New Books in History

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang.

In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table.

Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America.

Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.

Blake Scott Ball is Assistant Professor of History at Huntingdon College.

Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie.

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The English Reformation started in the middle of the sixteenth century, and right away there were more zealous reformers who were not satisfied with the changes made in the English church. These "hotter sort of Protestants" kept trying to conform English to the pattern of Reformed churches in continental Europe. In a fast-paced introductory volume, Hot Protestants: A History of Puritanism in England and America (Yale UP, 2019), Michael P. Winship covers a century-and-a-half of the Puritan project as it spans across the British Atlantic. By rejecting the standard and artificial periodization that stops the Puritan narrative at 1660, Winship traces a coherent movement all the way to the end of the seventeenth century. This is a must-read for any students who want to study the complicated international religious and political networks in the long English reformation and New England colonies.

Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.

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Today, I am introducing a recording of an event on Israel-Palestine organized by members of the history department at the University of North Carolina at Chapel Hill. The event took place on May 19th, 2021 and was co-sponsored by the Jadaliyya e-zine as well as the New Books Network.

Here is the text of the event poster: When it comes to Palestine, there is a sharp disconnect between the ways academics specializing in the contemporary Middle East frame the dispute, and the discussions by journalists and mainstream media outlets. The current crisis must be placed within its longer context that includes decades of occupation of Palestinian territory by the Israeli military and Israeli settlers. This panel seeks to reframe the issue by providing scholarly, historical perspectives on the multiple factors that have led to the current events taking place in the Jerusalem neighborhood Sheikh Jarrah, which are now expanding outward. Furthermore, this panel will speak not to intellectual abstractions, but will provide academic contexts to pragmatic concerns that journalists and readers should understand and consider when reporting on or reading about the current situation in Palestine today.

Panel Moderator: 

Dr. Sarah Shields is Professor of Middle East History at the University of North Carolina at Chapel Hill.

Panelists:

Ussama Makdisi is Professor of History and the first holder of the Arab-American Educational Foundation Chair of Arab Studies at Rice University.

Sherene Seikaly is Associate Professor of History at the University of California, Santa Barbara. She is the editor of the Arab Studies Journal, co-founder and co-editor of Jadaliyya e-zine, and editor of Journal of Palestine Studies.

Mouin Rabbani is a researcher and analyst specializing in the Arab-Israeli conflict and the contemporary Middle East, and co-editor of Jadaliyya.

Podcast Host:

Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill.

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Given the obsession with information and secrecy in today’s world, it can be difficult to imagine a time when governments held few secrets and worried little about what information was public knowledge. In Restricted Data: The History of Nuclear Secrecy in the United States (University of Chicago Press, 2021), Alex Wellerstein chronicles how much of this change can be traced to the development of atomic weapons in the 1940s and the efforts both then and since to restrict the details about them. Secrecy was a factor in nuclear technology from the start, as scientists argued amongst themselves about the need for self-censorship about the possibility of atomic weapons. By the start of the Manhattan Project the United States government had assumed responsibility for maintaining secrets, which they often did in ways that frustrated the scientists involved. What was hoped to be a temporary restriction because of the war became permanent with the onset of the Cold War, as the government fought to restrict any knowledge which they thought might aid the Soviet Union in the construction of nuclear weapons. While this effort came under attack from an increasingly aggressive group of anti-secrecy activists in the post-Watergate era, the government identified new threats in the post-Cold War era that justified the need to maintain nuclear secrets down to the present day.

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We know more about men who sought and had sex with men in eighteenth-century Paris than in any other city at the time. Police records provide information about thousands of sodomites who were arrested and thousands more who were not. Michel Rey explored the sodomitical culture of the capital in five articles, based on one set of sources, published from 1982 to 1994. No one has completed his pioneering work in the archives and challenged his anachronistic conclusions about identity, community, and effeminacy. Jeffrey Merrick's book Sodomy in Eighteenth-Century France (Cambridge Scholars, 2020), the first on the subject based on extensive research in all of the relevant series of police records, explores patterns and changes in the lives of men who desired men and in the surveillance and punishment of same-sex relations across the century. The book examines what the extant sources do and do not tell us about the heads, hearts, and hands of men detained or mentioned by the police. To that end, it includes a generous selection of documents that allow us to hear voices from the archives, including many that require us to rethink what we thought we knew about the subculture.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Bala Saho (Associate Professor, University of Oklahoma) speaks with Naminata Diabate (Associate Professor, Cornell University) about her book, Naked Agency: Genital Cursing and Biopolitics in Africa, published by Duke University Press, in 2020.

What provocations are posed by a naked woman’s body? What does it mean to those who see her? And what does it signify for the woman herself, in the moment and in memory? In this book, Naminata Diabate recovers the deep historical roots for women’s embodied agency in political action across the African continent. She examines instances of women’s insurgent disrobing in 23 African countries from 1920-2018 and considers the multivalence of ‘genital cursing’ as a means of protest. Diabate’s intervention incorporates visual arts, narrative films and documentaries, alongside newspaper coverage and literary fiction in many languages, to reconstruct the significance of women’s embodied agency and the threat that nakedness posed to established authorities.

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Bounded by desert and mountains, El Centro, California, is isolated and difficult to reach. However, its location close to the border between San Diego and Yuma, Arizona, has made it an important place for Mexican migrants attracted to the valley’s agricultural economy. In 1945, it also became home to the El Centro Immigration Detention Camp. The Shadow of El Centro: A History of Migrant Incarceration and Solidarity (University of North Carolina Press, 2021) tells the story of how that camp evolved into the Immigration and Customs Enforcement Service Processing Center of the 2000s and became a national model for detaining migrants—a place where the policing of migration, the racialization of labor, and detainee resistance coalesced.

Using government correspondence, photographs, oral histories, and private documents, Jessica Ordaz reveals the rise and transformation of migrant detention through this groundbreaking history of one detention camp. The story shows how the U.S. detention system was built to extract labor, to discipline, and to control migration, and it helps us understand the long and shadowy history of how immigration officials went from detaining a few thousand unauthorized migrants during the 1940s to confining hundreds of thousands of people by the end of the twentieth century. Ordaz also uncovers how these detained migrants have worked together to create transnational solidarities and innovative forms of resistance.

David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories--stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement.

In The Earthquake Observers: Disaster Science from Lisbon to Richter (U Chicago Press, 2013), Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties.The Earthquake Observers tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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In From Music to Sound: The Emergence of Sound in 20th and 21st-century Music (Routledge, 2019), Makis Solomos (Professor of Musicology, University of Vincennes in Saint-Denis “Paris 8”) argues that the 20th century bears witness to a kind of paradigm shift relating to the subject matter of music, a shift “from a musical culture centered on the note to a culture of sound” (5). Crucially, Solomos sets out to track this transformation as a change that is music-internal: that is, one that may be understood with reference to the new aesthetic and cultural forms of particular compositions that put sound at stake. Solomos draws on analysis, listening, and the aesthetic writings of composers themselves to argue for the “emergence” of sound-as-such as a topic of 20th- and 21st-century music, one consequence of the increasing complexity of music since 1900. 

His first sole-author monograph in English, From Music to Sound is an accessible and engaging entry point into Solomos’s work for an Anglophone audience that draws not only on his long career as a musicologist with extensive experience of contemporary music but also as a specialist in the musical thought of Theodor Adorno and the music of Iannis Xenakis. The book's attention to the contingency of the six themes around which Solomos organises this history—timbre, noise, listening, immersion, the composition of sound as material, and “sound-space”—marks it out not only as a contribution to the history of contemporary music but also to its historiography. Composers and works likely familiar to listeners are marshaled to develop these themes: Russolo, Webern, Schaeffer, Xenakis, Tristan Murail. Its rich selection of music examples provides ample points of departure into the work of composers perhaps less well known to listeners: François-Bernard Mâche, Fausto Romitelli, and Dmitri Kourliandski, among others. Though the principal focus of the book rests squarely on the tradition of Western art music composition, Solomos is careful to acknowledge that this titular transition from “music to sound” is not the exclusive preserve of institutional music culture: examples from recorded rock, jazz, and post-rock help round out the picture by pointing to the role that sound-studio cultures—and, we might say, technique and technics in general—play in the objectification of sound across genre lines.

Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.

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Boston, Philadelphia, London...Fort Loudon, PA. One of these places is not usually included when imagining the crucial scenes of the American Revolution. In Frontier Rebels: The Fight for Independence in the American West, 1765-1776 (W. W. Norton, 2018), Dr. Patrick Spero argues that the early West was just as important to the unfolding American Revolution as events in imperial centers and colonial cities. Spero, Librarian and Director for the American Philosophical Society in Philadelphia, tells the story of the imperial crisis through several Western characters: Ottawa and pan-Indigenous leader Pontiac, Irish trader and diplomat George Croghan, and settlers James and William Smith, among others. In this narrative driven book, Spero describes how Smith and the so-called Black Boys articulated fears, rooted in anti-Native racism, that predated and motivated arguments for independence on the eastern seaboard years before anyone threw tea in Boston Harbor. When viewed from the West, the American Revolution seems less noble and high minded, and far dirtier, more violent, and perhaps more revolutionary, than the story most Americans know.

Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.

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