New Books in History

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.

Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University

Check out Bradley's podcast about Southern hip-hop, Bottom of the Map. 

Bradley also has another OutKast book coming in August 2021, An OutKast Reader:

Essays on Race, Gender, and the Postmodern South (UGA Press). 

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Though poverty and vagrancy as social phenomena greatly preoccupied authorities of Colonial Mexico, the social and individual lives of vagabonds and strangers of Spanish American early modernity remain elusive to the historian. In his new book, Fugitive Freedom: The Improbable Lives of Two Impostors in Late Colonial Mexico (University of California Press, 2021), William B. Taylor uncovers the fascinating stories of two wanderers in Colonial Mexico. Joseph Aguayo and Juan Atondo were priest impersonators and serial liers whose lives of deceit are recorded in archives of the Spanish Inquisition. Through their encounters with ecclesiastical authorities, Taylor shows how these two common men navigated colonial law, subversively shaped their identity in Mexican society as Spanish rule was coming to an end. 

How do we make sense of historical agents such as Aguayo and Atondo who have left few traces in the archive? Taylor turns to literary sources, specifically to Spanish picaresque novels. By engaging social history with works such as Mateo Alemán's Guzmán de Alfarache, Francisco de Quevedo's La vida del buscón and José Joaquín Fernández de Lizardi's El periquillo sarniento, Fugitive Freedom considers these cases through the lens of the cultural myth of the pícaro.

William B. Taylor is Muriel McKevitt Sonne Professor Emeritus of Latin American History, University of California Berkeley.

Daniela Gutierrez is a PhD candidate at the University of Chicago

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What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.

Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.

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The three decades that followed World War II were an exceptionally fertile period for American essays. The explosion of journals and magazines, the rise of public intellectuals, and breakthroughs in the arts inspired a flowering of literary culture. At the same time, the many problems that confronted mid-century America--racism, sexism, nuclear threat, war, poverty, and environmental degradation among them--proved fruitful topics for America's best minds. In The Golden Age of the American Essay: 1945–1970 (Anchor Books, 2021), Phillip Lopate assembles a dazzling array of famous writers, critics, sociologists, theologians, historians, activists, theorists, humorists, poets, and novelists. Here are writers like James Agee, E. B. White, A. J. Liebling, and Mary McCarthy, adroitly pivoting from the comic indignities of daily life to world peace, boxing, and restaurants in Paris. Here is Norman Mailer on Jackie Kennedy and Vladimir Nabokov on Lolita. Here is Martin Luther King, Jr.'s "Letter from Birmingham Jail," alongside Richard Hofstadter's "The Paranoid Style in American Politics" and Flannery O'Connor's "Some Aspects of the Grotesque in Southern Fiction." Here are Gore Vidal, Rachel Carson, James Baldwin, Susan Sontag, John Updike, Joan Didion, and many more, in a treasury of brilliant writing that has stood the test of time.

Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.

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The rapid gentrification of Black and brown neighborhoods in urban areas by predominantly upper-class white and other white-adjacent peoples is largely facilitated by urban redevelopment and revitalization projects. These projects often usher in aesthetics that seek to attract those understood as desirable populations. But what happens when the aesthetics of poor Black and brown neighborhoods themselves become the vehicle for gentrification and urban renewal? As Johana Londoño writes, “the aesthetic depiction and manipulation of Latinx urban life and culture as a way to counteract the fear that Latinxs and their culture were transgressing normative expectations of urbanness” (ix).

In her new book, Abstract Barrios: The Crises of Latinx Visibility in Cities (Duke University Press, 2020), Dr. Londoño traces how Latinx people are targeted as problems in urban areas that need to be addressed. Simultaneously, architects, urban planners, policymakers, ethnographers, business owners, and settlement workers – all of whom Londoño refers to as “brokers” – were carefully pulling into their projects the visual aesthetics of barrios which would at once produce a Latinized space while simultaneously “not interfere in the economic and cultural interests of normative urbanity” (xvii).

There was danger in representing barrios because it threatened urban normativity. For Londoño, “Because barrios in US cities are largely the result of unequal forces, reproducing barrio culture and spatial layouts, besides being parodic, would make plain the failures of liberalism to treat all individuals equally” (9-10). Representing barrios in full would reveal the unequal relations of power, state and federal disinvestment in Black and brown neighborhoods, and the economic and material realities of these neighborhoods that go into the formation of barrios. Abstraction but not disruption, however, seems to be have been the goal. By making Latinxs legible in a normative sense, their aesthetics then became implicated in the capitalist spatial order. “I argue that Latinx visibility has been made key to the cyclical nature of U.S. capitalist urbanism: its decay and the reconstitution of its normativity,” writes Londoño (5). The aesthetics found in barrios became abstracted enough to appeal to urban capitalism and thus became implemented onto the gentrifying urban landscape.

By writing the history of barrios and the marginalization of Latinxs in urban spaces, and by focusing on the brokers who manipulate Latinx urban culture to make it visible in mainstream spaces, Johana Londoño underscores how the built environment as a racial project continues to build on racial hierarchies to maintain structures. She covers instances of manipulation of barrio aesthetics in New York, Miami, San Antonio, Los Angeles, Santa Ana and concludes in her hometown of Union City, New Jersey. Londoño’s skill of highlighting the ways barrio aesthetics play out on the gentrifying landscape of the modern renting market seamlessly brings into focus all at once the racialized and spatial histories of a neighborhood, the decisions by brokers on how to target Latinx consumers, and implications of barrio aesthetics in an increasingly segregated urban landscape. Abstract Barrios is a book that should be read across ethnic studies, urban studies, and in the fields of art and architecture.

Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies.

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Dr. J. M. White’s new book, Unity in Faith?: Edinoverie, Russian Orthodoxy, and Old Belief, 1800-1918 (Indiana University Press, 2020) discusses the Russian Orthodox/Old Believer schism. In the late 18th and early 19th centuries, the Russian government decided, largely for reasons of state, to bring the schismatic Old Believers back into the Orthodox fold. This desire resulted in the creation of edinoverie (“unity in faith”), and a set of institutions that attempted to allow Old Believers to practice their pre-1650’s rituals, while increasingly subjecting them to the authority of the church, and by extension, the state. Dr. White’s book is a history of this edinoverie. Along the way, readers learn a great deal about the relationship between the Russian church and the state, and about the inner logics of a major religious schisms, whose lessons apply to Russian history and beyond. Religious history is often neglected in the history of late imperial Russia, and this book also helps to rectify that imbalance.

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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Y. Yvon Wang draws on previously untapped archives--ranging from police archives and surveys to ephemeral texts and pictures--to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world.

Reinventing Licentiousness: Pornography and Modern China (Cornell University Press, 2021) emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed proper sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.

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Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes (Routledge, 2019) addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary.

Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese roji (tea gardens); a seventeenth-century garden of southern China; post-war Australian ‘natural gardens’; iconic twentieth-century American modernist gardens; ‘international’ willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of Studies in the History of Gardens & Designed Landscapes.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.

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Mehmet the Conqueror shook Europe to its foundations when he captured Constantinople in 1453 and, over the next decades, the Ottoman sultan continued his westward advance through the Balkans and the Mediterranean. But one Albanian fortress became an “unexpected bone in Mehmed’s throat” (xviii). David Hosaflook’s The Siege of Shkodra is the first English rendition of Marin Barleti’s 1504 eye-witness account of that standoff that includes the Christian victory in 1474 and subsequent defeat in 1479. The year after that, the Turks were in Italy (Otranto, 1480), though they would not keep it their foothold. This volume includes Barleti’s compelling story, essays that place it in historical and cultural context, and a number of Ottoman sources that corroborate or contrast with the Christian version. Barleti is also important today as “the first Albanian author” and thus an important national figure in the last century since the end of the Ottoman Empire after the First World War.

In the discussion today, Professor Hosaflook explains the siege, its political and strategic importance, and the Albanian position between the Ottoman Empire, Venice, and the Christian West. He talks about Early Modern Mediterranean slavery, religion, and diplomacy. In addition, he discusses the military lessons we find in this primary source, and his own exploration of castle ruins. He also reflects on his scholarship and three decades of living in a rapidly-changing Albania.

David Hosaflook is a professor of European History, Intercultural Studies, Philosophy of Religion, and Christianity. He’s also the cofounder and executive director of the Institute of Albanian and Protestant Studies. In 2019, he became laureate of the (first annual) ‘22nd of November Prize’ from the Republic of North Macedonia.

Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel.

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Successful word-coinages--those that stay in currency for a good long time--tend to conceal their beginnings. We take them at face value and rarely when and where they were first minted. Engaging, illuminating, and authoritative, Ralph Keyes's The Hidden History of Coined Words (Oxford University Press, 2021) explores the etymological underworld of terms and expressions and uncovers plenty of hidden gems.

He also finds some fascinating patterns, such as that successful neologisms are as likely to be created by chance as by design. A remarkable number of new words were coined whimsically, originally intended to troll or taunt. Knickers, for example, resulted from a hoax; big bang from an insult. Casual wisecracking produced software, crowdsource, and blog. More than a few resulted from happy accidents, such as typos, mistranslations, and mishearing (bigly and buttonhole), or from being taken entirely out of context (robotics). Neologizers (a Thomas Jefferson coinage) include not just scholars and writers but cartoonists, columnists, children's book authors. Wimp originated with a book series, as did goop, and nerd from a book by Dr. Seuss. Coinages are often contested, controversy swirling around such terms as gonzo, mojo, and booty call. Keyes considers all contenders, while also leading us through the fray between new word partisans, and those who resist them strenuously. He concludes with advice about how to make your own successful coinage.

The Hidden History of Coined Words will appeal not just to word mavens but history buffs, trivia contesters, and anyone who loves the immersive power of language.

Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected].

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