How does social media shape perceptions of global cultural trends? On Chinese platforms like WeChat, the concept of Nordic Style (北欧风) has been widely adopted—but often in an oversimplified and commercialized form. In this episode of the Nordic Asia Podcast, Dr. Heidi Hui Shi discusses her research on digital misinformation and the portrayal of Nordic aesthetics in China.

Through corpus linguistics, sentiment analysis, and digital storytelling (DST), Dr. Shi examines how consumer narratives influence public understanding of Nordic design. She highlights the challenges posed by misinformation, the dominance of commercial narratives, and the role of independent creators in countering misleading portrayals. The conversation also explores the broader implications for cultural exchange and how Nordic brands can more effectively engage with Chinese consumers.

Dr. Heidi Hui Shi is an Assistant Professor in Chinese at the University of Turku, Finland.

This episode is hosted by Hanna Holttinen, University Teacher in Chinese at the University of Turku, Finland.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

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When we think of the sixteenth-century arrival of European missionaries in East Asia, there is a tendency to imagine this meeting as a civilizational clash, a great meeting of two fixed cultures. This clash is symbolized in the ‘Ricci map(s)’: a map created by a Jesuit missionary to bring scientific cartography to East Asia. Remapping the World in East Asia: Toward a Global History of the “Ricci Maps” (Hawai’i University Press, 2024) rethinks these maps and this encounter. By taking a global approach, Remapping the World in East Asia explores how the ‘Ricci map,’ far from being one map by one man, was not only collaboratively made, but was also endlessly reinterpreted and contextualized through copying, circulation, and reproduction across East Asia.

Editors Mario Cams and Elke Papelitzky have put together a broad range of chapters that explore different kinds of maps, mapping practices, and connections. This book highlights the interconnectedness of China, Japan, Korea, the Ryukyu Kingdom, Vietnam, and the Philippines, as well as the importance of paying attention to materiality. This edited volume should be of interest to those in East Asian studies and early modern history, as well as anyone interested in maps, mapping, and what is possible when you pay close attention to issues of production, circulation, and reception. 

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Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history. 

This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture.

Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame.

Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College.

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As a rising infrastructure powerhouse, China has the largest electricity generation capacity in the world today. Its number of large dams is second to none. In Hydropower Nation: Dams, Energy, and Political Changes in Twentieth-Century China (Cambridge UP, 2024), Xiangli Ding provides a historical understanding of China's ever-growing energy demands and how they have affected its rivers, wild species, and millions of residents. River management has been an essential state responsibility throughout Chinese history. In the industrial age, with the global proliferation of concrete dam technology, people started to demand more from rivers, particularly when required for electricity production. Yet hydropower projects are always more than a technological engineering enterprise, layered with political, social, and environmental meaning. Through an examination of specific hydroelectric power projects, the activities of engineers, and the experience of local communities and species, Ding offers a fresh perspective on twentieth-century China from environmental and technological perspectives.

Xiangli Ding is an associate professor of history at the Rhode Island School of Design. He considers himself a historian of modern China and environmental history. At RISD, he teaches courses on East Asian and Chinese histories. His research interests lie at the intersection of the environment, technology, politics, and human life in modern China. He is the author of Hydropower Nation: Dams, Energy, and Political Changes in Twentieth-Century China (Cambridge University Press, 2024), and multiple research and review articles in both English and Chinese.

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.

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Dr. Seungsook Moon’s Civic Activism in South Korea: The Intertwining of Democracy and Neoliberalism was published by Columbia University Press in July 2024. She provides in-depth qualitative studies of three different types of organizations to show how civic organizations that emerged from the democratization movement with a conscious emphasis on social change have sought to address socioeconomic and political problems caused or aggravated by South Korea’s neoliberal transformation. Examining how “citizens’ organizations” in South Korea negotiate with the market and neoliberal governance, Seungsook Moon offers new ways to understand the intricate relationship between democracy and neoliberalism as modes of ruling.

Dr. Moon is a professor of sociology at Vassar College in New York. She is political and cultural sociologist, scholar of gender studies, and East Asianist specializing in South Korea. 

Leslie Hickman is a student at the Literature Translation Institute of Korea. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.

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In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, The Cambridge Companion to Manga and Anime (Cambridge UP, 2024) offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.

Listeners are also invited to observe an author roundtable on Feb.19, 2025. Please RSVP here.

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Misery beneath the Miracle in East Asia (Cornell University Press, 2024) challenges prevailing views of the East Asian economic miracle. Existing scholarship has overlooked the severity, persistence, and harmful consequences of the social-welfare crises affecting the region. Dr. Arvid J. Lukauskas and Dr. Yumiko Shimabukuro fill this gap and put a major asterisk on East Asia's economic record.

Combining big-picture analysis, abundant data, a dynamic interdisciplinary framework, and powerful human stories, they shed light on the social ills that governments have failed to address adequately, including low wages, child abuse, elderly poverty, and substandard housing. One of the major forces behind the multidimensional welfare crises is the region's productivist welfare strategy, which prioritizes economic growth while abandoning a robust social safety net, leaving the most vulnerable segments of society largely unprotected.

Misery beneath the Miracle in East Asia brings the region into debates over the dangers of seeking growth at all costs that are currently embroiling the United States and other advanced industrialized countries.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Cinepoems, tape recorder poems, protest performance poems, music video poems, internet sign language poems, and augmented reality poems: these poems might exist at the margins of conventional poetic practice, but they take center stage in Expanding Verse: Japanese Poetry at the Edge of Media (University of California Press, 2024) by Andrew Campana. Expanding Verse explores the role of experimental poetic practice in Japan from the 1920s to the present, investigating how such poems engaged in the media cultures in which they were made and how poetry allowed poets to rethinking what media was.

Expanding Media is expansive, engaging, and a delight to read, even if you don’t (yet) know what a cinepoem is. This book engages with the fields of literary, media, and disability studies, all while serving as an accessible introduction to the outer edge of contemporary Japanese literature. Expanding Media should appeal to readers interested in Japanese literature, poetry more broadly, and media studies, as well as those looking for a book that will send them down rabbit holes searching for "augmented reality roses" and "pop star lobster princess." 

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China’s Heritage through History employs a longue durée approach to examine China’s heritage through history. From Imperial to contemporary China, it explores the role of practices and material forms of the past in shaping social transformation through knowledge production and transmission.

The art of collecting, reproducing, and reinterpreting the past has been an enduring force shaping cultural identity and political legitimacy in China. Offering a unique, non-Western perspective on the history of heritage in China, Zhu considers who the key players have been in these ongoing processes of reconfigured pasts, what methods they have employed, and how these practices have shaped society at large. The book tackles these questions by delving into the transformation of practices related to heritage through examples such as the book collection at Tianyi Private Library, the reproduction of the Orchid Pavilion Preface calligraphy and its associated sites, and the dynamics of exchange within the Liulichang antique market. Zhu reveals how these practices, once reserved for elites, have become accessible to the broader public. These processes of transformation, embodied in various forms of reconfigured pasts, have given rise to modern approaches to preservation, digitisation, museums, and the burgeoning heritage tourism industry.

China’s Heritage through History will be an invaluable resource for academics, students, and practitioners working in the fields of heritage, museum studies, and art history.

Yujie Zhu is an associate professor at the Centre for Heritage and Museum Studies at the Australian National University in Australia. He obtained his PhD in anthropology from Heidelberg University, Germany. His research focuses on the cultural politics of the past within diverse heritage and memory spaces.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector.

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As Wall Street swooned and boomed through the last decade, our livelihoods have—now more than ever—come to rely upon the good sense and risk appetites of a few standout investors. And amidst the BlackRocks, Vanguards, and Berkshire Hathaways stands arguably the most iconoclastic of them all: SoftBank’s Masayoshi Son.

In Gambling Man: The Wild Ride of Japan’s Masayoshi Son (Atria, 2024), the first Western biography of Son, the self-professed unicorn hunter, we go behind the scenes of the world’s most monied halls of power in New York, Tokyo, Silicon Valley, Saudi Arabia, and beyond to see how Son’s firm SoftBank has defied conventional wisdom and imposing odds to push global tech and commerce into the future.

From the dizzying highs of Uber, DoorDash, and Slack to the epic lows of WeWork and tech-infused dogwalking app Wag Son and SoftBank have been at the center of cutting-edge capitalism’s absolute peaks and valleys. In the process, Son, son of a pachinko kingpin who grew up in a slum in Japan, has been a hero, a villain, and even a meme-ified hero to the internet tech- and finance-bro set all at once.

Based on in-depth research and eye-opening interviews, Gambling Man is an unforgettable character study and alarming true story of twenty-first-century commerce that will stick with you long after you turn the final page.

Lionel Barber is the former editor of the Financial Times. As editor, he interviewed many of the world’s leaders in business and politics, including US Presidents Barack Obama and Donald Trump, Russian President Vladimir Putin, Chancellor Angela Merkel of Germany, and Indian Prime Minister Narendra Modi. Barber has co-written several books and has lectured widely on foreign policy, transatlantic relations, and economics.

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