New Books in History

Konstantina Zanou is an Assistant Professor of Italian and Mediterranean Studies at Columbia University. Her captivating book Transnational Patriotism in the Mediterranean, 1800-1850: Stammering the Nation (Oxford University Press, 2018) investigates the long transition from a world of empires to a world of nation-states in the Ionian Adriatic. She narrates the biographies of a group of intellectuals who were born within empires but came of age surrounded by the emerging vocabulary of nationalism. Transnational Patriotism in the Mediterranean, 1800-1850 follows a generation of literati from the Ionian Islands who experienced the collapse of the Republic of Venice and the dissolution of the common cultural and political space of the Adriatic, and who contributed to the creation of Italian and Greek nationalisms. By uncovering this forgotten intellectual universe, the book retrieves a world characterized by multiple cultural, intellectual, and political affiliations that have since been buried under the conventional narrative of the formation of nation-states. Ultimately, Zanou shows how modern nations emerged from an intermingling, rather than a clash, of ideas concerning empire and liberalism, Enlightenment and religion, revolution and conservatism, and East and West.r

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During the mid-1930s, Germans opposed to Adolf Hitler had only a limited range of options available to them for resisting the Nazi regime. One of the most creative and successful challengers in this effort was Ernst Fraenkel, who as an attorney sought to use the law as a means of opposing Nazi oppression. In Legal Sabotage: Ernst Fraenkel in Hitler’s Germany (Cambridge University Press, 2020), Douglas G. Morris describes the ways in which Frankel stood up to the Nazis and what understandings he drew from that experience. As a veteran of the First World War, Fraenkel survived the initial purge resulting from the implementation of measures designed to bar Jews from practicing law in the Third Reich. Though his legal practice suffered, Fraenkel persisted in defending people prosecuted by the Nazis, and enjoyed success in a number of cases. While the increased restrictions and growing reach of the police state ultimately forced Fraenkel to emigrate in 1938, his experiences as a lawyer played a major role in the development of the “dual state” theory of dictatorship, the only analysis of totalitarianism written from within Nazi Germany and the cornerstone of Fraenkel’s contributions to the field of political science.

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Brandon Mills is the author of The World Colonization Made: The Racial Geography of Early American Empire, published by the University of Pennsylvania Press in 2020. The World Colonization Made explores the beginnings and ends of the colonization movement from the late-18th century to the coming of the Civil War. Mills uses African colonization to explore how ideas of American empire developed during the country’s formative years. From politics to racial ideology, Mills is able to chart a clear history of what the colonization movement in America meant for a diverse group of people in the United States, and how this vision ultimately could not create a nation many hoped it would.

Brandon Mills teaches in the Department of History at the University of Colorado Denver. 

Derek Litvak is a PhD candidate at the University of Maryland—College Park. His dissertation, "The Specter of Black Citizens: Race, Slavery, and Citizenship in the Early United States," examines how citizenship was used to both bolster the institution of slavery and exclude Black Americans from the body politic.

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Groove Theory: The Blues Foundation of Funk (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of Afro-Blue: Improvisation in African American Poetry and Culture (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography.

Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a history of the variant interrelated Black vernacular forms that flourished during the twentieth century that overlap and are intermingled within the funk aesthetic. Groove Theory is interdisciplinary in scope in that it engages a broad spectrum of academic disciplines including history, literary studies, and musicology to advance an argument about the meaning, style, and structure of funk as type of aesthetical practice in the history of African Americans. Bolden uses a myriad of sources such as poetry, literature, memoirs, interviews, and song lyrics to support his analysis.

The first part of the book contains three chapters that discusses both the historical and theoretical foundations of funk as a genre of music and cultural style. Chapter One titled “Groove Theory: Liner Notes on Funk Aesthetics” discusses how the funk “operates as a distinct form of black vernacular epistemology” and the Chapter Two “Blue Funk: The Ugly Beauty of Stank” focuses on the development of funk as an idea in the blues era. The last chapter in this part of the text Chapter Three “Sly Stone and the Gospel of Funk” concerns the impact of Sly Stone on the development of the funk sound.

Part two of Groove Theory contains three chapters that consider the relationship between blue funk and the black fantastic. This section also brings into the discussion the role of women in the development of the funk genre. In Chapter Four, Chaka Khan’s impact on funk music and culture while the following Chapter Five “Funky Bluesology: Gil Scott Heron As Black Organic Intellectual” considers the role of Heron in the advancement of the funk aesthetic. The final chapter “The Kinkiness of Turquoise: Betty Davis’s Liberated Funk-Rock” concerns the legacy of Betty Davis the famed Black woman rocker of the funk era. Bolden ends his text with an “Outro” that considers the lasting impact of funk music on American music culture.

Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017

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Situated at a crossroads of trade in the late nineteenth century, and later the economic capital of German East Africa, the thriving caravan and port town of Bagamoyo, Tanzania is one of many diverse communities on the East African coast which has been characterized as 'Swahili'. 

In Making Identity on the Swahili Coast: Urban Life, Community, and Belonging in Bagamoyo (Cambridge UP, 2019), Steven Fabian combines extensive archival sources from African and European archives alongside fieldwork in Bagamoyo to move beyond the category of 'Swahili' as it has been traditionally understood. Revealing how townspeople - Africans, Arabs, Indians, and Europeans alike - created a local vocabulary which referenced aspects of everyday town life and bound them together as members of a shared community, this first extensive examination of Bagamoyo's history from the pre-colonial era to independence uses a new lens of historical analysis to emphasize the importance of place in creating local, urban identities and suggests a broader understanding of these concepts historically along the Swahili Coast in the Indian Ocean World. 

Dr. Steven Fabian is a former associate professor of history at the State University of New York at Fredonia. He was President of the Tanzania Studies Association from 2015 to 2017 and currently serves as co-chair of Radical History Review. Dr. Fabian is currently a teacher of African and world history at Horace Mann School in New York City. His book Making Identity on the Swahili Coast is a 2020 Bethwell A. Ogot Book Prize finalist, awarded by the African Studies Association. 

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

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There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

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Revolution Or Death: The Life of Eldridge Cleaver (Lawrence Hill Books, 2020) is a remarkable biography that examines the notorious Black revolutionary meticulously within the context of his changing times.

Charismatic, brilliant, and courageous, Eldridge Cleaver built a base of power and influence that struck fear deep in the heart of White America. It was therefore shocking to many left-wing radicals when Cleaver turned his back on Black revolution, the Nation of Islam, and communism in 1975.

How can we make sense of Cleaver's precipitous decline from a position as one of America's most vibrant Black writers and activists? And how do his contradictory identities as criminal, party leader, international diplomat, Christian conservative, and Republican politician reveal that he was more than just a traitor to the advancement of civil rights?

Author Justin Gifford obtained exclusive access to declassified files from the French police, the American embassy, and the FBI, as well as Kathleen Cleaver’s archive, to answer these questions about a man far more compelling and complex than anyone has given him credit for.

In a country defined by its extreme political positions on the right and left, Cleaver embodied both ideologies in pursuit of his conflicting ideals.

Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.

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Edward Wilson-Lee's book A Catalogue of Shipwrecked Books: Christopher Columbus, His Son, and the Quest to Build the World’s Greatest Library (Scribner, 2018) details the life of Hernando Colón as he sailed with his father, Christopher Columbus, on Columbus’s final voyage to the New World, which was a journey of disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library to collect everything ever printed. Colon’s library was a vast holding organized by summaries and catalogues—which was really the very first database for exploring a diversity of written matter. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed. The loss of part of his collection to another maritime disaster in 1522 set off the final scramble to complete this sublime project, and such was a race against time in realizing a vision of near-impossible perfection.

Dr. Edward Wilson-Lee teaches early modern literature, Shakespeare, and medieval literature for University of Cambridge’s Sidney Sussex College. 

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My guest today, author Mithu Sanyal, describes the topic of rape as a ‘cultural sore spot,’ one that requires yet eludes wide conversation. Her latest book, Rape: From Lucretia to #MeToo (Verso, 2019), bravely starts this conversation. It covers the history of rape as well as of our divergent and misguided conceptions for it, and it addresses the topic’s intersection with matters of gender stereotypes and racism. We unpack these topics in our interview, along with the psychological phenomena undergirding conflicts over consent and body sovereignty. This episode will be of interest for anyone interested in the problems of sexual violence and gender bias.

Mithu Sanyal is an award-winning broadcaster, academic, and author based in Dusseldorf. Her prior book, Vulva, has been translated into five languages.

Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge).

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Alan Berkman (1945–2009) was no campus radical in the mid-1960s; he was a promising Ivy League student, football player, Eagle Scout, and fraternity president. But when he was a medical student and doctor, his politics began to change, and soon he was providing covert care to members of revolutionary groups like the Weather Underground and becoming increasingly radicalized by his experiences at the Wounded Knee takeover, at the Attica Prison uprising, and at health clinics for the poor. When the government went after him, he went underground and participated in bombings of government buildings. He was eventually captured and served eight years in some of America's worst penitentiaries, barely surviving two rounds of cancer. After his release in 1992, he returned to medical practice and became an HIV/AIDS physician, teacher, and global health activist. In the final years of his life, he successfully worked to change U.S. policy, making AIDS treatment more widely available in the global south and saving millions of lives around the world.

In Co-Conspirator for Justice: The Revolutionary Life of Dr. Alan Berkman (UNC Press, 2020), Susan M. Reverby sheds fascinating light on questions of political violence and revolutionary zeal in her account of Berkman's extraordinary transformation from doctor to co-conspirator for justice.

Rachel Pagones is chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego and a licensed acupuncturist. Her third book, an examination of the history of acupuncture as a means of social and political revolution, is forthcoming from the University of Michigan Press.

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