New Books in History

Writing to U.S. President Grover Cleveland in 1888, Oglala Lakota leaders Little Wound, Young Man Afraid of His Horses, and Red Cloud insisted upon a simple yet significant demand to allow western Indigenous nations to retain intertribal communication networks, stating that "we do not want the gates closed between us." These vast networks - and the written letters, in-person visits, and anticolonial ideologies that sustained them - are the focus of historian Justin Gage's new book, We Do Not Want the Gates Closed Between Us: Native Networks and the Spread of the Ghost Dance (University of Oklahoma Press, 2020). Gage shows how sustained communication between reservations enabled a diversity of peoples to share knowledge of common experiences under U.S. settler colonialism, culminating with the rise and rapid spread of the Ghost Dance.

Focusing on extensive correspondence between Indigenous communities at over thirty western reservations, Gage elevates the voices of Indigenous leaders, diplomats, family members, and others who sought to use English literacy, one of the United States' primary tools of assimilation, to resist confinement within colonial boundaries. The result is an essential study of how the U.S. federal government struggled and ultimately failed to limit Indigenous mobility and the powerful intellectual currents that helped Indigenous nations to assert their autonomy and sovereignty at the turn of the century.

Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.

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For four decades, Lamont "Monty" Lindstrom has conducted research on the island of Tanna in the Pacific nation of Vanuatu. Considered by outsiders to be incredibly exotic, Tanna attracts tourists who come to see its active volcano, cargo cults, and customary practices. Lindstrom presents a different vision of Tanna in his new book, Tanna Times: Islanders in the World (University of Hawai‘i Press, 2020), showing us us how Tanna's cultural distinctiveness is part of its entanglement in larger processes of globalisation and colonisalism. This short, readable volume describes the history and culture of Tanna through the stories of fourteen unique individuals whose lives exemplify the island's history and culture. This book is valuable because it is a short, accessible, introduction to both Tanna and Vanuatu, written by someone with a lifetime's worth of expertise on the topic -- definitely a change from the vulgar adventure stories which have been published about the country. Best of all, Tanna Times is available for free as an open access download from University of Hawaii Press, which published the book as part of the Sustainable History Monograph Pilot program. The result is a unique and readable text perfect for anyone visiting Vanuatu, or for classroom use.

In this episode of the podcast, Monty Lindstrom and host Alex Golub talk about cargo cults, protestant missionaries, sustainable tourism, and Austronesian cultural connections between Tanna and Hawai‘i. They discuss Monty's long-term fieldwork and a topic that is rarely covered: while many people talk about how to write your first book, few people discuss what it's like to write a book which might be your last. 

Lamont Lindstrom is Kendall Professor of Anthropology at the University of Tulsa. His previous books include Across the World with the Johnsons: Visual Culture and Empire in the Twentieth Century, Bik Wok: Storian Blo Wol Wo Tu long Vanuatu, Chiefs Today: Traditional Pacific Leadership and the Postcolonial State, and Cargo Cult: Strange Stories of Desire from Melanesia and Beyond. 

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Digitizing Enlightenment: Digital Humanities and the Transformation of 18th-Century Studies (Liverpool UP, 2020) explores how a set of inter-related digital projects are transforming our vision of the Enlightenment. The featured projects are some of the best known, well-funded and longest established research initiatives in the emerging area of ‘digital humanities’, a field that has, particularly since 2010, been attracting a rising tide of interest from professional academics, the media, funding councils, and the general public worldwide. Advocates and practitioners of the digital humanities argue that computational methods can fundamentally transform our ability to answer some of the ‘big questions’ that drive humanities research, allowing us to see patterns and relationships that were hitherto hard to discern, and to pinpoint, visualise, and analyse relevant data in efficient and powerful new ways.

In the book’s opening section, leading scholars outline their own projects’ institutional and intellectual histories, the techniques and methodologies they specifically developed, the sometimes-painful lessons learned in the process, future trajectories for their research, and how their findings are revising previous understandings. A second section features chapters from early career scholars working at the intersection of digital methods and Enlightenment studies, an intellectual space largely forged by the projects featured in part one.

Highlighting current and future research methods and directions for digital eighteenth-century studies, the book offers a monument to the current state of digital work, an overview of current findings, and a vision statement for future research.

Simon Burrows is a Professor of History and Digital Humanities at Western Sydney University, Australia, where he is Leader of the Digital Humanities Research Group.

Glenn Roe is Professor of French Literature and Digital Humanities in the Faculty of Letters at Sorbonne University, where he teaches into the UFR of French and Comparative Literature and is attached to the Centre d’étude de la langue et des littératures françaises (CELLF UMR 8599) and the LabEx OBVIL.

Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London.

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Jeppe Mulich's new book, In A Sea of Empires: Networks and Crossings in the Revolutionary Caribbean (Cambridge University Press, 2020) highlights the revolutionary fervor, political turmoil, conflict, and chaos in the Leeward Island region of the Caribbean in the late eighteenth and early nineteenth centuries. These tense dynamics created opportunities for interconnected politics, laws, and networks in this "microregion" as British, Danish, French, Spanish, and Swedish actors both competed and cooperated with one another. By exploring the transnational networks involved in trade, slavery, smuggling, privateering, and marronage, he emphasizes the border-crossing nature of life in the Leeward Islands that fostered conflicts between local interests and imperial policy and subverted formal imperial boundaries and claims to sovereignty. All-in-all, Dr. Mulich argues that this early period of "globalization" was in-part initiated from the bottom-up, with local peoples, local concerns, and various cross-border networks encouraging regional integration.

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Dr. Victoria Phillips adeptly tells the story of Martha Graham's role as diplomat, arts innovator, and dancer. Her book Martha Graham's Cold War: The Dance of American Diplomacy (Oxford UP, 2019) is a look at the years that her company toured the world as an example of American democracy and freedom. Martha Graham's Cold War frames the story of Martha Graham and her particular brand of dance modernism as pro-Western Cold War propaganda used by the United States government to promote American democracy. Representing every seated president from Dwight D. Eisenhower through Ronald Reagan, Graham performed politics in the global field for over thirty years. This fascinating story takes you through the world of Martha Graham and her famous dancer as they circle the globe promoting American values and artistic ingenuity.

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Writing to U.S. President Grover Cleveland in 1888, Oglala Lakota leaders Little Wound, Young Man Afraid of His Horses, and Red Cloud insisted upon a simple yet significant demand to allow western Indigenous nations to retain intertribal communication networks, stating that "we do not want the gates closed between us." These vast networks - and the written letters, in-person visits, and anticolonial ideologies that sustained them - are the focus of historian Justin Gage's new book, We Do Not Want the Gates Closed Between Us: Native Networks and the Spread of the Ghost Dance (University of Oklahoma Press, 2020). Gage shows how sustained communication between reservations enabled a diversity of peoples to share knowledge of common experiences under U.S. settler colonialism, culminating with the rise and rapid spread of the Ghost Dance.

Focusing on extensive correspondence between Indigenous communities at over thirty western reservations, Gage elevates the voices of Indigenous leaders, diplomats, family members, and others who sought to use English literacy, one of the United States' primary tools of assimilation, to resist confinement within colonial boundaries. The result is an essential study of how the U.S. federal government struggled and ultimately failed to limit Indigenous mobility and the powerful intellectual currents that helped Indigenous nations to assert their autonomy and sovereignty at the turn of the century.

Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Digitizing Enlightenment: Digital Humanities and the Transformation of 18th-Century Studies (Liverpool UP, 2020) explores how a set of inter-related digital projects are transforming our vision of the Enlightenment. The featured projects are some of the best known, well-funded and longest established research initiatives in the emerging area of ‘digital humanities’, a field that has, particularly since 2010, been attracting a rising tide of interest from professional academics, the media, funding councils, and the general public worldwide. Advocates and practitioners of the digital humanities argue that computational methods can fundamentally transform our ability to answer some of the ‘big questions’ that drive humanities research, allowing us to see patterns and relationships that were hitherto hard to discern, and to pinpoint, visualise, and analyse relevant data in efficient and powerful new ways.

In the book’s opening section, leading scholars outline their own projects’ institutional and intellectual histories, the techniques and methodologies they specifically developed, the sometimes-painful lessons learned in the process, future trajectories for their research, and how their findings are revising previous understandings. A second section features chapters from early career scholars working at the intersection of digital methods and Enlightenment studies, an intellectual space largely forged by the projects featured in part one.

Highlighting current and future research methods and directions for digital eighteenth-century studies, the book offers a monument to the current state of digital work, an overview of current findings, and a vision statement for future research.

Simon Burrows is a Professor of History and Digital Humanities at Western Sydney University, Australia, where he is Leader of the Digital Humanities Research Group.

Glenn Roe is Professor of French Literature and Digital Humanities in the Faculty of Letters at Sorbonne University, where he teaches into the UFR of French and Comparative Literature and is attached to the Centre d’étude de la langue et des littératures françaises (CELLF UMR 8599) and the LabEx OBVIL.

Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For four decades, Lamont "Monty" Lindstrom has conducted research on the island of Tanna in the Pacific nation of Vanuatu. Considered by outsiders to be incredibly exotic, Tanna attracts tourists who come to see its active volcano, cargo cults, and customary practices. Lindstrom presents a different vision of Tanna in his new book, Tanna Times: Islanders in the World (University of Hawai‘i Press, 2020), showing us us how Tanna's cultural distinctiveness is part of its entanglement in larger processes of globalisation and colonisalism. This short, readable volume describes the history and culture of Tanna through the stories of fourteen unique individuals whose lives exemplify the island's history and culture. This book is valuable because it is a short, accessible, introduction to both Tanna and Vanuatu, written by someone with a lifetime's worth of expertise on the topic -- definitely a change from the vulgar adventure stories which have been published about the country. Best of all, Tanna Times is available for free as an open access download from University of Hawaii Press, which published the book as part of the Sustainable History Monograph Pilot program. The result is a unique and readable text perfect for anyone visiting Vanuatu, or for classroom use.

In this episode of the podcast, Monty Lindstrom and host Alex Golub talk about cargo cults, protestant missionaries, sustainable tourism, and Austronesian cultural connections between Tanna and Hawai‘i. They discuss Monty's long-term fieldwork and a topic that is rarely covered: while many people talk about how to write your first book, few people discuss what it's like to write a book which might be your last. 

Lamont Lindstrom is Kendall Professor of Anthropology at the University of Tulsa. His previous books include Across the World with the Johnsons: Visual Culture and Empire in the Twentieth Century, Bik Wok: Storian Blo Wol Wo Tu long Vanuatu, Chiefs Today: Traditional Pacific Leadership and the Postcolonial State, and Cargo Cult: Strange Stories of Desire from Melanesia and Beyond. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jeppe Mulich's new book, In A Sea of Empires: Networks and Crossings in the Revolutionary Caribbean (Cambridge University Press, 2020) highlights the revolutionary fervor, political turmoil, conflict, and chaos in the Leeward Island region of the Caribbean in the late eighteenth and early nineteenth centuries. These tense dynamics created opportunities for interconnected politics, laws, and networks in this "microregion" as British, Danish, French, Spanish, and Swedish actors both competed and cooperated with one another. By exploring the transnational networks involved in trade, slavery, smuggling, privateering, and marronage, he emphasizes the border-crossing nature of life in the Leeward Islands that fostered conflicts between local interests and imperial policy and subverted formal imperial boundaries and claims to sovereignty. All-in-all, Dr. Mulich argues that this early period of "globalization" was in-part initiated from the bottom-up, with local peoples, local concerns, and various cross-border networks encouraging regional integration.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1930s Bucharest, some of the country's most brilliant young intellectuals converged to form the Criterion Association. Bound by friendship and the dream of a new, modern Romania, their members included historian Mircea Eliade, critic Petru Comarnescu, Jewish playwright Mihail Sebastian and a host of other philosophers and artists. Together, they built a vibrant cultural scene that flourished for a few short years, before fascism and scandal splintered their ranks.

In Intellectuals and Fascism in Interwar Romania: The Criterion Association (Palgrave, 2019), Cristina A. Bejan asks how the far-right Iron Guard came to eclipse the appeal of liberalism for so many of Romania's intellectual elite, drawing on diaries, memoirs and other writings to examine the collision of culture and extremism in the interwar years. The first English-language study of Criterion and the most thorough to date in any language, this book grapples with the complexities of Romanian intellectual life in the moments before collapse.

Cristina A. Bejan is a historian, theatre artist, and poet. A Rhodes and Fulbright scholar, she has had fellowships at the United States Holocaust Memorial Museum (USHMM), the Wilson Center and Georgetown University. A playwright and spoken word artist, her creative work has appeared in the US, UK, Romania and Vanuatu. Bejan runs the arts and culture collective Bucharest Inside the Beltway (BiB), based in Denver, CO. Please visit www.cristinaabejan.com for more info. You can also follow her on social media: Cristina A. Bejan (Facebook); @CristinaABejan (Twitter); Cristina A. Bejan PhD (LinkedIn); & BiB at @BiBDenver (Facebook) and @bucharestinsidethebeltway (Instagram).

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