New Books in History

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography.

This book is available open access here.

Steven Seegel is a professor of history at the University of Northern Colorado.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region.

The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country.

Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Roberto Carmack’s Kazakhstan in World War II: Mobilization and Ethnicity in the Soviet Empire (University Press of Kansas, 2019) looks at the experience of the Kazakh Republic during the Soviet Union’s Great Patriotic War. Using a variety of archival materials, newspapers, and individual memoirs, Carmack looks at important topics of the war experience in Kazakhstan, including mobilization, deportations, forced labor, and the role of propaganda. Carmack’s work will help readers understand the Soviet Union’s role as a multi-national empire and how the wartime experience affected the relationship between the multiple ethnicities of the Soviet Union.

Nicholas Seay is a PhD candidate at The Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Smith discusses the US Navy’s role in exploring and charting the ocean world. Smith is an assistant professor of history at Southern Connecticut State University. He’s the author of To Master the Boundless Sea: The US Navy, the Marine Environment, and the Cartography of Empire (UNC Press, 2018).

As the United States grew into an empire in the late nineteenth century, notions like "sea power" derived not only from fleets, bases, and decisive battles but also from a scientific effort to understand and master the ocean environment. Beginning in the early nineteenth century and concluding in the first years of the twentieth, Jason W. Smith tells the story of the rise of the U.S. Navy and the emergence of American ocean empire through its struggle to control nature. In vividly told sketches of exploration, naval officers, war, and, most significantly, the ocean environment, Smith draws together insights from environmental, maritime, military, and naval history, and the history of science and cartography, placing the U.S. Navy's scientific efforts within a broader cultural context.

Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Befitting an art history book, Erin Schoneveld’s Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde (Brill, 2018) is a beautifully packaged analysis of the early twentieth-century Japanese modern art collective Shirakaba and its eponymous coterie magazine (1910-1923). Shirakaba, which means “white birch,” is recognized as the most significant art movement of the period, and had a lasting impact on the discourse and practice of art in modern Japan. The group’s journal was among the first and most important Japanese art magazines to include the works of prominent European artists, and doing so shaped the contours of the art world of twentieth-century Japan.

Schoneveld shows how Shirakaba arose in opposition to the statist art of the young Meiji state, the strategies deployed to promote its artistic agenda, how the group established sometimes tangible and direct personal, artistic, and ideological connections to the European artists who represented the ideal of individualism, and how the movement changed over time from an avant-garde bastion to become central to the mainstream of the Japanese art scene in the early 1920s. In addition, the book reveals dynamic tensions between statism and Shirakaba’s individualism, between the group’s ethos of individualism and the realities of being a collective, between being avant-garde and establishment, and between different generations of Shirakaba artists themselves, as well as between virtual and physical exhibition spaces and the status of original versus reproduced art. Shirakaba and Japanese Modernism is an important contribution not just to Japanese art history, but to rethinking the global spread, reception, and adoption and adaptation of modernity and modernism.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region.

The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country.

Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Roberto Carmack’s Kazakhstan in World War II: Mobilization and Ethnicity in the Soviet Empire (University Press of Kansas, 2019) looks at the experience of the Kazakh Republic during the Soviet Union’s Great Patriotic War. Using a variety of archival materials, newspapers, and individual memoirs, Carmack looks at important topics of the war experience in Kazakhstan, including mobilization, deportations, forced labor, and the role of propaganda. Carmack’s work will help readers understand the Soviet Union’s role as a multi-national empire and how the wartime experience affected the relationship between the multiple ethnicities of the Soviet Union.

Nicholas Seay is a PhD candidate at The Ohio State University.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Befitting an art history book, Erin Schoneveld’s Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde (Brill, 2018) is a beautifully packaged analysis of the early twentieth-century Japanese modern art collective Shirakaba and its eponymous coterie magazine (1910-1923). Shirakaba, which means “white birch,” is recognized as the most significant art movement of the period, and had a lasting impact on the discourse and practice of art in modern Japan. The group’s journal was among the first and most important Japanese art magazines to include the works of prominent European artists, and doing so shaped the contours of the art world of twentieth-century Japan.

Schoneveld shows how Shirakaba arose in opposition to the statist art of the young Meiji state, the strategies deployed to promote its artistic agenda, how the group established sometimes tangible and direct personal, artistic, and ideological connections to the European artists who represented the ideal of individualism, and how the movement changed over time from an avant-garde bastion to become central to the mainstream of the Japanese art scene in the early 1920s. In addition, the book reveals dynamic tensions between statism and Shirakaba’s individualism, between the group’s ethos of individualism and the realities of being a collective, between being avant-garde and establishment, and between different generations of Shirakaba artists themselves, as well as between virtual and physical exhibition spaces and the status of original versus reproduced art. Shirakaba and Japanese Modernism is an important contribution not just to Japanese art history, but to rethinking the global spread, reception, and adoption and adaptation of modernity and modernism.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jason Smith discusses the US Navy’s role in exploring and charting the ocean world. Smith is an assistant professor of history at Southern Connecticut State University. He’s the author of To Master the Boundless Sea: The US Navy, the Marine Environment, and the Cartography of Empire (UNC Press, 2018).

As the United States grew into an empire in the late nineteenth century, notions like "sea power" derived not only from fleets, bases, and decisive battles but also from a scientific effort to understand and master the ocean environment. Beginning in the early nineteenth century and concluding in the first years of the twentieth, Jason W. Smith tells the story of the rise of the U.S. Navy and the emergence of American ocean empire through its struggle to control nature. In vividly told sketches of exploration, naval officers, war, and, most significantly, the ocean environment, Smith draws together insights from environmental, maritime, military, and naval history, and the history of science and cartography, placing the U.S. Navy's scientific efforts within a broader cultural context.

Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography.

This book is available open access here.

Steven Seegel is a professor of history at the University of Northern Colorado.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history