who lived in the eleventh century, considered one of the most important figures in the history of philosophy.

Although much has been written about Avicenna, and especially about his major philosophical work, Al-Shifa, this book presents the rationalist Avicenna in an entirely new light, showing him to have presented a theory where our claims of knowledge about the world are in effect just that, claims, and must therefore be underwritten by our faith in God. His project enlists arguments in psychology as well as in language and logic. In a sense, the ceiling he puts on the reach of reason can be compared with later rationalists in the Western tradition, from Descartes to Kant -though, unlike Descartes, he does not deem it necessary to reconstruct his theory of knowledge via a proof of the existence of God. Indeed, Avicenna's theory presents the concept of God as being necessarily presupposed by our theory of knowledge, and God as the Necessary Being who is presupposed by an existing world where nothing of itself is what it is by an intrinsic nature, and must therefore be as it is due to an external cause. The detailed and original analysis of Avicenna's work here is presented as what he considered to be his own, or 'oriental' philosophy.

Presenting an innovative interpretation of Avicenna's thought, this book will appeal to scholars working on classical Islamic philosophy, kalām and the History of Logic.

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In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.

Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.

Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.

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How are notions of justice and equality constructed in Islamic virtue ethics (akhlaq)? How are Islamic virtue ethics gendered, despite their venture into perennial concerns of how best to live a good and ethical life? These are the questions that Zahra Ayubi, an assistant professor of religion at Dartmouth college, examines in her new book Gendered Morality: Classical Islamic Ethics of the Self, Family, and Society (Columbia University Press, 2019). Using akhlaq literature by al-Ghazali, Davani and Tusi, Ayubi closely studies the ways in which these male Muslim scholars constructed ideas of the self (nafs), particularly in relation to the family and the society. Despite the ethicists’ differing sectarian and theological orientations in Islam, they still concluded that the status of a perfect ethical human was only achievable by a male elite. Meaning that the capacity to utilize rational faculty, which is central to self-refinement, was deemed not accessible to females, slaves, and non-elite males. In unpacking these gendered and hierarchical dynamics around ethics and comportment, Aybui masterfully applies feminist and gender analysis to deconstruct ethical texts. In light of her findings, she calls for a “philosophical turn” that must employ critical gender analysis when reading these texts not only in the context of Islamic philosophy, but broadly in the study of Islam. The book is a must read for scholars and students interested in Islamic philosophy and gender and Islamic studies.

M. Shobhana Xavier is an Assistant Professor of Religion at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism(Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found on here and here. She may be reached at [email protected].

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Capitalism is not only an economic system but also a system of production and allocation of hope. In Egypt, a generation of young men desire fulfilling employment, meaningful relationships, and secure family life, yet find few paths to achieve this. 

In The Labor of Hope:: Meritocracy and Precarity in Egypt (Stanford UP, 2023), Harry Pettit follows these educated but underemployed men as they struggle to establish careers and build satisfying lives. In so doing, this book reveals the lived contradiction at the heart of capitalist systems - the expansive dreams they encourage and the precarious lives they produce. Pettit considers the various ways individuals cultivate distraction and hope for future mobility: education, migration, consumption, and prayer. These hope-filled practices are a form of emotional labor for young men, placing responsibility on the individual rather than structural issues in Egypt’s economy. Illuminating this emotional labor, Pettit shows how the capitalist economy continues to capture the attention of the very people harmed by it.

Harry Pettit is Assistant Professor in Economic Geography at Radboud University Nijmegen. His research is on emotional politics and late capitalism. He has published articles on the emotional politics of precarious labour in Cairo in the International Journal of Urban and Regional Research, Environment & Planning D: Society & Space, and Emotion, Space, and Society.

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

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Forgotten Foods: Memories and Recipes from Muslim South Asia (Pan Macmillan India, 2023) is a collection of essays and recipes that highlights the complex and layered food history of Muslim communities across South Asia. The contributors to the volume include historians, literary scholars, plant scientists, writers, chefs, and more. And their range of essays take us from Ladakh in the north to Sri Lanka in the south, as we learn how food has not been fixed but rather has traveled, survived, and transformed with its peoples. The memories of foods captured here, be it biryanis, pulaos, khicheris, prawn curries, dhal, kanhi (or khanji), and halwa, just to name a few, unsettle gender, class, economic, and caste boundaries, and welcome us to plunge into the delicious food practices of diverse Muslim communities be they Indians, Pakistanis, Rampuris, Kashmiris, Mappila, and Tamils. 

The collection also critically highlights how food has been weaponized and politicized (as we see with Muslims eating beef in India today) while also being invoked in discourses of authenticity, especially as food practices and memories travel with those who are displaced into the diaspora, such as amongst Kashmiri Muslims. Food here is then used as an incisive analytical tool to complicate histories and contemporary experiences of Muslims in South Asia. This stunning archive of Muslim food memories and its accompanying delicious recipes will be of interest to so many communities of listeners, from academics of Islam in South Asia, food bloggers, foodies on social media, chefs, and more.

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In their landmark new translation of the Qur’an, The Qur’an: A Verse Translation (LIveright, 2024), M. A. R. Habib and Bruce B. Lawrence translate the entirety of the Qur’an in a fashion that beautifully and majestically captures the poetic sensibility of the Qur’an for contemporary English speakers and readers. The distinctive feature of this Qur’an translation is its close attentiveness to the literary possibilities opened by the versification of the text and to the oral and aural capacities of the Qur’an, punctuated by its rhythmic qualities. This book also includes a very helpful glossary and appendix, as well as a deeply erudite account of the translation theory and thought process that went into the composition of this Qur’an translation. This powerful, mellifluous, and often dazzling translation is sure to alternatively jolt and energize the reader; it will also work as a great Qur’an translation in courses on various topics concerning Islam and Muslim societies.

SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His second book is called Perilous Intimacies: Debating Hindu-Muslim Friendship after Empire (Columbia University Press, 2023). His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.

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