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Ahmed El-Shamsy’s Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition (Princeton University Press, 2020) is an astonishing scholarly feat that presents a detailed, sophisticated, and thoroughly enjoyable intellectual and social history of the modern publishing industry on what we today consider canonical books of Islamic thought. “Painstakingly researched” would be a description too mild for the depth and breadth of sources and analysis that El-Shamsy mobilizes in this book. Over the course of its 8 delightfully written chapters, readers meet some known and many less known book collectors, editors, Muslim reformers, early Salafis, and European Orientalists whose thought, outlook, normative agendas, and wide-ranging efforts produced a distinct corpus of classical Islamic texts.
The canonization of what counted as “classical” was itself a markedly modern move and gesture, El-Shamsy argues. Populated with fascinating narratives of manuscript hunting, editorial discoveries and frustrations, and collaborations between Arab scholars and European Orientalists, Rediscovering the Islamic Classics combines the literary flair of a sumptuous novel with the textual density of a philological masterpiece. This carefully crafted and argued book represents both a profound tribute to a mesmerizingly layered archive of tradition and its actors, and a tremendous service to the field of Islamic Studies in particular and Religious Studies more broadly. It will also make a great text to teach in courses on intellectual history, manuscript studies, modern Islam, Muslim reform, and Islamic Law.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.
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As Indonesia nears the 75th anniversary of its proclamation of independence this year, the socio-political debates surrounding her birth as a nation-state take on contemporary salience. In Indonesia’s Islamic Revolution (Cambridge UP, 2019), Kevin W. Fogg analyzes the religious aspirations that motivated many Muslim revolutionaries to fight the return of Dutch after the Second World War and envision a new nation-state. The book tackles this topic on both military and political fronts; paying attention not only to how Islam energized the Indonesian Revolution but also to how revolution refreshes the practice and social organization of Islam. While much of the present historiography on the Indonesian Revolution has centered on the secular nationalist leaders as primary historical actors, this book refocuses attention on how the revolutionary movement drew additional vitality from a diverse group of pious Muslims. Integrating the experiences of relatively obscure military veterans with well-known Muslim politicians, the book is one of the first to provide a coherent survey of the multi-faceted ways Islam became entangled with Indonesia’s revolutionary ideology across different ethnic communities.
In this podcast, we discuss the notion of Muslim piety and how stories from veterans of the revolution break down orthodox-heterodox binaries in the practice of Islam, the mutations of religious authority during a tumultuous period, the politics of forming a national bureaucracy to govern Islam and enduring legacies of Indonesia’s Revolution.
Kevin W. Fogg is based at the University of North Carolina at Chapel Hill, where he is the associate director at the Carolina Asia Center. He is also a research associate at Brasenose College and the Faculty of History, Oxford University. Find him online at www.kevinwfogg.net.
Faizah Zakaria is an assistant professor of history at Nanyang Technological University. You can find her website here or on Twitter @laurelinarien
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Qurʾanic interpretation in contemporary societies is shaped in a multitude of ways. There are educational institutions that inform how one understands the text, linguistic hurdles for readers and commentators, publicly accessible forms of media, editors and translators that shape what audiences have access to, and global interpretive positions among various Muslim denominations.
In Muslim Qurʾānic Interpretation Today: Media, Genealogies and Interpretive Communities (Equinox Publishing, 2018), Johanna Pink, Professor at Albert-Ludwigs-Universität Freiburg, explores the rich and varied expressions of Qur’anic materials and places them within these frameworks. The volume takes a genealogical approach to numerous contemporary cases studies to see where they come together and where they diverge in their assumptions, hermeneutics, and conclusions. Pink demonstrates that tensions around the Qur’an today extend from questions of who has the authority to interpreted, what is the best method to do so, and the new expanse of commentarial genres, including numerous recent media spaces available to new types of interpreters. In our conversation we discuss the factors shaping a contemporary interpretive position, the legacy of the pre-modern tafsir tradition, Ibn Kathir, the Qurʾan as source of guidance for everyday life, comics, Qur’an translations, televangelism, new media and online commentary, the use of scientific language to account for the Qur’an, gender relations, modernist, Islamist, and postmodern interpretation.
Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].
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Over the last couple of decades, a number of books written both by the academics and journalists have appeared on many dysfunctions of the Pakistani state, a few of them even predicting why and how and when it is going to collapse. Against this grain, Ayesha Siddiqi’s new book, In the Wake of Disaster Islamists, the State and a Social Contract in Pakistan (Cambridge University Press, 2019) is a forceful meditation on a number of key issues around the social contract, citizenship, and state provisions such as disaster relief and social protection. The book helps understand why, despite its many limitations, Pakistani state remains central to the lives of those it seeks to govern.
Through an intensive ethnography conducted in the three of the worst hit districts – in the wake of the flooding disasters of 2010-2011 – in the Southern-most region of Pakistan’s Sindh province, Siddiqi demonstrates that the state and citizenship, even when expressed in vernacular idiom which doesn’t lend itself neatly to predominantly Eurocentric and structuralist sensibilities have meaning and resonance for the people. People look up to Sarkar (the “state”) both when they make claims for day to day provisions and also in the times of extraordinary distress. Though not always in time and effectively, as instantiated by the universal cash grants given to everyone who might have suffered in three districts of Badin, Thatha and Tharparkar, as a consequence of the floods, Sarkar also responds.
Advancing a critical anthropology of the state, the book makes three major contentions: First, as already suggested, contrary to what the ‘master narratives’ claim, state remains very much present in the lives of the people even in the peripheral regions of Pakistan. Even when state remains unable to satisfy people’s demands, the fact that people have high expectations of it testifies to its centrality in their moral and political imaginaries. Second, since the local imaginaries of the state aren’t that of a monolithic entity represented by a coherence of institutional structures and purposes, major political parties and local influentials come to acquire some of the key “state-effects”, hence relations of clientship, to the extent that they remain relevant to the socio-political lives of many, aren’t necessarily an anathema to citizenship, instead they might actually be one of the constituent elements of a postcolonial social contract. Third, the specter of Islamist organizations coming in to occupy the space created by the presumed ‘absence’ of the state has no real grounding. This is so not because the state remains very much ‘present’ but also because the Islamists are afforded visibility only in so far as they are coopted by the state to partake in the relief activities.
The book will be an indispensable reading for anyone interested in grasping the socio-political complexities inherent to the postcolonial states, societies, and their mutualities beyond the dominant tropes.
Ali Mohsin is a doctoral candidate in Anthropology and Sociology at the Graduate Institute of International and Development Studies (IHEID), Geneva. His research focuses on the politics of poverty, inequality and social protection in Pakistan. He can be reached at [email protected]
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Lara Harb’s Arabic Poetics: Aesthetic Experience in Classical Arabic Literature (Cambridge University Press, 2020) is a delightful and formidable study on the details and development of poetics and aesthetics in medieval Arabic literature. The central theme of this splendid book centers on the emergence of the evocation of wonder as a key aesthetic experience and criterion connected to the beauty and eloquence of speech in medieval Muslim intellectual thought. With breathtaking clarity and painstaking elaboration, Harb charts the key literary tropes, categories, and strategies, as well as the broader intellectual and theological stakes, such as the question of the Qur’an’s inimitability, invested in how poetry was imagined, experienced, and evaluated in this context. The strength of this book lies in the meticulous care with which it walks readers through a complex yet deeply fascinating discursive arcade of thinkers, texts, and poetic registers. While focused on the thought of the preeminent eleventh century scholar ‘Abd al-Qāhir al-Jurjānī, Arabic Poetics presents and explores a panoply of scholars and texts situated at the intersection of religion, and literature. Written with sparkling clarity, this book will also make an excellent text to teach in various undergraduate and graduate courses on the Muslim Humanities, Arabic, Religion and Literature, and Religious Studies more broadly.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.
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Challenging incarceration and policing was central to the post-war Black Freedom Movement. In his new book Those Who Know Don't Say: The Nation of Islam, the Black Freedom Movement, and the Carceral State (UNC Press, 2020), Garrett Felber centers the Nation in the Civil Rights Era and the making of the modern carceral state. In doing so, he reveals a multifaceted freedom struggle that focused as much on policing and prisons as on school desegregation and voting rights. The book examines efforts to build broad-based grassroots coalitions among liberals, radicals, and nationalist to oppose the carceral state and struggle for local Black self-determination. It captures the ambiguous place of the Nation of Islam specifically, and Black nationalist organizing more broadly, during an era which has come to redefined by non-violent resistance, desegregation campaigns, and racial liberalism.
By provocatively documenting the interplay between law enforcement and Muslim communities, Felber decisively shows state repression and Muslim organizing laid the groundwork for the modern carceral state and the contemporary prison abolition movement which opposes it. Exhaustively researched, the book illuminates new sites and forms of political struggle as Muslims prayed under surveillance in prison yards and used courtroom political theatre to put the state on trial. This history captures familiar figures in new ways Malcolm X the courtroom lawyer and A. Philip Randolph the Harlem coalition builder while highlighting the forgotten organizing of rank and file activists in prisons such as Martin Sostre. This definitive account is an urgent reminder that Islamophobia, state surveillance, and police violence have deep roots in the state repression of Black communities during the mid-20th century.
Adam McNeil is a 3rd year Early African American History PhD Student at Rutgers, the State University of New Jersey
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In the early 19th century, on the floodplain of the Niger river’s inland delta in West Africa (present-day Mali), the Caliphate of Ḥamdallāhi emerged. The new State, locally known as the Maasina Diina, sought to consolidate its dominance over Fulani, Bamanan, and Arma military and political elites, as well as Jenne and Timbuktu’s scholarly establishment. It also attempted to reach a balance of power with neighboring Sokoto. The arsenal of tools the Caliphate deployed to achieve these goals included war, economic expansion, diplomacy, and the crafting of a historical chronicle known as the Tārīkh al-Fattāsh.
In two separate strands of historiography, scholars have tackled the genesis and literary construction of the chronicle on the one hand, and the history of the Caliphate on the other. The new book Sultan, Caliph, and the Renewer of the Faith: Ahmad Lobbo, the Tārīkh al-fattāsh and the Making of an Islamic State in West Africa (Cambridge University Press, 2020), brings both together. Mauro Nobili argues that the Tārīkh al-Fattāsh was a coherent and historically contingent product of the Caliphate. It was designed as a result of one Ḥamdallāhi scholar’s assessment of what it would take to legitimize claims to power and authority in the hotly contested political landscape of 19th-century Muslim West Africa.
Madina Thiam is a PhD candidate in History at UCLA.
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In Allah: God in the Qur’an (Yale University Press, 2020), Gabriel Said Reynolds argues that contrary to many scholarly and popular claims about the God of the Qur’an as either merciful or vengeful, God is in fact both. He suggests that God’s nature is a mystery and the descriptions of God, as both merciful and vengeful, are intended to have an impact on the audience of the Qur’an. Through productive comparisons between the Qur’an and the Bible, Reynolds also discusses the common themes and descriptions of God shared by these scriptures, such as the – of course, vengeance and mercy of God, but also divine scheming, God’s derision of unbelievers, and ideas of God as the Father, the Ruler, the Judge, and/or similar characteristics. Other themes covered in the book include heaven and hell, and the fate of sinners and unbelievers in the Qur’an and the exegetical tradition, the idea of humans as having been created in God’s image, and the idea of the Qur’an as a literary truth versus a historical truth, the latter point helping explain any inconsistencies in the stories that the Qur’an tells.
The book would be of interest to folks teaching theology and comparative religions courses, particularly Abrahamic religions. Its accessible writing style makes it especially useful for undergraduates and for non-specialists looking to better understand God in either just the Qur’an or in the Qur’an and the Bible.
Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and questions of change and tradition in Islam. She also vlogs on YouTube, her videos focused on dismantling the patriarchy and available at: https://www.youtube.com/channel/UClvnmSeZ5t_YSIfGnB-bGNw She can be reached at [email protected].
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Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at [email protected] and @johnwphd.
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In this episode, Dr. Ismail Patel talks with Prof. Hatem Bazian about structural Islamophobia, global politics and the demonisation of the Muslim.
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