New Books in History

Egypt is often the focus of religious and political histories of early twentieth century. The striking hardening of nationalist and Islamic movements within Arab societies during this period is frequently described through the growth of the Muslim Brotherhood, specific pan-Arab ideals, or questions of Egyptian identity under Gamal Abdel Nasser. However, the religious and political spheres intersected within new forms of Egyptian cultural production. 

In Islam and the Culture of Modern Egypt: From the Monarchy to the Republic (Cambridge University Press, 2018), Mohammad Salama, Professor at San Francisco State University, explores how Egyptian authors and filmmakers articulate the role of religion and the nation in the lives of the modern subject. He provides a short genealogy of Arabic literature in the first half of the twentieth century that address questions of nationalism and Islamism and demonstrates how authors oscillate between tradition and secular values in modern Egypt. In our conversation we discuss the religious and political contexts of 20th century Egypt, British imperialism, the emergence of the novel in Egypt, well-known authors Taha Husayn, Naguib Mahfouz, and Yusuf Idris, the Muslim Brotherhood, short stories, theatre, national identity, and director Youssef Chahine.

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].

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As we mark the one-year anniversary of the COIVD-19 pandemic, take the time to listen to this discussion of previous efforts to fight yellow fever, cholera, and plague pandemics. Lukas Engelmann and Christos Lynteris’s Sulfuric Utopias: A History Maritime Fumigation (MIT Press, 2020) tells the story of the international dream of stopping the spread of infectious disease in global shipping networks. Their work shows how the interests of capitalism clashed with the efforts of public health officials. At the center of their narrative lies the Clayton, a machine which combined technocratic enthusiasm and necropolitical logic. Sulfuric Utopias brings together the history disease, capitalism, public health, and science. It is both a contribution to maritime history and urban history. Personally, I was so excited to interview two authors who know more about the history of rat killing than I do.

Lukas Engelmann is a Chancellor's Fellow in the History and Sociology of Biomedicine, in the department of Science, Technology and Innovation Studies at the University of Edinburgh. 

Christos Lynteris is a Senior Lecturer in Social Anthropology at the University of St. Andrews. 

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

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In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers’ hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose. 

In Pleasure in Profit: Popular Prose in Seventeenth-Century Japan (Cambridge UP, 2020), Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world. 

Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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In 1836, an enslaved six-year-old girl named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of Massachusetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to Massachusetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In The Case of the Slave-Child, Med: Free Soil in Antislavery Boston (University of Massachusetts Press, 2019), Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislavery history by situating her story in the context of other writings on slavery, childhood, and the law.

Karen Woods Weierman is Professor of English and the former director of the Commonwealth Honors Program at Worcester State University. She is the author of One Nation, One Blood: Interracial Marriage in American Fiction, Scandal, and Law, 1820–1870, published in 2005 by the University of Massachusetts Press. 

Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers, The State University of New Jersey-New Brunswick. His teaching and research interests examine eighteenth and nineteenth century African American women’s history and the history of slavery and emancipation in early America and the Atlantic world. Follow him on Twitter @Jerrad_Pacatte!

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Today we hear from Mayte Green-Mercado, Assistant Professor of History at Rutgers University in Newark, New Jersey to talk about Visions of Deliverance: Moriscos and the Politics of Prophecy in the Early Modern Mediterranean (Cornell University Press, 2019).

In Visions of Deliverance, Mayte Green-Mercado traces the circulation of Muslim and crypto-Muslim apocalyptic texts known as joferes through formal and informal networks of merchants, Sufis, and other channels of diffusion among Muslims and Christians across the Mediterranean from Constantinople and Venice to Morisco towns in eastern Spain. The movement of these prophecies from the eastern to the western edges of the Mediterranean illuminates strategies of Morisco cultural and political resistance, reconstructing both productive and oppositional interactions and exchanges between Muslims and Christians in the early modern Mediterranean.

Challenging a historiography that has primarily understood Morisco apocalyptic thought as the expression of a defeated group that was conscious of the loss of their culture and identity, Green-Mercado depicts Moriscos not simply as helpless victims of Christian oppression but as political actors whose use of end-times discourse helped defineNBN and construct their society anew. Visions of Deliverance helps us understand the implications of confessionalization, forced conversion, and assimilation in the early modern period and the intellectual and theological networks that shaped politics and identity across the Mediterranean in this era.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. 

In Haiti's Paper War: Post-Independence Writing, Civil War, and the Making of the Republic, 1804-1954 (NYU Press, 2020) — her analysis of Haitian writing that followed independence — Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume — the paper war — that vied to shape public sentiment and the very idea of Haiti.

Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.

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Todays’ guest is Mack P. Holt, Professor Emeritus of History at George Mason University in Virginia, talking about his recent book, The Politics of Wine in Early Modern France: Religion and Popular Culture in Burgundy, 1477-1630, out 2018 with Cambridge University Press.

In the late fifteenth century, Burgundy was incorporated in the kingdom of France. This, coupled with the advent of Protestantism in the early sixteenth century, opened up new avenues for participation in public life by ordinary Burgundians and led to considerably greater interaction between the elites and the ordinary people. Mack Holt examines the relationship between the ruling and popular classes from Burgundy's re-incorporation into France in 1477 until the Lanturelu riot in Dijon in 1630, focusing on the local wine industry. Indeed, the vineyard workers were crucial in turning back the tide of Protestantism in the province until 1630 when, following royal attempts to reduce the level of popular participation in public affairs, Louis XIII tried to remove them from the city altogether. More than just a local study, this book shows how the popular classes often worked together with local elites to shape policies that affected them.

This joyful conversation lingers on the delights of the archive, a variety of historical methodologies, and the contours of the historical craft.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Today I talked to David A. Lees about his book Memphis Mayhem: A Story of the Music That Shook Up the World (ECW Press, 2020)

David Less has studied Memphis music for over 40 years, including work done for the National Endowment for the Humanities, the Smithsonian Institution, and the Gibson Guitar Foundation. He’s been published in Rolling Stone and DownBeat, among other places.

This episode seizes first on three major events that happened in Memphis: the formal start of the blues (W.C. Handy 1909), the start of rock n’ roll (Elvis Presley 1954), and the tragic assassination of Martin Luther King (1968). Along the way, this episode explores everything from the impact of yellow fever epidemics on Memphis racial dynamics, including the rise of the South’s first (black) millionaire; and later the development of Beale Street into “Black America’s Main Street.” Other highlights include: the creation of America’s first all-female radio station (WHER, 1955) by Sam Phillips of Sun Studio fame; and the wealth of independent studios from Stax to Ardent that made Memphis the 3rd largest center for recording music in America for over a decade from the early 1960s onward.

Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.

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"The Volga! There is a mystery, a charm in all mighty rivers, which has ever made us gaze upon them with an interest beyond that inspired by other great and glorious sights; but to look on the largest of the European rivers gave a thrill of joy surpassing all former pleasure of the kind."

This quote by Robery Bremner in 1830 opens Professor Janet M. Hartley’s latest history, The Volga: A History (Yale University Press, 2021). The book uses the Volga to frame the history of Russia: from its pre-Russian state through the growing Russian Empire, and ending with the Soviet Union and today’s Russian Federation. The book presents the Volga as both a divider between “East and West”, but also a meeting ground of different cultures and ideas — and how that drove efforts to create the Russian identity.

In this interview, Janet and I talk about the Volga, and its central place in Russian history. We talk about how the Volga connects to trade, cultural exchange and the formation of the Russian state and identity. Finally, we explore what we gain by looking at a country’s history through a geographical feature like a river.

Janet Hartley is Professor Emeritus of International History at the London School of Economics and Political Science, where she worked for over 30 years. She is the author of seven books on Russian history including Siberia: A History of the People (Yale University Press: 2014). She has also edited or co-edited 7 books and written many articles on Russian history in the eighteenth and early nineteenth centuries.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Volga. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator

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Brendan McNamara, who teaches religion at University College Cork, Ireland, has published an excellent new book on the expansion of the Bahá’í faith into western Europe. In the late nineteenth century, religious scholars and clergy in Britain became aware of a movement of reform in Persia that they framed as a revitalisation project within Islam, and which attracted converts including the former Oriel Professor for the Interpretation of Scripture at the University of Oxford. As the teachings of the Bahá’í faith came into better focus, in the early twentieth century, they attracted the attention of an extremely diverse group of spiritualists, Celticists, and liberal protestants, who, for various reasons, saw in the life and work of ‘Abdu’l-Bahá an opportunity to advance the brotherhood of humanity and its religious possibilities. 

In The Reception of ‘Abdu’l-Bahá in Britain: East Comes West (Brill, 2020), McNamara describes the sometimes adulatory, sometimes rather colonial, appreciation of ‘Abdu’l-Bahá during his two visits to Britain in the early 1910s. But McNamara also suggests reasons why this extraordinary wave of interest in the Bahá’í faith was not sustained – not least because the crisis to all religions that was represented by the First World War.

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