New Books in History

For many of its participants, the All-American Girls Professional Baseball League (AAGPBL) offered them an opportunity to change their lives, yet few were as transformed as that of Isabel “Lefty” Alvarez. As Kat D. Williams details in Isabel “Lefty” Alvarez: The Improbable Life of a Cuban-American Baseball Star (University of Nebraska Press, 2020), playing in the league gave her the chance for a new start in a different country. Williams highlights the role Lefty’s mother María played in encouraging her to take up sports as a way of escaping their family’s slide into poverty. Lefty’s involvement with baseball coincided with a unique period of opportunities for women in the sport, one that she embraced first by playing for an all-Cuban team then by signing a contract with the AAGPBL. Though a knee injury and the demise of the AAGPBL ended her professional career, Lefty remained in the United States after its demise, finding employment and becoming an active participant in the AAGPBL reunions that began in the 1980s.

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What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today.

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Science may be known for banishing the demons of superstition from the modern world. Yet just as the demon-haunted world was being exorcized by the enlightening power of reason, a new kind of demon mischievously materialized in the scientific imagination itself. Scientists began to employ hypothetical beings to perform certain roles in thought experiments—experiments that can only be done in the imagination—and these impish assistants helped scientists achieve major breakthroughs that pushed forward the frontiers of science and technology.

Spanning four centuries of discovery—from René Descartes, whose demon could hijack sensorial reality, to James Clerk Maxwell, whose molecular-sized demon deftly broke the second law of thermodynamics, to Darwin, Einstein, Feynman, and beyond—Jimena Canales tells a shadow history of science and the demons that bedevil it. 

In Bedeviled: A Shadow History of Demons in Science (Princeton UP, 2020), she reveals how the greatest scientific thinkers used demons to explore problems, test the limits of what is possible, and better understand nature. Their imaginary familiars helped unlock the secrets of entropy, heredity, relativity, quantum mechanics, and other scientific wonders—and continue to inspire breakthroughs in the realms of computer science, artificial intelligence, and economics today.

The world may no longer be haunted as it once was, but the demons of the scientific imagination are alive and well, continuing to play a vital role in scientists’ efforts to explore the unknown and make the impossible real.

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The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan (U Hawaii Press, 2019) examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in modern Japanese history, including colonization and empire, war, the nuclear bombings, and the transwar proletarian movement. More broadly, it outlines an ethical position known as persistence, which occupies the grey area between complicity and resistance: Like resilience, persistence signals a commitment to not disappearing—a fierce act of taking up space but often from a position of privilege, among the classes and people in power. Akamatsu grew up in a settler-colonial family in rural Hokkaido before attending arts college in Tokyo and becoming one of the first women to receive formal training as an oil painter in Japan. She later worked as a governess in the home of a Moscow diplomat and traveled to the Japanese Mandate in Micronesia before returning home to write and illustrate children’s books set in the Pacific. She married the surrealist poet and painter Maruki Iri (1901–1995), and together in 1948—and in defiance of Occupation censorship—they began creating and exhibiting the Nuclear Series, some of the most influential and powerful artwork depicting the aftermath of the Hiroshima bombing. For the next forty or more years, the couple toured the world to protest war and nuclear proliferation and were nominated for the Nobel Peace Prize in 1995.

With abundant excerpts and drawings from Akamatsu’s journals and sketchbooks, The Art of Persistence offers a bridge between scholarship on imperial Japan and postwar memory cultures, arguing for the importance of each individual’s historical agency. While uncovering the longue durée of Japan’s visual cultures of war, it charts the development of the national(ist) “literature for little citizens” movement and Japan’s postwar reorientation toward global multiculturalism. Finally, the work proposes ways to enlist artwork generally, and the museum specifically, as a site of ethical engagement.

Charlotte Eubanks is associate professor of comparative literature, Japanese and Asian Studies at the Pennsylvania State University. She studies the material culture of books and word/image relations, with a focus on Japanese literature from the medieval period to the present. Her articles have appeared in Ars Orientalis, Book History, Harvard Journal of Asiatic Studies, Japanese Journal of Religious Studies, PMLA, Symposium, Word &Image, and a range of other venues. She is associate editor at the journal Verge: Studies in Global Asias.

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Fluid Jurisdictions: Colonial Law and Arabs in Southeast Asia (Cornell University Press, 2020) by Prof. Nurfadzilah Yahaya is a wide-ranging, geographically ambitious book that tells the story of the Arab diaspora within the context of British and Dutch colonialism, unpacking the community's ambiguous embrace of European colonial authority in Southeast Asia. Here, Yahaya looks at colonial legal infrastructure – discussing how it impacted, and was impacted by, Islam and ethnicity. But more importantly, she follows the actors who used this framework to advance their particular interests. Yahaya explains why Arab minorities in the region helped to fuel the entrenchment of European colonial legalities: their itinerant lives made institutional records necessary. Securely stored in centralized repositories, such records could be presented as evidence in legal disputes. In order to ensure accountability down the line, Arab merchants valued notarial attestation land deeds, inheritance papers, and marriage certificates by recognized state officials. Colonial subjects continually played one jurisdiction against another, sometimes preferring that colonial legal authorities administer Islamic law—even against fellow Muslims. Fluid Jurisdictions draws on lively material from multiple international archives to demonstrate the interplay between colonial projections of order and their realities, Arab navigation of legally plural systems in Southeast Asia and beyond, and the fraught and deeply human struggles that played themselves out between family, religious, contract, and commercial legal orders.

Nurfadzilah Yahaya is a legal historian of the Indian Ocean. She is currently Assistant Professor at the History Department, National University of Singapore (NUS). She was a Research Fellow at the Asia Research Institute until June 2016, NUS. She is the Editor of the World Legal History Blog on Humanities and Social Sciences Online (H-net). She received her PhD in History from Princeton University in 2012, and was a Postdoctoral Fellow in Islamic Studies in Washington University in St. Louis until June 2015. She has published journal articles in Law and History Review, Indonesia and the Malay World, and The Muslim World.

Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.

Janna Aladdin is a recent MA graduate of NYU’s Near Eastern studies program.

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What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fluid Jurisdictions: Colonial Law and Arabs in Southeast Asia (Cornell University Press, 2020) by Prof. Nurfadzilah Yahaya is a wide-ranging, geographically ambitious book that tells the story of the Arab diaspora within the context of British and Dutch colonialism, unpacking the community's ambiguous embrace of European colonial authority in Southeast Asia. Here, Yahaya looks at colonial legal infrastructure – discussing how it impacted, and was impacted by, Islam and ethnicity. But more importantly, she follows the actors who used this framework to advance their particular interests. Yahaya explains why Arab minorities in the region helped to fuel the entrenchment of European colonial legalities: their itinerant lives made institutional records necessary. Securely stored in centralized repositories, such records could be presented as evidence in legal disputes. In order to ensure accountability down the line, Arab merchants valued notarial attestation land deeds, inheritance papers, and marriage certificates by recognized state officials. Colonial subjects continually played one jurisdiction against another, sometimes preferring that colonial legal authorities administer Islamic law—even against fellow Muslims. Fluid Jurisdictions draws on lively material from multiple international archives to demonstrate the interplay between colonial projections of order and their realities, Arab navigation of legally plural systems in Southeast Asia and beyond, and the fraught and deeply human struggles that played themselves out between family, religious, contract, and commercial legal orders.

Nurfadzilah Yahaya is a legal historian of the Indian Ocean. She is currently Assistant Professor at the History Department, National University of Singapore (NUS). She was a Research Fellow at the Asia Research Institute until June 2016, NUS. She is the Editor of the World Legal History Blog on Humanities and Social Sciences Online (H-net). She received her PhD in History from Princeton University in 2012, and was a Postdoctoral Fellow in Islamic Studies in Washington University in St. Louis until June 2015. She has published journal articles in Law and History Review, Indonesia and the Malay World, and The Muslim World.

Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.

Janna Aladdin is a recent MA graduate of NYU’s Near Eastern studies program.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For many of its participants, the All-American Girls Professional Baseball League (AAGPBL) offered them an opportunity to change their lives, yet few were as transformed as that of Isabel “Lefty” Alvarez. As Kat D. Williams details in Isabel “Lefty” Alvarez: The Improbable Life of a Cuban-American Baseball Star (University of Nebraska Press, 2020), playing in the league gave her the chance for a new start in a different country. Williams highlights the role Lefty’s mother María played in encouraging her to take up sports as a way of escaping their family’s slide into poverty. Lefty’s involvement with baseball coincided with a unique period of opportunities for women in the sport, one that she embraced first by playing for an all-Cuban team then by signing a contract with the AAGPBL. Though a knee injury and the demise of the AAGPBL ended her professional career, Lefty remained in the United States after its demise, finding employment and becoming an active participant in the AAGPBL reunions that began in the 1980s.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Science may be known for banishing the demons of superstition from the modern world. Yet just as the demon-haunted world was being exorcized by the enlightening power of reason, a new kind of demon mischievously materialized in the scientific imagination itself. Scientists began to employ hypothetical beings to perform certain roles in thought experiments—experiments that can only be done in the imagination—and these impish assistants helped scientists achieve major breakthroughs that pushed forward the frontiers of science and technology.

Spanning four centuries of discovery—from René Descartes, whose demon could hijack sensorial reality, to James Clerk Maxwell, whose molecular-sized demon deftly broke the second law of thermodynamics, to Darwin, Einstein, Feynman, and beyond—Jimena Canales tells a shadow history of science and the demons that bedevil it. 

In Bedeviled: A Shadow History of Demons in Science (Princeton UP, 2020), she reveals how the greatest scientific thinkers used demons to explore problems, test the limits of what is possible, and better understand nature. Their imaginary familiars helped unlock the secrets of entropy, heredity, relativity, quantum mechanics, and other scientific wonders—and continue to inspire breakthroughs in the realms of computer science, artificial intelligence, and economics today.

The world may no longer be haunted as it once was, but the demons of the scientific imagination are alive and well, continuing to play a vital role in scientists’ efforts to explore the unknown and make the impossible real.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan (U Hawaii Press, 2019) examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in modern Japanese history, including colonization and empire, war, the nuclear bombings, and the transwar proletarian movement. More broadly, it outlines an ethical position known as persistence, which occupies the grey area between complicity and resistance: Like resilience, persistence signals a commitment to not disappearing—a fierce act of taking up space but often from a position of privilege, among the classes and people in power. Akamatsu grew up in a settler-colonial family in rural Hokkaido before attending arts college in Tokyo and becoming one of the first women to receive formal training as an oil painter in Japan. She later worked as a governess in the home of a Moscow diplomat and traveled to the Japanese Mandate in Micronesia before returning home to write and illustrate children’s books set in the Pacific. She married the surrealist poet and painter Maruki Iri (1901–1995), and together in 1948—and in defiance of Occupation censorship—they began creating and exhibiting the Nuclear Series, some of the most influential and powerful artwork depicting the aftermath of the Hiroshima bombing. For the next forty or more years, the couple toured the world to protest war and nuclear proliferation and were nominated for the Nobel Peace Prize in 1995.

With abundant excerpts and drawings from Akamatsu’s journals and sketchbooks, The Art of Persistence offers a bridge between scholarship on imperial Japan and postwar memory cultures, arguing for the importance of each individual’s historical agency. While uncovering the longue durée of Japan’s visual cultures of war, it charts the development of the national(ist) “literature for little citizens” movement and Japan’s postwar reorientation toward global multiculturalism. Finally, the work proposes ways to enlist artwork generally, and the museum specifically, as a site of ethical engagement.

Charlotte Eubanks is associate professor of comparative literature, Japanese and Asian Studies at the Pennsylvania State University. She studies the material culture of books and word/image relations, with a focus on Japanese literature from the medieval period to the present. Her articles have appeared in Ars Orientalis, Book History, Harvard Journal of Asiatic Studies, Japanese Journal of Religious Studies, PMLA, Symposium, Word &Image, and a range of other venues. She is associate editor at the journal Verge: Studies in Global Asias.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history