New Books in History

The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions.

The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a stigma which attached to them for the rest of their lives. The scandal was so persuasive that many members of the New York Police Department were caught up in it, leading to the resignation of the chief of police and the mayor.

Matthew Goodman's The City Game: Triumph, Scandal, and a Legendary Basketball Team (Ballantine Books, 2019) is not just a book about basketball. It is a journey through life in New York City in the late 1940s and early 1950s, a window into how big cities ran in the mid-20th century, an inside look at the world of sports gambling, a story of corruption, and ultimately, a tale of working class people and the decisions they are faced with. Through the use of meticulous research, Goodman delves into the complex characters of the basketball players involved and how the scandal affected their lives moving forward. The reader is left to ponder one crucial question: Would I have taken the money had I been in their position?

Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his first book about the New York Knicks Teams of the 1990s is due out this year. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

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R. Scott Huffard Jr. is the author of Engines of Redemption: Railroads and the Reconstruction of Capitalism in the New South, published by the University of North Carolina Press in 2019. Engines of Redemption is a fascinating history of capitalism in the South, which tells the story of how railroads revitalized the region following the Civil War. Huffard examines the myriad of was that railroads were used to secure political and economic growth and power in the South throughout the Reconstruction era. Railroads, however, were not always seen as a blessing, and Huffard pays close attention to how the rapid southern growth of the locomotive was accompanied by rising anxieties, from race to disease.

R. Scott Huffard Jr. is Assistant Professor of History at Lees-McRae College.

Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.

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The passage of the 1831 Truck Act was intended to end throughout the United Kingdom the practice of paying employees in truck, or goods, rather than in money. As Christopher Frank reveals in Workers, Unions and Payments in Kind: The Fight for Real Wages in Britain, 1820-1914 (Routledge, 2019), though, this merely redefined a struggle that continued through the Victorian era into the early 20th century. As Frank demonstrates, employers soon developed ways to work around the ban in the law, which proved difficult to enforce. While as early as the 1850s governments considered new legislation to clamp down further on truck, efforts to do so ran into both laissez-faire and paternalistic arguments that together successfully frustrated passage of new measures. It was only with the increasing influence of the New Model Unions and the growing enfranchisement of workers from the 1860s onward that the issue became more of an electoral priority. While this pressure led to new legislation in 1887 and again in 1896 that improved enforcement of the ban on truck as well as introducing restrictions on fines and other pay deductions, concerns about wage theft persisted for workers up to the start of the First World War, when Britain’s entry into the conflict disrupted further pursuit of legislative amelioration.

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The 1949-50 CCNY Beavers basketball team were one of the unlikeliest of champions in sports history. CCNY was a tuition-free in Harlem, New York, intended to give working class students the best education possible. The school was comprised of minorities, many of whom were the immigrants or children of immigrants. In 1949-50, the CCNY squad, led by legendary coach Nat Holman, shocked the basketball world by becoming the first and only school to win the N.I.T. and N.C.A.A. tournaments in the same scene. At a time when college basketball was much more popular in New York than the fledgling NBA, the CCNY boys became the talk of the town and heroes to millions.

The following season, several members of the CCNY team, including the entire starting five, were arrested as part of a massive point shaving scandal that had engulfed the entire collegiate basketball scene in New York City. Overnight, the CCNY boys went from heroes to villains. Their dreams of playing in the NBA were dashed and gambling scandal became a stigma which attached to them for the rest of their lives. The scandal was so persuasive that many members of the New York Police Department were caught up in it, leading to the resignation of the chief of police and the mayor.

Matthew Goodman's The City Game: Triumph, Scandal, and a Legendary Basketball Team (Ballantine Books, 2019) is not just a book about basketball. It is a journey through life in New York City in the late 1940s and early 1950s, a window into how big cities ran in the mid-20th century, an inside look at the world of sports gambling, a story of corruption, and ultimately, a tale of working class people and the decisions they are faced with. Through the use of meticulous research, Goodman delves into the complex characters of the basketball players involved and how the scandal affected their lives moving forward. The reader is left to ponder one crucial question: Would I have taken the money had I been in their position?

Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his first book about the New York Knicks Teams of the 1990s is due out this year. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

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Michael Bobelian has written a history of the nomination of Abe Fortas to be Chief Justice of the U.S. Supreme Court in 1968. In Battle for the Marble Palace: Abe Fortas, Earl Warren, Lyndon Johnson, Richard Nixon and the Forging of the Modern Supreme Court (Schaffner, 2019), he reminds us of the intense political battle over Lyndon Johnson’s legacy nomination of then-associate justice Abe Fortas to the chief justiceship. Bobelian’s account, relying upon a wealth of archival materials, including primary sources from presidential libraries, Senate hearings, and interviews, recreates the political world of Washington, D.C. in the 1960s, during the height of the Warren Court’s influence. Bobelian assesses the motives for various actors, such as segregationist Strom Thurmond, moderate Robert Griffin, and liberals Abe Fortas and Earl Warren, in their roles in the nomination process. He makes the argument that the politicization of the nomination process did not begin with Robert Bork’s nomination in 1987, but truly began with the nomination of Fortas. Bobelian also considers the political and popular responses to the then-novel consistently activist Warren Court and how the Fortas nomination and the opposition to it were motivated by combinations of jurisprudential ideology, institutional prerogatives, and the dynamics of personal relationships.

Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

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R. Scott Huffard Jr. is the author of Engines of Redemption: Railroads and the Reconstruction of Capitalism in the New South, published by the University of North Carolina Press in 2019. Engines of Redemption is a fascinating history of capitalism in the South, which tells the story of how railroads revitalized the region following the Civil War. Huffard examines the myriad of was that railroads were used to secure political and economic growth and power in the South throughout the Reconstruction era. Railroads, however, were not always seen as a blessing, and Huffard pays close attention to how the rapid southern growth of the locomotive was accompanied by rising anxieties, from race to disease.

R. Scott Huffard Jr. is Assistant Professor of History at Lees-McRae College.

Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

With scholarship in the discipline of history witnessing a shift toward global approaches to local historical processes, new questions are being raised about how to identify commensurate theoretical methods and conceptual frameworks for analysis – with art history being no less part of this scholarly shift. How do we strike a balance between acknowledging distinctly local historical transformations with related global ones? In what ways can we conceptualize intertwined global networks that gave rise to local phenomena without erasing local agency and uniqueness? Where do we account for power in our analyses of local and global historical developments?

Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary (UNC Press, 2019) by Alex Dika Seggerman deftly takes up the challenge posed by these and other questions by punctuating its mark both in the field of global modernism and in modern Arab and Islamic art history, offering the commensurate theories and frameworks necessary to help move these conversations forward. Through research conducted in Egypt, Europe, and the United States, Seggerman analyzes Egypt’s modernist art movement from the late-nineteenth century up until the 1960s, demonstrating the interconnectedness of this movement with a constellation of artistic production outside of Egypt.

By examining the work of a range of characters like the satirical cartoonist Ya’qub Sanua, the nationalist sculptor Mahmoud Mukhtar, the enigmatic religious teacher Muhammad ‘Abduh and more, Seggerman argues that Egyptian modernism was neither “transnational” nor “global,” but manifested itself in a constellational network operating within a finite field that was wide enough to encompass an array of modernisms. Furthermore, by tracing and identifying “the Islamic” in modern Arab art, Seggerman also challenges the conventional periodization of Islamic art that heavily centers the premodern. She argues that we ought to pay more attention to the subtle inflections of Islam – not merely as a faith and doctrine but as a lived experience and cultural heritage – in the diverse work of major Egyptian artists of the time. This book is a welcome addition to the study of Middle Eastern, Muslim, and global modernisms.

Asad Dandia is a graduate student of Islamic Studies at Columbia University.

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Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II.

Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford.

In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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With scholarship in the discipline of history witnessing a shift toward global approaches to local historical processes, new questions are being raised about how to identify commensurate theoretical methods and conceptual frameworks for analysis – with art history being no less part of this scholarly shift. How do we strike a balance between acknowledging distinctly local historical transformations with related global ones? In what ways can we conceptualize intertwined global networks that gave rise to local phenomena without erasing local agency and uniqueness? Where do we account for power in our analyses of local and global historical developments?

Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary (UNC Press, 2019) by Alex Dika Seggerman deftly takes up the challenge posed by these and other questions by punctuating its mark both in the field of global modernism and in modern Arab and Islamic art history, offering the commensurate theories and frameworks necessary to help move these conversations forward. Through research conducted in Egypt, Europe, and the United States, Seggerman analyzes Egypt’s modernist art movement from the late-nineteenth century up until the 1960s, demonstrating the interconnectedness of this movement with a constellation of artistic production outside of Egypt.

By examining the work of a range of characters like the satirical cartoonist Ya’qub Sanua, the nationalist sculptor Mahmoud Mukhtar, the enigmatic religious teacher Muhammad ‘Abduh and more, Seggerman argues that Egyptian modernism was neither “transnational” nor “global,” but manifested itself in a constellational network operating within a finite field that was wide enough to encompass an array of modernisms. Furthermore, by tracing and identifying “the Islamic” in modern Arab art, Seggerman also challenges the conventional periodization of Islamic art that heavily centers the premodern. She argues that we ought to pay more attention to the subtle inflections of Islam – not merely as a faith and doctrine but as a lived experience and cultural heritage – in the diverse work of major Egyptian artists of the time. This book is a welcome addition to the study of Middle Eastern, Muslim, and global modernisms.

Asad Dandia is a graduate student of Islamic Studies at Columbia University.

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Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II.

Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford.

In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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