00:02:32 节奏缓慢的电视剧是件激进的事情

00:04:30 日本的炼狱系

00:05:35 《重启人生》没有去触碰重生剧的痛点

00:07:03 日本的世界系

00:08:35 日本的地元系：专注小地方，讨论“我们的地方”

00:09:20 回到故乡（小城市）与离开故乡（到大城市、出国）的对比

00:11:03 日本的空气系

00:13:00 思考日本现实社会中的贫困问题

00:15:10 对日本作为后稀缺（post-scarcity）社会的想象

00:15:44 日本的外来打工移民

00:16:35 日本的相对贫困问题

00:18:25 日本的泡沫经济与后稀缺社会有所联

00:19:55 躺平的人和内卷的人殊途同归

00:21:45 日本的宽松世代；横向连结与纵向连结

00:25:48 飞行员的设定

00:27:30 《重启人生》对死亡的思考

00:30:25 《重启人生》中的佛教轮回概念

00:31:20 《重启人生》代入感强烈

00:35:40 《重启人生》的漫才节奏；直人与怪人；重复

00:41:05 反对上价值

00:43:10 日常生活中的况味

00:48:10 人生的捷径与修行

00:49:50 日韩影音在全球流通的对比

00:54:05 大荧幕与小屏幕的对比

00:59:15 主演安藤樱

01:02:10 《重启人生》没有挑战社会主流价值

00:02:32 - It's a radical thing to produce a slowly-paced TV drama.

00:05:35 - "Brush up Life" did not touch on the pain points of rebirth dramas.

00:07:03 - Japan's "world" genre.

00:08:35 - Japan's "local" genre: Focusing on small places and discussing "our place."

00:09:20 - The comparison between returning to hometowns (small cities) and leaving hometowns (going to big cities or overseas).

00:11:03 - Japan's "atmosphere" genre.

00:13:00 - Reflecting on poverty issues in Japanese society.

00:15:10 - Imagining Japan as a post-scarcity society.

00:15:44 - Japan's foreign migrant workers.

00:16:35 - Japan's relative poverty issue.

00:18:25 - The connection between Japan's bubble economy and post-scarcity society.

00:19:55 - The different paths of "lying flat" and "involution."

00:21:45 - Japan's "loose" generation

00:27:30 - "Brush up Life" explores death.

00:30:25 - The Buddhist reincarnation concept in the show

00:35:40 - The comedic rhythm of "Brush up Life"

00:49:50 - The comparison of Japanese and Korean dramas in the global market

00:59:15 - Why we love Sakurai Ando.

01:02:10 - "Brush up Life" did not challenge mainstream social values.