New Books in History

Charles Hirschkind’s lyrical and majestic new book The Feeling of History: Islam, Romanticism, and Andalusia (University of Chicago Press, 2020) represents a profound work of retrieval that launches and executes a stinging rebuke of an ontology of Europe that presumes its exceptionalism. The central focus of Hirschkind’s study is Andalucismo, or a discursive, aesthetic, and political tradition that seeks to disrupt the alleged cleavage between medieval and modern Spain by recovering the deep and penetrating imprints of Muslim Iberia on contemporary Spanish society. To engage Spain’s Muslim and Jewish past not as a bygone and irrelevant relic but as indelibly entwined to the present requires a form of attunement to the past that is activated by the sensoria and suspicious of historicist rigor. In the course of this poetically charged book, one meets a range of thinkers from across the political spectrum, and travels in unexpected avenues of inquiry such as the centrality of Flamenco to Andalucismo. 

The Feeling of History combines piercing attention to the productive importance of the sensoria in encountering the past with an astonishingly lucid critique of dominant strands of the discipline of history. What emerges from this exercise is not only a richly textured interrogation of a hugely important though often lampooned tradition of Andalucismo, but also a politically urgent reconsideration of modern secular conceptions of how the past must engage and make claims on the present.

SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at [email protected]. Listener feedback is most welcome.

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Embracing ‘Asia’ in China and Japan: Asianism Discourse and the Contest for Hegemony (Palgrave Macmillan, 2018) by Torsten Weber examines how Asianism became a key concept in mainstream political discourse between China and Japan and how it was used both domestically and internationally in the contest for political hegemony. It argues that, from the early 1910s to the early 1930s, this contest changed Chinese and Japanese perceptions of ‘Asia’, from a concept that was foreign-referential, foreign-imposed, peripheral, and mostly negative and denied (in Japan) or largely ignored (in China) to one that was self-referential, self-defined, central, and widely affirmed and embraced. 

As an ism, Asianism elevated ‘Asia’ as a geographical concept with culturalist-racialist implications to the status of a full-blown political principle and encouraged its proposal and discussion vis-à-vis other political doctrines of the time, such as nationalism, internationalism, and imperialism. By the mid-1920s, a great variety of conceptions of Asianism had emerged in the transnational discourse between Japan and China. Terminologically and conceptually, they not only paved the way for the appropriation of ‘Asia’ discourse by Japanese imperialism from the early 1930s onwards but also facilitated the embrace of Sino-centric conceptions of Asianism by Chinese politicians and collaborators.

Dr. Torsten Weber is a historian of modern and contemporary East Asia specializing in the history of Japanese-Chinese relations and interactions.

Samee Siddiqui is a former journalist who is currently a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. You can find him on twitter @ssiddiqui83

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Attention high school teachers of American history! Listen up, homeschooling parents of adolescents. General readers in need of a comprehensive history of the United States, have I got the book for you.

Land of Hope: An Invitation to the Great American Story by Wilfred M. McClay is a beautifully organized, approachable, moving chronicle of the American nation from just before the Age of Exploration all the way down to the advent of the Trump administration. It is reader-friendly without being at all dumbed down. This nonideological, brisk narrative is winning plaudits from both the left and the right for its adherence to the facts and its fairmindedness.

It’s a darned good read.

Land of Hope is an entertaining but substantive primer on the basic events and developments in American history. In a time of furor and rancor over the origins of the nation, this is the book we all need.

From the religious events in Europe that led to the settlement of the vast American continent to engaging explanations of the British blunders that led to the American Revolution to the antebellum political scene and the political and military repercussions of clashes such as the Battle of Antietam and the tragedy of Reconstruction—that’s all here. So are key moments and milestones such as the Progressive Era, the New Deal, the Cold War and the Civil Rights Movement. The book introduces the young to what is ancient history for them—the Nixon and Reagan administrations, say.

The book is jam-packed with every sort of history at play in its lively pages: military, social, cultural and literary, technological and so on.

An especially illuminating aspect of the book for everyone in every corner of the country is the way it presents the growth of the United States as a geographical entity and examines how the landscape shaped the nation and the many regional identities within it and when and how we became a union, state by state. The maps alone are worth the price of the book.

We are in the hands of a master historian. Take up his invitation by all means. You’ll be glad you did. Let’s hear what Professor McClay has to say about the book.

Give a listen.

Hope J. Leman is a grants researcher.

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Jeremy Black – professor of history at Exeter University, and one of the world’s most prolific writers – has just published an outstanding illustrated history of the twentieth century, in A History of the 20th Century: Conflict, Technology & Rock'n'roll (Sirius Entertainment, 2021). 

In 250 pages, and with copious and superbly chosen illustrations, he unpacks the realities of rapid population growth and the political, economic and cultural changes that came in its wake. 

Thinking about the reality of American dominance of the West, and the rise and fall of rival anti-imperial powers elsewhere, while never forgetting the importance of experiences in the so-called “third world,” Black pulls together themes that explain the horrors and achievements of this period – and which never fail to surprise.

Crawford Gribben is a professor of history at Queen’s University Belfast.

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Published in December 2020, Duncan Bell’s Dreamworlds of Race: Empire and the Utopian Destiny of Anglo-America (Princeton University Press, 2020) concludes his loose trilogy of books about the metropolitan settler imaginary in the British Empire (see The Idea of Greater Britain, 2007; and Reordering the World, 2016). In this conversation with host Yi Ning Chang, Duncan brings us across the porous boundary between international relations and the history of political thought to discuss the racial utopia that captured the imagination of white thinkers at the turn of the twentieth century. Traversing the North Atlantic with figures such as Andrew Carnegie and H. G. Wells, Duncan reflects on the wide range of topics treated in this rich book, from sovereignty and citizenship to steampunk and Afro-modern literary traditions, before finally reflecting on current trends in the scholarship on utopianism.

Between the late nineteenth century and the First World War, an ocean-spanning network of prominent individuals advocated the unification of Britain and the United States. They dreamt of the final consolidation of the Angloworld. Scholars, journalists, politicians, businessmen, and science fiction writers invested the “Anglo-Saxons” with extraordinary power. The most ambitious hailed them as a people destined to bring peace and justice to the earth. More modest visions still imagined them as likely to shape the twentieth century. Dreamworlds of Race explores this remarkable moment in the intellectual history of racial domination, political utopianism, and world order.

Focusing on a quartet of extraordinary figures—Andrew Carnegie, W. T. Stead, Cecil J. Rhodes, and H. G. Wells—Duncan Bell shows how unionists on both sides of the Atlantic reimagined citizenship, empire, patriotism, race, war, and peace in their quest to secure global supremacy. Yet even as they dreamt of an Anglo-dominated world, the unionists disagreed over the meaning of race, the legitimacy of imperialism, the nature of political belonging, and the ultimate form and purpose of unification. The racial dreamworld was an object of competing claims and fantasies. Exploring speculative fiction as well as more conventional forms of political writing, Bell reads unionist arguments as expressions of the utopianism circulating through fin-de-siècle Anglo-American culture, and juxtaposes them with pan-Africanist critiques of racial domination and late twentieth-century fictional narratives of Anglo-American empire.

Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at [email protected].

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The arrival in 1532 of a small group of Spanish conquistadores at the Andean town of Cajamarca launched one of the most dramatic – and often misunderstood – events in world history. In Inca Apocalypse: The Spanish Conquest and the Transformation of the Andean World (Oxford UP, 2020), R. Alan Covey draws upon a wealth of new archaeological and archival discoveries to detail the remarkable events that ended one empire and transformed another. From this he builds a new narrative that highlights the apocalyptic mindsets of the two empires and how these shaped the interactions between the Spanish and the Inca. As Covey explains, the Spaniards arrived at a point when the Incan empire was coping with the disruptions caused by a civil war and a devastating pandemic. To the Inca and their neighbors, the Spaniards were yet another disruptive force, one that different groups in the region sought to exploit for their own purposes. The result was twenty years of political infighting and warfare, culminating in the defeat of insurrectionary Spaniards by a force of Incans fighting on behalf of the king of Spain. Though such maneuvering helped preserve a degree of status for the Inca elite, it opened the way for the gradual absorption of the Inca into the Spanish empire in a process that played out over the following century.

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In the course of the Cold War, architects, planners, and construction companies from socialist Eastern Europe engaged in a vibrant collaboration with those in West Africa and the Middle East in order to bring modernization to the developing world. Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War (Princeton UP, 2020) shows how their collaboration reshaped five cities in the Global South: Accra, Lagos, Baghdad, Abu Dhabi, and Kuwait City.

Łukasz Stanek describes how local authorities and professionals in these cities drew on Soviet prefabrication systems, Hungarian and Polish planning methods, Yugoslav and Bulgarian construction materials, Romanian and East German standard designs, and manual laborers from across Eastern Europe. He explores how the socialist development path was adapted to tropical conditions in Ghana in the 1960s, and how Eastern European architectural traditions were given new life in 1970s Nigeria. He looks at how the differences between socialist foreign trade and the emerging global construction market were exploited in the Middle East in the closing decades of the Cold War. Stanek demonstrates how these and other practices of global cooperation by socialist countries—what he calls socialist worldmaking—left their enduring mark on urban landscapes in the postcolonial world.

Featuring an extensive collection of previously unpublished images, Architecture in Global Socialism draws on original archival research on four continents and a wealth of in-depth interviews. This incisive book presents a new understanding of global urbanization and its architecture through the lens of socialist internationalism, challenging long-held notions about modernization and development in the Global South.

If you are curious to see some of the architectural projects discussed in Stanek's award-winning book, please review some images here. 

Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

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At 10:20pm on August 15th, 1969, Ravi Shankar — then, and still, the most famous practitioner of the sitar and Indian classical music — takes the stage at Woodstock. It’s arguably the zenith of Indian music’s popularity in the West, with musicians like the Beatles, the Byrds and Led Zeppelin embracing elements of Indian music. But this was merely the middle-point of Shankar’s artistic development, nor was it a personal highlight in a long and storied career. For many musicians in several different genres, both in and outside of India, Shankar is the most important messenger for the ideas and concepts of Indian music.

Indian Sun: The Life and Music of Ravi Shankar (Faber & Faber / Hachette: 2020) by Oliver Craske is the first full biography on Shankar’s life, charting Shankar’s musical journey — from accompanying his older brother, the dancer Uday Shankar, on world tours at a young age, through the height of his worldwide acclaim in the late Sixties, to the end of his life as the most respected performer of Indian classical music. More details about Indian Sun can be found on the book’s official website.

In this interview, Oliver and I talk about the life of Ravi Shankar, and the many ways his music was important both in and outside of India throughout the Twentieth Century. We talk about the fundamentals of Indian classical music, and whether India’s music plays an important role in the country’s “cultural soft power.”

Those interested in experiencing Ravi Shankar’s music for themselves can access this Spotify playlist, curated by Oliver Craske.

Oliver Craske is a writer and editor, with a longstanding interest in Indian music. He first met Ravi Shankar in 1994, and worked with Shankar on his autobiography. Craske is also the author of Rock Faces: The World's Top Rock'n'Roll Photographers and Their Greatest Images (RotoVision: 2004), a survey of leading music photographers.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Indian Sun. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

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Revolution in Development: Mexico and the Governance of the Global Economy (University of California Press, 2021) uncovers the surprising influence of post-revolutionary Mexico on the twentieth century's most important international economic institutions. 

Drawing on extensive archival research in Mexico, the United States, and Great Britain, Christy Thornton meticulously traces how Mexican officials repeatedly rallied Third World leaders to campaign for representation in global organizations and redistribution through multilateral institutions. 

By decentering the United States and Europe in the history of global economic governance, Revolution in Development shows how Mexican economists, diplomats, and politicians fought for more than five decades to reform the rules and institutions of the global capitalist economy. In so doing, the book demonstrates, Mexican officials shaped not only their own domestic economic prospects, they shaped the contours of the project of international development itself.

Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about elite migration, education, transnationalism, and youth in twentieth-century Mexico. She is on Twitter (@rachelgnew).

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In his pathbreaking graphic novel, Berlin (Drawn and Quarterly, 2018), Jason Lutes creates a multifaceted exploration of urban life during the Weimar Republic. 

The book contains a variety of mostly fictional characters, all of whom capture aspects of the political, cultural, and social life of Berlin during the final years of Germany’s first democratic experiment. 

Beautifully drawn, this work provides a compelling alternative to readers used to reading only textual accounts of the period. Much the narrative revolves around two characters: Marthe Müller and Kurt Severing. The former is an art student from Cologne, spending time in Berlin. The latter is a journalist and keen observer of Weimar politics. 

The journey of these two characters as well as many others reveals much about the specific situation in Germany during this era as well as elements of the human condition. 

The novel appeals not only to the increasing number of graphic book readers, but also to anyone interested in the failure of Weimar democracy, the nature of popular culture during the 1920s, and the history of sexuality.

Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. It was recently awarded the Waterloo Centre for German Studies Book Prize for 2018.

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