Eric Hintz, a historian and fellowship coordinator with the Lemelson Center for the Study of Invention and Innovation at the Smithsonian Institution’s National Museum of American History, talks about his book, American Independent Inventors in an Era of Corporate R&D, with Peoples & Things host, Lee Vinsel. The two discuss why independent inventors are often invisible in histories of 20th century invention and innovation, the role that independent inventors played in the two world wars, and the complicated history of gender and race around invention, which was a path of both promise and risk for women and black people.

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I'm joined today by Profs. Jennifer Altehenger and Denise Ho to talk about their new edited volume, Material Contradictions in Mao’s China, published in December 2022 by the University of Washington Press. Our editors have brought together ten chapters or “case studies” by scholars in various disciplines, as well as a theoretical and methodological reflection on materiality, contradiction, and "the socialist uncanny" (by Jonathan Bach) that ends the book. 

The book moves through various types of materials and attendant tensions that characterized everyday life in Mao’s China. In addition to exploring the role of materiality in producing social life and thus redeeming the complexity of socialist material life, the authors in this volume employ the methodological tools of not only their own disciplines, but of dialectical materialism. They seek to better understand Mao’s China precisely through the material practices and contradictions that the Chairman himself understood as crucial tools of social practice. We’re here today, in other words, to talk about another new book in Chinese studies that asks us to take socialism seriously. It’s really an incredibly generative text for anyone who is thinking about materiality, temporality, and the way that social life was constructed and experienced in socialist China. In addition to the Material Contradictions volume, we will also discuss The Mao Era in Objects, a related material culture project on which our two editors have also collaborated.

Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Saga Bougdaeva is the translator of the first English version of Jangar (University of California Press, 2023), the heroic epic of the Kalmyk nomads. The Kalmyks are the Western Mongols of Genghis Khan’s medieval empire in Europe. Today, Kalmykia is situated in the territory that was once the Golden Horde, founded by Genghis Khan son’s Juchi. Although their famed khanates and cities have long since disappeared under the sands of the Great Eurasian Steppe, the Kalmyks have witnessed, memorized, and orally transmitted some of the most transformative developments, both victorious and tragic, in the history of civilizations. A tribute to the protectors of the mythical country Bumba, Jangar reflects the hopes and aspirations of the Kalmyk people as well as their centuries-long struggle for cultural survival. Dr. Bougdaeva’s translation is more than a tribute to the artistic creativity and imagination of the Kalmyk people—it is also an important step in their struggle for cultural survival. It was only after centuries of oral transmission that the songs and stories surrounding Jangar were written down. When the first translation, into Russian, finally appeared, Stalin had the entire Kalmyk population deported to Siberia and ordered that their national literature be eliminated from the published world. This Soviet repression has had enormous consequences for world literature, silencing nomadic voices and keeping hidden their distinctive contributions.

Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East.

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On today’s podcast we are celebrating the 25th anniversary of the publication of Dr. Lee D. Baker’s book From Savage to Negro: Anthropology and the Construction of Race, 1896-1954 (University of California Press, 1998). From Savage to Negro examines the relationship between the discipline of anthropology and the construction of racial categories used for African Americans in the United States. He analyzes how “ideas about racial inferiority were supplanted by notions of racial equality in law, science, and public opinion” (2). Dr. Baker and I had a conversation about his intellectual foundations, how he came to write the book, his work doing public anthropology by appearing in documentaries, Zora Neale Hurston, and more.

Lee D. Baker is the Mrs. A. Hehmeyer Professor of Cultural Anthropology, African & African-American Studies, and Sociology at Duke University. He is the author of From Savage to Negro: Anthropology and the Construction of Race, 1896-1954 (University of California Press, 1998) and Anthropology and the Racial Politics of Culture (Duke University Press, 2010). He edited Life in America: Identity and Everyday Experience (Blackwell, 2004).

Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Jorge Marco and Gutmaro Gomez Bravo's book The Fabric of Fear: Building Franco's New Society in Spain, 1936-1950  (Liverpool UP, 2023) deals comprehensively with the process of Francoist state- and nation-building in Spain. Franco's chosen tools were mass repression and cleansing, undertaken both during the battlefield war of 1936-39 and in the decade afterwards, when war against defeated constituencies continued by institutional means. Mobilising its grass roots supporters made them complicit in the state's project. The complex process of cleansing and conversion of the political enemy required classifying soldiers from the defeated Republican army and Republican-zone civilians into pro-Franco, indifferent, or internal enemy. Many of the latter were either extrajudicially murdered or executed after cursory military trials. Classification used ultra-traditionalist Catholic means, including segregation and forced conversion. 

The new society programme implemented between 1936 and 1950 was applied nation-wide to political activists, members of Republican parties, labour organisations, and (poor) urban and (landless) rural social constituencies. The Francoist project adapted to the changing national and international contexts across the period 1936-1950: from a civil war; through the period of relations with the Axis powers at the same time as receiving Nazi assistance in building up Franco's police force as an agent of repression; to the transformation of Franco into an anti-Communist client of the Cold War West. The Fabric of Fear addresses the social effects of the cleansing process on both victors and vanquished. On the one hand, Franco's violent policy forged a new society and tightened the links between the regime and its social base. On the other hand, the violence and coercion exerted on the vanquished resulted in their civil and legal death: they were expelled from Franco's national community and deprived of all rights in what became de facto an apartheid society in Spain.

Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century.

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Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. 

Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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In the early days of World War II, as Nazi Germany brutally invaded and occupied neighboring countries around Europe, hundreds of Norwegian police officers were commanded to carry out the orders of the Nazi occupiers of their homeland - Norway. They refused. Even under threat of death, they refused. Their refusal led to their imprisonment and their removal from Norway, ultimately to KZ-Stutthof in eastern Poland, where an elaborate network of concentration and death camps had been created mainly for Jews and Poles. Author Tore Jørgensen's father was one of those police officers.

Stutthof Diaries Collection: For Truth & Honor (FriesenPress, 2022) is a recounting of these heroes' experiences, both in trying to maintain national pride and order in Norway before their expulsion and in trying to stay alive and outlast mental and physical exhaustion while in detainment. Over the last 22 years, as a labor of love and duty to preserve, Jørgensen gathered a large number of diaries and memoirs in which the police, true to their training, recorded the details of their experiences. These articulate witness accounts have provided a record that is exceptional - a treasure trove of anecdotes describing how personal sacrifice can triumph over purposeless greed and violence.

The story of these Norwegian police officers is a story that celebrates the redemptive force of conscious choice against evil, of how love and compassion can help people through some of the darkest periods of their lives. Through their stories, the Norwegian police officers, loyal to their country and each other while reaching out to aid their fellow sufferers at the same time that they struggled for their own survival, urge readers to not repeat the history and the myth of racial superiority that led to the rise of Nazism.

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In India after the 1857 Revolt: Decolonising the Mind (Routledge, 2022), M. Christhu Doss brings together some of the most cutting-edge thoughts by challenging the cultural project of colonialism and critically examining the multi-dimensional aspects of decolonization during and after the 1857 revolt. He demonstrates that the deep-rooted popular discontent among the Indian masses, followed by the revolt, generated a distinctive form of decolonization movement—redemptive nationalism that challenged both the supremacy of the British Raj and the cultural imperatives of the controversial proselytizing missionary agencies. Doss argues that the quests for decolonization (of mind) that got triggered by the revolt were further intensified by the Indocentric national education; the historic Chicago discourse of Swami Vivekananda; the nonviolent anti-colonial struggles of Mahatma Gandhi; the seditious political activism displayed by the Western Gandhian missionary satyagrahis; and the de-Westernization endeavours of the sandwiched Indian Christian nationalists.

Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India.

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Between 1939 and 1947, the Caribbean island of Jamaica--then a British colony--was haven or detention centre for thousands of displaced Europeans; an often under-recognized contribution to the Allied war effort. A civilian camp accommodated evacuees from Gibraltar and, belatedly, provided sanctuary for groups of mainly Jewish refugees. Others who had fled Europe ahead of looming fascist threats would be interned in military detention camps whose populations were swollen by German and Italian civilians from several British West African colonies, co-mingled for convenience with hundreds of German and Italian merchant mariners captured at sea during the early months of the war.

Suzanne Francis-Brown's book World War II Camps in Jamaica: Refugees, Internees, Prisoners of War (U West Indies Press, 2022) disentangles the conditions under which these various populations were held, drawing on primary records, personal accounts and media coverage; noting differences and similarities in their management; considering the camps and their populations within the local context; and considering the extent of interface and interaction that ensued despite official efforts to keep the incoming populations separate and transitory.

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A Line of Blood and Dirt: Creating the Canada–United States Border across Indigenous Lands (Oxford UP, 2021), is the recipient of the AHA’s Albert Corey Prize in the history of Canadian–American relations. In A Line of Blood and Dirt, Benjamin Hoy shows how the US-Canadian border was built across Indigenous lands. He explores the experiences of various indigenous groups, European settlers, African Americans, and Chinese immigrants. 

Benjamin Hoy is an assistant professor of history at the University of Saskatchewan, where he directs the Historical GIS Lab.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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