New Books in History

Daniel A. Rodriguez's history of a newly independent Cuba shaking off the U.S. occupation, The Right to Live in Health: Medical Politics in Postindependence Havana (University of North Carolina Press, 2020), focuses on the intersection of public health and politics in Havana. 

While medical policies were often used to further American colonial power, in Cuba, Rodriguez argues, they evolved into important expressions of anticolonial nationalism as Cuba struggled to establish itself as a modern state. 

A younger generation of Cuban medical reformers, including physicians, patients, and officials, imagined disease as a kind of remnant of colonial rule. These new medical nationalists, as Rodriguez calls them, looked to medical science to guide Cuba toward what they envisioned as a healthy and independent future. Rodriguez describes how medicine and new public health projects infused republican Cuba's statecraft, powerfully shaping the lives of Havana's residents. He underscores how various stakeholders, including women and people of color, demanded robust government investment in quality medical care for all Cubans, a central national value that continues today. 

On a broader level, Rodriguez proposes that Latin America, at least as much as the United States and Europe, was an engine for the articulation of citizens' rights, including the right to health care, in the twentieth century.

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Building on his 2011 work The Great Sea: A Human History of the Mediterranean, David Abulafia's latest book, The Boundless Sea: A Human History of the Oceans (Penguin, 2019), traces the history of human movement and interaction around and across the world's greatest bodies of water, charting our relationship with the oceans from the time of its first voyagers till the present day.

David's research has taken him to far flung places, and challenged him to construct narratives out of not only written documents but oral histories and archaeological finds. In this interview, David joins us to discuss important themes such as globalisation, as well as his favourite anecdotes, stories and characters from the book. He also shares his thoughts on how the casual reader or budding historian might wish to approach this incredible thousand-page volume which Peter Frankopan has rightly labelled "a magisterial achievement."

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Robert J. Mrazek, an author of eleven books and former congressman from New York, has written a gripping account of one the most determine heroines of World War II: The Indomitable Florence Finch: The Untold Story of a War Widow Turned Resistance Fighter and Savior of American POWs (Hachette, 2020). Florence Finch was the widow of an American intelligence officer who died in the Battle of Bataan. Finch pledged to her husband’s memory that she would contribute to the effort to defeat the Japanese Army after it consolidated its control over the Philippines in 1941-42. Soon Finch was organizing fuel shipments under the Japanese occupiers’ noses and selling fuel on the black market in order to provide medicine and food for American POWs imprisoned in the Philippines. Finch did not merely play a small part in the Philippine resistance; she was central to the survival of American military and other civilian prisoners. Mrazek also tells the story of Carl Engelhart, a supervisor and friend of Finch, who became a POW from the fall of Bataan to the last days of the Pacific war. Finch’s covert supply effort was one of the reasons he survived his POW experience. Mrazek has used letters, audiotapes, an unpublished memoir, and other archival sources to present Finch’s compelling tale of resistance.

Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University.

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In Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital (Princeton University Press, 2021), Professor Katherine Zubovich of the University of Buffalo of the State University of New York takes us into one of the more turbulent eras in the 874-year history of Moscow, the decades long effort to transform Russia’s ancient second city into the triumphant capital of the new socialist state.

Before the revolutions of 1917, Moscow was known for its “forty times, forty churches,” and by these distinctive onion-shaped cupolas, which once soared above the two and three-story skyline, Muscovites navigated their city. Today, many of those churches are only distant memories and the new markers of the city’s horizons are seven soaring skyscrapers, affectionately known as “Stalin’s wedding cakes,” or simply as the “vysotniye” or the “tall buildings.” Two are ministries, two are hotels, two are elite residential buildings, and one houses Moscow State University. Zubovich uses these iconic buildings as the skeleton of her story, taking us through the many iterations of the Soviet vision of an idealized capital. Zubovich’s grounding in Art History serves her particularly well in the first half of the book as she examines evolving vision for the new Moscow, including the government’s ambitious plans to construct a massive Palace of Soviets as the hub of the new architectural ensemble. Moscow Monumental is particularly interesting in its carefully researched account of the pre-war Soviet drive to involve Western architects and engineers in the construction projects.

Zubovich’s stamina as a field researcher pays off in the second half of the book, as her focus shifts to the human cost of this urban renewal in the post-war era. Here she weaves in narratives of the construction workers who built the skyscrapers, many of them newly released GULAG prisoners, and those of ordinary citizens whose lives were uprooted by the project. These voices of everyday Soviet citizens come to brilliant life through Zubovich’s adroit use of letters sent by ordinary Soviet citizens, petitioning the government for assistance in relocation as neighborhoods are razed to the ground to make way for the new skyscrapers. Zubovich does an excellent job portraying this ostensibly classless society, in which Muscovites are ironically divided between those who are literally moving “up” into elite skyscraper apartments and those who are being forced “out” to the hastily constructed, and barely habitable new neighborhoods of the city’s periphery.

Moscow Monumental is a fascinating story of architecture, politics, urban development, and social history, which perfectly captures the aspirational arc of Moscow’s first six decades as the capital of the USSR.

Katherine Zubovich is an assistant professor of history at the University of Buffalo, State University of New York. Zubovich is also working on a short book, Making Cities Socialist to be published as part of the Cambridge Elements in Global Urban History series. Follow her on Twitter at @kzubovich.

Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.

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The National Bolshevik Party, founded in the mid-1990s by Eduard Limonov and Aleksandr Dugin, began as an attempt to combine radically different ideologies. In the years that followed, Limonov, Dugin, and the movements they led underwent dramatic shifts. The two leaders eventually became political adversaries, with Dugin and his organizations strongly supporting Putin's regime while Limonov and his groups became part of the liberal opposition.

To illuminate the role of these right-wing ideas in contemporary Russian society, Fabrizio Fenghi examines the public pronouncements and aesthetics of this influential movement. He analyzes a diverse range of media, including novels, art exhibitions, performances, seminars, punk rock concerts, and even protest actions. His interviews with key figures reveal an attempt to create an alternative intellectual class, or a "counter-intelligensia." It Will Be Fun and Terrifying: Nationalism and Protest in Post-Soviet Russia (U Wisconsin Press, 2020) shows how certain forms of art can transform into political action through the creation of new languages, institutions, and modes of collective participation.

Fabrizio Fenghi is an assistant professor of Slavic studies at Brown University specializing in contemporary Russian culture and politics, with a specific focus on the relationship between art and literature and the shaping of post-Soviet public culture. 

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In Miracles and Material Life: Rice, Ore, Traps and Guns in Islamic Malaya (Cambridge UP, 2020), Teren Sevea reveals the economic, environmental and religious significance of Islamic miracle workers (pawangs) in the nineteenth- and twentieth-century Malay world. Through close textual analysis of hitherto overlooked manuscripts and personal interaction with modern pawangs readers are introduced to a universe of miracle workers that existed both in the past and in the present, uncovering connections between miracles and material life. Sevea demonstrates how societies in which the production and extraction of natural resources, as well as the uses of technology, were intertwined with the knowledge of charismatic religious figures, and locates the role of the pawangs in the spiritual economy of the Indian Ocean world, across maritime connections and Sufi networks, and on the frontier of the British Empire.

Teren Sevea is a scholar of Islam and Muslim societies in South and Southeast Asia, and received his PhD in History from the University of California, Los Angeles. Before joining Harvard Divinity School, he served as Assistant Professor of South Asia Studies at the University of Pennsylvania. Sevea is the author of Miracles and Material Life: Rice, Ore, Traps and Guns in Islamic Malaya (Cambridge University Press, 2020), and co-edited Islamic Connections: Muslim Societies in South and Southeast Asia (ISEAS, 2009). He is currently working on a forthcoming book entitled Singapore Islam: The Prophet's Port and Sufism across the Oceans.

Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.

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The Resistance Network: The Armenian Genocide and Humanitarianism in Ottoman Syria, 1915-1918 (Michigan State University Press, 2020) is the history of an underground network of humanitarians, missionaries, and diplomats in Ottoman Syria who helped save the lives of thousands during the Armenian Genocide. Khatchig Mouradian challenges depictions of Armenians as passive victims of violence and subjects of humanitarianism, demonstrating the key role they played in organizing a humanitarian resistance against the destruction of their people. Piecing together hundreds of accounts, official documents, and missionary records, Mouradian presents a social history of genocide and resistance in wartime Aleppo and a network of transit and concentration camps stretching from Bab to Ras ul-Ain and Der Zor. He ultimately argues that, despite the violent and systematic mechanisms of control and destruction in the cities, concentration camps, and massacre sites in this region, the genocide of the Armenians did not progress unhindered—unarmed resistance proved an important factor in saving countless lives.

Khatchig Mouradian is a lecturer in Middle Eastern, South Asian, and African Studies (MESAAS) atColumbia University. Mouradian has published articles on concentration camps, unarmed resistance, the aftermath of mass violence, midwifery in the Middle East, and approaches to teaching history. He is the co-editor of a forthcoming book on late-Ottoman history, and the editor of the peer-reviewed journalThe Armenian Review. Mouradian has taught courses on imperialism, mass violence, urban space and conflict in the Middle East, the aftermaths of war and mass violence, and human rights atWorcester State UniversityandClark Universityin Massachusetts, Rutgers University andStockton Universityin New Jersey, and California State University – Fresno in California.In January 2021, Mouradian was appointed Armenian and Georgian Area Specialist in the African and Middle Eastern Division (Near East Section) at the Library of Congress.

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Jump Up!: Caribbean Carnival Music in New York City (Oxford University Press, 2019) is a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Blending urban studies, oral history, archival research, and ethnography, Ray Allen examines how members of New York’s diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The book addresses the issues of music, migration, and identity, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York’s diasporic communities and the Caribbean.

Dr. Ray Allen is professor of music at Brooklyn College and the CUNY Graduate Center.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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In this conversation, Sara Salem, author of Anticolonial Afterlives in Egypt: The Politics of Hegemony (Cambridge University Press, 2020), talks to host Yi Ning Chang about temporality, capitalism, and hegemony in her history of Egypt’s two revolutions. From Gamal Abdel Nasser to Gramsci and Fanon, from revolution to the coronavirus pandemic, Sara reflects on the unfinished project of Nasserism, what it has come to mean for Egypt, and what its coming apart tells us about our own moment in history.

Sara Salem’s Anticolonial Afterlives in Egypt: The Politics of Hegemony was published by Cambridge University Press in 2020. This book builds its analysis of the afterlives of Egypt’s moment of decolonisation through an imagined conversation between Antonio Gramsci and Frantz Fanon around questions of anticolonialism, resistance, revolution and liberation. Anticolonial Afterlives argues that the Nasserist project – created by Gamal Abdel Nasser and the Free Officers in 1952 – remains the only instance of hegemony in modern Egyptian history, and that the 2011 revolution signified the end-point of its decline, decades after it was created. Nasserism was made possible in and through local, regional and global anticolonial politics, even as it reproduced colonial ways of governing that reverberate into Egypt’s present. Anticolonial Afterlives explores these tensions through Gramsci and Fanon, foundational theorists of anti-capitalism and anticolonialism, and in doing so engages with some of the problematics around applying Gramsci’s thought in contexts such as Egypt and thinking about Fanon’s writing in relation to anticolonialism today.

Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at [email protected].

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In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. 

And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. 

War Fever: Boston, Baseball, and America in the Shadow of the Great War (Basic Books, 2020) explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD Candidate in History at Queen's University Belfast.

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