New Books in History

Mathematics as a subject is distinctive in its symbolic abstraction and its potential for logical and computational rigor. But mathematicians tend to impute other qualities to our subject that set it apart, such as impartiality, universality, and elegance. Far from incidental, these ideas prime mathematicians and the public to see in mathematics the answers—for example, an impartial arbiter, or a meritocratic equalizer—to many urgent societal questions. Anna Weltman's new book, Supermath: The Power of Numbers for Good and Evil (Johns Hopkins University Press, 2020), surveys a number of ways this conception of mathematics has informed scientific undertakings and public policies, not to mention our everyday behaviors, and makes a powerful case for reevaluating its assumptions.

The book's five chapters contain stories of mathematical exploits from ancient to ongoing and across the spectrum from pure to applied. Many may be familiar, for example active research and journalism into the use and misuse of predictive algorithms or G. H. Hardy's enumeration of the elements of mathematical beauty. Others, including continuing work to interpret Incan documents that survived European colonial erasure and the epidemiological insights obtained from massively multiplayer online gaming, will be new even to many mathematical readers. What they share is the essential but often ignored interplay between theory and culture that makes mathematics a thoroughly human activity. Weltman's book can be read as a call for scholars, educators, and communicators of mathematics to grapple with the power our training and credentialing in mathematics grants us, and to understand that its most basic promise of solving problems is not automatic but one that we must realize.

Anna Weltman is a math teacher and writer who earned her PhD in mathematics education from the University of California at Berkeley. She is also the author of This Is Not a Math Book and This Is Not Another Math Book.

Cory Brunson (he/him) is a Research Assistant Professor at the Laboratory for Systems Medicine at the University of Florida.

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In the past few years isolationism, which had long been derided in the national discourse, has been making a comeback as a political force. In Isolationism: A History of America’s Efforts to Shield Itself from the World (Oxford University Press, 2020), Charles A. Kupchan traces the history of the concept in American politics and considers its future influence on American foreign policy. As he demonstrates, isolationism was long dominant in shaping American foreign policy, as for decades political leaders heeded George Washington’s advice to steer clear of entangling alliances. By the end of the 19th century, however, America’s growing engagement with the world sparked policy shifts as various forms of internationalism were introduced. Though isolationism remained a powerful influence on foreign policy, the Japanese attack on Pearl Harbor in 1941 publicly discredited isolationism for millions of Americans, paving the way for the adoption of Franklin Roosevelt’s approach of “liberal internationalism.” While this remained the consensus approach through the Cold War, Kupchan shows how the post-Cold War overreach of American foreign policy offered new life to isolationist concepts, giving it a renewed influence shaping America’s relationship with the world.

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The Color of Creatorship: Intellectual Property, Race, and the Making of Americans  (Stanford University Press, 2020) by Anjali Vats is an intricate and meticulously researched text on intellectual property history, race, and citizenship from the 1790s to the present. This is a complex narrative that engages multiple fields of knowledge including rhetoric, history, communication studies, law, and critical race theory. With a focus on race and neo-coloniality in American intellectual property law, Vats argues that intellectual property and citizenship “have evolved and continue to evolve—in deeply intertwined and raced ways” as demonstrated in racial scripts or narratives about creators and infringers (2).

In her history of intellectual property, Vats focuses on copyright, patent, and trademark discourses in her intricate analysis of how ideas about creator, citizenship, race and nation unfold over time. The text includes an “Introduction” that discusses intellectual property as “a set of rhetorics” about citizenship and how “race and coloniality structure doctrinal practices in copyright, patent, and trademark law” (3). She uses the phrase “intellectual property citizen” to organize the text into four neat chapters that discuss how whiteness and property interests shape intellectual property law at times in the “guise of equality” and race neutral language.

The first two chapters cover the development of ideas about intellectual property from the early Republic to the mid-twentieth century. Chapter One is titled “The Intellectual Property Citizen” and it focuses on how whiteness became more formally linked with citizenship in the 1700s including some analysis of how the production of knowledge marked the boundaries of American citizenship. This is the era in which creatorship is cast as “fundamentally white” according to the author. Chapter Two is titled “The Race Liberal Intellectual Property Citizen” and it concerns a discussion of how race liberal citizenship emerged in the post-World War II Era.

In Chapter Three, “The Post Racial Intellectual Property Citizen” Vats notes that the administration of Barack H. Obama passed a series of laws that helped to maintain a notion of white creatorship ultimately producing a post racial intellectual property citizen. The color of creatorship essentially remained white during the Obama Era. Lastly, in the final Chapter “Rescripting Creatorship, Rescripting Citizenship” creators of color such as Prince Rogers Nelson pushed back against the racialist narratives in intellectual property law through performative acts of resistance and in the process contributed to the remaking of capitalism more generally.'

Anjali Vats is Assistant Professor of Communication and African and African Diaspora Studies and Assistant Professor of Law (by courtesy) at Boston College.

Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017

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By 1935 William Faulkner was well established as an author of critically praised novels, yet the low volume of his sales forced him to seek work in Hollywood. As Carl Rollyson details in The Life of William Faulkner: This Alarming Paradox, 1935-1962 (University of Virginia Press, 2020), this led to an itinerant life divided between Mississippi and Hollywood. Rollyson shows how his encounters with the politicized writers and European refugees who populated the film industry helped broaden his outlook, which was reflected in the injection of anti-fascist elements into his scripts and novels. By the end of the Second World War, Faulkner enjoyed a growing international status that culminated with receiving the award of the Nobel Prize for Literature in 1950, which cemented his place at the forefront of American literature. Though a reluctant celebrity, Faulkner embraced his status by becoming an informal ambassador of American values abroad, while using his position as an unofficial spokesperson of the South to criticize the mistreatment of Blacks in the region and call for improvements in race relations.

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By 1935 William Faulkner was well established as an author of critically praised novels, yet the low volume of his sales forced him to seek work in Hollywood. As Carl Rollyson details in The Life of William Faulkner: This Alarming Paradox, 1935-1962 (University of Virginia Press, 2020), this led to an itinerant life divided between Mississippi and Hollywood. Rollyson shows how his encounters with the politicized writers and European refugees who populated the film industry helped broaden his outlook, which was reflected in the injection of anti-fascist elements into his scripts and novels. By the end of the Second World War, Faulkner enjoyed a growing international status that culminated with receiving the award of the Nobel Prize for Literature in 1950, which cemented his place at the forefront of American literature. Though a reluctant celebrity, Faulkner embraced his status by becoming an informal ambassador of American values abroad, while using his position as an unofficial spokesperson of the South to criticize the mistreatment of Blacks in the region and call for improvements in race relations.

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This is a Special Series on Malcolm X and Black Nationalism. We delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond.

Today, our guest is Clayborne Carson, author of Malcolm X: The FBI File, originally published in 1991, with the 2nd edition republished in 2012 by Skyhorse Publishing.

The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one.

Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more than 3,600 pages, covering every facet of his life. Viewing the file as a source of information about the ideological development and political significance of Malcolm X, historian Clayborne Carson examines Malcolm’s relationship to other African-American leaders and institutions in order to define more clearly Malcolm’s place in modern history.

With its sobering scrutiny of the FBI and the national policing strategies of the 1950s and 1960s, Malcolm X: The FBI File is one of a kind: never before has there been so much material on the assassination of Malcolm X in one conclusive volume.

Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.

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History and geography delineate the operation of power, not only its range but also the capacity to plan and the ability to implement. Approaching state strategy and policy from the spatial angle, Jeremy Black argues that just as the perception of power is central to issues of power, so place, and its constraints and relationships, is partly a matter of perception, not merely map coordinates. Geopolitics, he maintains, is as much about ideas and perception as it is about the actual spatial dimensions of power. Black's study Geopolitics and the Quest for Dominance (Indiana UP, 2015) ranges widely, examining geography and the spatial nature of state power from the 15th century to the present day. He considers the rise of British power, geopolitics and the age of Imperialism, the Nazis and World War II, and the Cold War, and he looks at the key theorists of the latter 20th century, including Henry Kissinger, Francis Fukuyama and Samuel P. Huntington, Philip Bobbitt, Niall Ferguson, and others.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

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In his latest monograph, All Against All: The Long Winter of 1933 and The Origins of the Second World War (Harper, 2020), Professor Paul Jankowski (Brandeis University) provides a wide-angled account of a critical period of world history, the interwar years, in which the world transitioned from postwar to the prewar and saw the disintegration of collective security and international institutions created after the First World War. Drawing on international history’s methodology of multi-archival research, Jankowski constructs an elegantly written and deeply researched narrative history of this decline by looking at both high-level diplomacy and the changing popular mentalities that influenced many of the decisions of policymakers.

Steven P. Rodriguez is a PhD candidate in history at Vanderbilt University. His research focuses on the history of Latin American student migration to the United States during the first half of the twentieth century. You can reach him at [email protected] and follow his twitter at @SPatrickRod.

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In his new book Empire of Law: Nazi Germany, Exile Scholars, and the Battle for the Future of Europe (Cambridge UP, 2020), Kaius Tuori examines the inherent unity of European legal traditions that extend to ancient Rome. This book explores the invention of this tradition, tracing it to a group of legal scholars divided by the onslaught of Nazi terror and totalitarianism in Europe. As exiles in Britain and the US, its formulators worked to build bridges between the Continental and the Atlantic legal traditions, incorporating ideas such as rule of law, liberty, and equality to the European heritage. Others joined the Nazi revolution, which promoted its own idea of European unity. At the end of World War Two, natural law and human rights were incorporated into the European project. The resulting narrative of Europe, one that outlined human rights, rule of law, and equality, became consequently a unifying factor during the Cold War as the self-definition against the challenge of communism.

Kaius Tuori is Professor of European Intellectual History at the Centre for European Studies at the University of Helsinki. 

Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany and the Holocaust. He can be reached at [email protected] or on Twitter @craig_sorvillo.

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Today I talked to Peter Gordon and Juan José Morales about their book Painter and Patron: The Maritime Silk Road in the Códice Casanatense (Abbreviated Press, 2020).

The Códice Casanatense, or Codex Casanatense 1889 as it is formally known, is a 16th-century Indo-Portuguese collection of some 76 captioned watercolours now held in the Biblioteca Casanatense in Rome. Deposited there at the beginning of the 18th century, it resided in almost complete obscurity for two and half centuries and was not brought to scholarly attention until the 1950s. It has never been discussed in detail for the general reader.

Painted by an Indian artist, and annotated in Portuguese, the Codex is a remarkable work of collaboration that portrays the peoples, costumes and customs of a region extending from Africa to China. This region, crossed by Portuguese explorers and traders, maps on what is now commonly called the Maritime Silk Road. Lively and evocative, the Códice Casanatense is a unique historical record that provides a human window into an Asia that Europeans were only just entering and a first testimony of an encounter that would transform the world.

Although the painter has deep connections with Indian artistic traditions, he also drew upon the illustrations in Balthasar Sprenger's iconic 1509 Die Merfart, while the Codex itself was a source for the illustrations in Jan Huygen van Linschoten's classic end-of-the-century Itinerario. Both influenced and influencing, the Codex is unveiled as an archetypal example of East-West cultural and intellectual fusion.

Peter Gordon is editor of the Asian Review of Books and publisher of Chameleon Press. He was also a founder of the Man Asian Hong Kong International Literary Festival.

Juan José Morales is an entrepreneur and historian who has published a variety of works ranging from poetry anthologies to works on arts and culture.

Jenny Peruski is a Ph.D. candidate at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal eastern Africa. She can be reached by email at [email protected].

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