New Books in History

We're very fortunate to be joined by the editor of The West Point History of the Civil War (Simon and Schuster, 2014), the Head of the History Department at the United States Military Academy, Colonel Ty Seidule. Unlike most surveys, the new West Point History of the Civil War draws upon some of the best talent in the field of Civil War history, all called together to craft a synthetic text that not only forms the basis of the Military Academy's course on the subject, but also provides a very informative overview for the general public. Lavishly illustrated and featuring well-conceived maps and graphs, The West Point History of the Civil War is served by a fully digitized version, optimized for use on tablet platforms. Our interview with Colonel Seidule focuses on the special challenges he and his team confronted in crafting this text, and the place of the Civil War in the American experience.

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David Onnekink, professor of early modern history at the University of Utrecht discusses his latest book, the delightful, The Dutch in the Early Modern World: History of a Global Power (Cambridge University Press, 2019). European audiences can shop here.

Emerging at the turn of the seventeenth century, the Dutch Republic rose to become a powerhouse of economic growth, artistic creativity, military innovation, religious tolerance and intellectual development. This is the first textbook to present this period of early modern Dutch history in a global context. It makes an active use of illustrations, objects, personal stories and anecdotes to present a lively overview of Dutch global history that is solidly grounded in sources and literature. Focusing on themes that resonate with contemporary concerns, such as overseas exploration, war, slavery, migration, identity and racism, this volume charts the multiple ways in which the Dutch were connected with the outside world. It serves as an engaging and accessible introduction to Dutch history as well as a case study in early modern global expansion.

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Though Churchill harbored intellectual doubts about Christianity throughout his life, he nevertheless valued it greatly and drew on its resources, especially in the crucible of war. In Duty and Destiny: The Life and Faith of Winston Churchill (Eerdmans, 2021), Smith unpacks Churchill’s paradoxical religious views and carefully analyzes the complexities of his legacy. This thorough examination of Churchill’s religious life provides a new narrative structure to make sense of one of the most important figures of the twentieth century.

Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.

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In the centuries since her execution in 1536, Anne Boleyn’s presence in Western culture has grown to extraordinary proportions. In The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (Palgrave Macmillan), Stephanie Russo describes the various ways in which her life has been interpreted and how these interpretations reflect the interests and developments of their respective eras. This process began with her contemporaries, who began memorializing her even before her death. That she was the subject of so much of their attention reflected in no small measure her prominent role in England’s adoption of Protestantism, which exerted a predominant influence in how she was interpreted for over a century and a half. As the controversies in England over religion ebbed in the 18th century the focus became more exclusively upon Anne as a person, as her activities and her relationships proved an enduring source of material for both novelists and playwrights. Russo shows how this interest as only grown over time, with Anne Boleyn’s life today serving as subject matter for everything from postfeminist novels to salacious cable television series – all of which help perpetuate our interest about this enigmatic and elusive figure.

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More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life—yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination.

Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, Chaucer: A European Life (Princeton UP, 2019) documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales.

By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales.

Marshall Poe is the editor of the New Books Network. He can be reached at [email protected]

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Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.

Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. 

Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Many scholars have interrogated the incarceration of 120,000 Japanese-Americans during WWII – with an eye to understanding the particular type of racism that allowed the administration of Franklin D. Roosevelt to punish based on heritage rather than any particular action or crime. Bradford Pearson’s new book The Eagles of Heart Mountain: A True Story of Football, Incarceration, and Resistance in World War II America (Atria/Simon and Schuster, 2021) provides a political history of the incarceration of Japanese-Americans during WWII by, first, going back in time to highlight the complex history of how Japanese (and Chinese) Americans first came to the West coast in the 17th century and the nuances of the racism they encountered over the centuries. Once Pearson establishes the origins of Anti-Asian-American racism, he follows several teenagers who played football both free and incarcerated. These nisei, American citizens of Japanese heritage, had their education and participation in a sport that has come to define what is “American” interrupted by the transports, relocations, and imprisonments that placed families in concentration camps across the United States. Pearson uses their role in a football team created in one concentration camp – Heart Mountain Relocation Center in Cody, Wyoming – to document racism and discrimination but also sports competition as a means of escapism and regaining dignity. Pearson, the former features editor of Southwest: The Magazine and a journalist who has published in the New York Times, Esquire, Time, and Salon, uses foundational works in history and political science, his own oral histories, government surveillance files, and archives associated with Heart Mountain, to create a relevant history for considering how we define citizenship in the U.S., the role of the legislature and courts in establishing and maintain white supremacy, American acceptance of incarceration based on race, and the importance of fully contextualizing American public figures such as Franklin Delano Roosevelt, Eleanor Roosevelt, and Earl Warren.

Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at [email protected] or tweet to @SusanLiebell.

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In The Sea and the Sacred in Japan: Aspects of Maritime Religion (Bloomsbury 2018), Fabio Rambelli invites various fifteen scholars of Japanese religions to reflect on a well taken-for-granted fact: although the sea has always been a critical source of religious inspirations for Japan, the study of Japanese religions has chosen to turn its attention away from the sea and in the process, became essentially continental and landlocked. 

In fifteen chapters, this edited volume re-centers the study of Japanese religions on the coastal peripheries and calls for a geo-philosophy of the sea, or, a thalassosophy. Rambelli reminds us that "there is no sustained study in the intellectual history of the sea in Japan," and in fact, "we know very little about Japanese conceptualizations of the sea, not only in religious thought, but also in cosmology and premodern scientific discourses." This edited volume is thus an attempt to fill this knowledge gap and is the first book of its kind to focus on the role of the sea in Japanese religions. 

Daigengna Duoer is a Ph.D. student at the Religious Studies Department, University of California, Santa Barbara. 

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Today we are joined by Fiona Greenland, Assistant Professor of Sociology at the University of Virginia, to talk about her new book, Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy (University of Chicago Press, 2021).

Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics.

In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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In 1935, the writer Baburao Patel writes the following about Bombay’s film industry:

“In India, with financing conditions still precarious, the professional film distributor thrives. . . . He comes with a fortune made in share and cotton gambling, advances money to the producer at a killing rate of interest plus a big slice of royalty and recovers his investment by blackmailing the exhibitors into giving heavy and uneconomic minimum guarantees. His only aim in life is to multiply his rupee and in prosecuting this aim he does not worry about the future of the industry or about the existence of the producer or exhibitor.”

It’s a hectic time for India’s film industry, as it is for films everywhere, as the silent era becomes the talking era. Debashree Mukherjee’s Bombay Hustle: Making Movies in a Colonial City (Columbia University Press: 2020) examines this key period of India’s film industry, from finance and casting to screenwriting and production, and brings into view the experiences of the marginalised film workers and forgotten film studios that made up this early period of industry.

In this interview, Debashree and I talk about the transition from silent to talking movies in Bombay, along with the historical context and working conditions for those in the city’s historical film industry.

Those interested in learning more about the film industry in 1930s Bombay can visit the Wildcat of Bombay Instagram account at @wildcatofbombay (recommended by Debashree!)

Debashree Mukherjee is Assistant Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. Debashree edits the peer-reviewed journal BioScope and has published in journals such as Film History and Feminist Media Histories. In a previous life Debashree worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson. More information can be found on Debashree’s website, and she can be followed on Twitter at @Debashree2017.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bombay Hustle. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

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