New Books in Islamic Studies

How do Muslim Americans respond to domestic violence? What motivates Muslim individuals and organizations to work towards eradicating domestic violence in their communities? Where do Muslim providers, survivors, victims, and organizations fit into the broader, mainstream anti-domestic violence movement? How do Muslims negotiate with religious tradition in their work against domestic violence to arrive at an ethic of non-abuse?

Juliane Hammer answers these and many other questions in her new brilliant, engaging, and clear new book Peaceful Families: American Muslim Efforts Against Domestic Violence (Princeton University Press, 2019). The book provides an excellent overview of the ways that Muslim Americans address domestic violence in their communities. Through rich, detailed ethnographic interviews with Muslim advocates, service providers, imams and other religious leaders, and organizations, Hammer explores the stories, struggles, and anxieties of Muslims as they face the intersections of a range of issues, including anti-Muslim hostility and patriarchy. Peaceful Families will be of interest to anyone interested in Women’s, Gender, and Sexuality Studies, Islam in America, the relationship between Islam and gender, and anyone generally interested in working against domestic violence.

In our conversation, we discuss some of the main points of the book and the themes that shape her arguments, including the broader Muslim anti-domestic violence movement—and whether it can be identified as a movement—the relationship between gender, patriarchy, and domestic violence; the impact of Islamophobia on survivors and victims of domestic violence; the ethic of non-abuse that is central to advocates’ work against domestic violence; and the relationship between academic policing and activist scholarship.

Shehnaz Haqqani is Assistant Professor of Religion at Mercer University. Her primary research areas include Islam and gender, change and tradition in Islam, and religious authority. She can be contacted at [email protected].  

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With scholarship in the discipline of history witnessing a shift toward global approaches to local historical processes, new questions are being raised about how to identify commensurate theoretical methods and conceptual frameworks for analysis – with art history being no less part of this scholarly shift. How do we strike a balance between acknowledging distinctly local historical transformations with related global ones? In what ways can we conceptualize intertwined global networks that gave rise to local phenomena without erasing local agency and uniqueness? Where do we account for power in our analyses of local and global historical developments?

Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary (UNC Press, 2019) by Alex Dika Seggerman deftly takes up the challenge posed by these and other questions by punctuating its mark both in the field of global modernism and in modern Arab and Islamic art history, offering the commensurate theories and frameworks necessary to help move these conversations forward. Through research conducted in Egypt, Europe, and the United States, Seggerman analyzes Egypt’s modernist art movement from the late-nineteenth century up until the 1960s, demonstrating the interconnectedness of this movement with a constellation of artistic production outside of Egypt.

By examining the work of a range of characters like the satirical cartoonist Ya’qub Sanua, the nationalist sculptor Mahmoud Mukhtar, the enigmatic religious teacher Muhammad ‘Abduh and more, Seggerman argues that Egyptian modernism was neither “transnational” nor “global,” but manifested itself in a constellational network operating within a finite field that was wide enough to encompass an array of modernisms. Furthermore, by tracing and identifying “the Islamic” in modern Arab art, Seggerman also challenges the conventional periodization of Islamic art that heavily centers the premodern. She argues that we ought to pay more attention to the subtle inflections of Islam – not merely as a faith and doctrine but as a lived experience and cultural heritage – in the diverse work of major Egyptian artists of the time. This book is a welcome addition to the study of Middle Eastern, Muslim, and global modernisms.

Asad Dandia is a graduate student of Islamic Studies at Columbia University.

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America has the largest incarcerated population in the world. This staggering and troubling fact has driven a great deal of scholarship. Much of this research has shown that mass incarceration in America is facilitated by systemic racial discrimination, which disproportionately affects African-American and Latinx communities. Only recently have scholars focused on the role of religion in American prisons.

In American Prisons: A Critical Primer on Culture and Conversion to Islam (First Edition Design, 2017), SpearIt, Professor in the Thurgood Marshall School of Law at Texas Southern University, brings the subject of incarcerated Muslims into focus. The collection of essays synthesizes SpearIt’s legal and academic work on issues of conversion, radicalization, and Muslim prisoner rights. Overall, the collection demonstrates that prisons are a crucial space for understanding the history of Muslims in America. In our conversation we discussed how Muslims have shaped religious life in prisons, the everyday challenges of incarceration, prison as a center for religious conversion, reasons prisoners chose Islam while incarcerated, prison administrators’ and policy makers’ definitions of radicalization, Muslim hip hop in the age of mass incarceration, incarcerated Latinx communities, and strategies to improve the criminal justice system.

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].

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If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.

Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.

Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to [email protected].

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The relationship between Islam and the environment has a long and rich history across various Muslim societies. Anna M. Gade, Professor at the University of Wisconsin-Madison, outlines several strains where these domains intersect in her book Muslim Environmentalisms: Religious and Social Foundations (Columbia University Press, 2019). Gade takes the reader through a number of literary and scriptural sources that Muslims have deployed over history but also steeps her analysis in decades of on the ground ethnographic fieldwork, especially in Southeast Asia. Specific examples reveal the interplay between local, regional, and global contexts as interpretive positions shift and realign across each theme. This combination creates a productive template for rethinking Muslim environmentalism within the larger framework of the Environmental Humanities. In our conversation we discussed Qur’anic theological resources and themes, environmentalism and development work, legal and ethical contexts, ideals of environmental justice, Muslim humanistic traditions, eco-sufism, devotional rituals and popular piety, ethnographic video materials for course use, and green Islam in Indonesia.

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].

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“The library is a gathering pool of narratives and of the people who come to find them. It is where we can glimpse immortality; in the library, we can live forever.”

― Susan Orlean, The Library Book.

Benjamin Balint and Merav Mack's Jerusalem: City of the Book (Yale University Press, 2019) is a fascinating journey through Jerusalem’s libraries which tells the story of this city as a place where some of the world’s most enduring ideas were put into words. The writers of Jerusalem, although renowned the world over, are not usually thought of as a distinct school; their stories as Jerusalemites have never before been woven into a single narrative. For the first time ever the stories are told of the custodians, past and present, who safeguard Jerusalem’s literary legacies. By showing how Jerusalem has been imagined by its writers and shelved by its librarians, Mack and Balint tell the untold history of how the peoples of the book have populated the city with texts. In these authors’ hands, Jerusalem itself—perched between East and West, antiquity and modernity, violence and piety—comes alive as a kind of labyrinthine library.

Renee Garfinkel is a psychologist, writer, and Middle East commentator for the nationally syndicated TV program, The Armstrong Williams Show.. Write her at [email protected] or tweet @embracingwisdom.

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In her debut book, City of Black Gold: Oil, Ethnicity, and the Making of Modern Kirkuk (Stanford University Press, 2019), Arbella Bet-Shlimon explores the vibrant and often troubled history of one of Iraq’s most diverse and oil-rich cities. Bet-Shlimon begins at the twilight of the Ottoman Empire, illustrating the fluidity of identities in the multilingual and multiethnic city of Kirkuk. She then explains how ethnic identity as such was constituted and sharpened through the processes of colonialism, post-colonial state-formation, and urbanization. Throughout her sweeping account of 20th-century Kirkuk, Bet-Shlimon is sensitive to how stories about the past can speak to the present-day concerns of Kirkuk’s Arab, Kurdish, and Turkmen populations. At the same time, she is attentive to how power shapes historical narratives and has fueled competing claims about Kirkuk and its place in the modern Iraqi state. By focusing on this peripheral but important city, Bet-Shlimon’s City of Black Gold offers its readers crucial insights into the issues of oil and ethnic conflict, which continue to shape Iraq in the 21st century.

Arbella Bet-Shlimon is an associate professor of History and an adjunct faculty member in the Department of Near Eastern Languages and Civilization at the University of Washington. She received her PhD at Harvard University and has written a number of articles on the political, social, and economic history of modern Iraq.

Joshua Donovan is a PhD candidate at Columbia University’s Department of History. His dissertation examines competing conceptions of identity and subjectivity within the Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.

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Narges Bajoghli’s gripping new book Iran Reframed: Anxieties of Power in the Islamic Republic (Stanford UP, 2019) presents a riveting ethnography of pro-regime media networks in Iran, and sketches an intimate portrait of the actors, projects, and infrastructures invested in preserving and packaging the memory of the Islamic revolution 40 years later. Written with sparkling clarity, Iran Reframed provides its readers an unprecedented tour of the multiple sites, discourses, and social imaginaries that inform and define efforts of former members of the Revolutionary Guard and the Basij paramilitary organizations to forge narratives of nationalism that might connect with and affect the new generation across ideological divides. The biggest strength of this book is the layered complexity with which it presents its actors, and their conflictual aspirations and anxieties surrounding the encounter of media, memory, and revolutionary politics. This stunningly brilliant book will compel its readers to reconceptualize, rethink, and indeed reframe Iran, Iranian politics, and the interaction of memory, narrative, and the media more generally. Iran Reframed will also be a delight to teach in various undergraduate and graduate seminars on Religion and Media, Anthropology, Middle East Studies, Islamic Studies, Politics, and much more.

SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.

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Jun Akiba, Associate Professor at the Institute for Advanced Studies on Asia, discusses Muslim girls’ education in Ottoman Istanbul during the late eighteenth and early nineteenth centuries. Through the extensive use of archival and narrative sources, Akiba demonstrates, in his article published in the Brill journal Hawwa, that girls in pre-Tanzimat Istanbul enjoyed ample opportunities for elementary education. Listen to this podcast now!

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What happens when the digital world meets Sufism? This is the question raised in the exciting new book Cyber Sufis: Virtual Expressions of the American Muslim Experience (OneWorld Academic, 2019) by Robert Rozehnal, a professor of Islamic Studies and South Asian Religions and the founding director of the Center for Global Islamic Studies at Lehigh University. This exhilarating new book explores how the Inayati Order, the oldest Sufi community in the west, under the current leadership of Zia Inayat Khan, utilizes cyber tools in their pedagogical practices, ritual performances, and social engagement. By investigating this one particular American Sufi community’s presence in the digital world (such as on Facebook, webpages, and etc.), Rozehnal highlights how “cyber Sufis” create complex identities both on- and offline, all the while evading any easy categorizations of Sufism, Islam, and new age spirituality. Some of the noted digital transformations unfolding within the Inayati Order are in many ways, not novel, but rather reflective of historical legacies, such as in the case of South Asian Sufism of the Chishtis that influences the Inayati Order. Methodologically, the book is deeply sensitive of and also models how to conduct digital ethnography and highlights the significance of studying digital religions, especially from an Islamic studies perspective. The book is accessible and thus is a great teaching resource for undergraduates, especially for courses on digital religions, ritual studies, media studies, American Islam, and Sufism.

Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloombsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found here and here. She may be reached at [email protected]

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