New Books in History

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America.

Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race.

Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.”

Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

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Down the Up Staircase: Three Generations of a Harlem Family (Columbia UP, 2019) tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century--the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements--as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class.

In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black sociologist W. E. B. Du Bois; his grandmother, Elizabeth Ross Haynes, was a noted children's author of the Harlem Renaissance and a prominent social scientist. Yet these early advances and gains provided little anchor to the succeeding generations. This story is told against the backdrop of a crumbling three-story brownstone in Sugar Hill that once hosted Harlem Renaissance elites and later became an embodiment of the family's rise and demise. Down the Up Staircase is a stirring portrait of this family, each generation walking a tightrope, one misstep from free fall.

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The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country’s politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era.

Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya’s likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist’s personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya’s late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the “black” paintings.

A monumental achievement, Goya: A Portrait of the Artist (Princeton UP, 2020) is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.

Marshall Poe is the editor of the New Books Network. He can be reached at [email protected].

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Cambodia’s troubled history has often been depicted in terms of conflict, trauma and tussles between great powers. In Disturbed Forests, Fragmented Memories: Jarai and Other Lives in the Cambodian Highlands (U Washington Press, 2020), Jonathan Padwe assembles this history from narrative pieces by and of the Jarai, an ethnic minority living in the country’s highlands. Demonstrating how landscapes and social formations simultaneously changed each other, the book takes a reader through the various historical conjunctures - the Jarai’s agency in opening up pre-capitalist resources frontiers; the colonial state’s attempted rationalization of the landscape through rubber enterprises; trauma and displacement during the Vietnam War and the Khmer Rouge regime and re-diversification of the scarred land in recent years. In the process of accessing these histories, the book analyzes forest biota and agricultural practices, enabling a new approach to conceptualizing landscapes that melds representation, materiality and ecology.

In this episode, we discuss how to approach ethnography in inaccessible places, conceptualizations of nature-culture, ecological de-diversification and re-diversification and how bombs could be remembered as flowers falling from the sky.

Jonathan Padwe is associate professor of anthropology at the University of Hawai’i at Manoa. His research interests center on social and environmental change in mainland Southeast Asian uplands, issues of equity and equality in development and indigenous identities.

Faizah Zakaria is assistant professor of history at Nanyang Technological University in Singapore. You can find her website at www.faizahzak.com or reach her on Twitter @laurelinarien.

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Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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Much is known about the Qing sartorial regulations and how the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. But what happened on the stage? What did Qing performers wear, not only when they performed as characters in the Han past, but also when they appeared as subjects in the Manchu present? Reading dramatic works against Qing sartorial regulations, Staging Personhood: Costuming in Early Qing Drama (Columbia University Press, 2020) explores a two-sided question: how did the Ming-Qing transition influence costuming as theatrical practices and how, in turn, did costuming enable the production of different types of personhood in early Qing China?

With readings of several early Qing theatrical works, from the canonical Peach Blossom Fan (Taohua shan) to the lesser-known A Ten-Thousand-Li Reunion (Wanli yuan), combined with visual and performance records and historical documents, Staging Personhood provides a new and interdisciplinary perspective on the cultural dynamics of early Qing China. Not only does this book turn an interdisciplinary lens to the entanglements between Chinese drama and nascent Manchu rule, it contains a plethora of fascinating moments from early Qing plays—from double-cross-dressers to fake queues—touching on issues of class, gender, ethnicity, and conceptions of time.

Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike.

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I think this is the fifth time I've interviewed John K. Roth for the podcast (and the second for Carol Rittner). He has always been relentlessly realistic about the challenges, intellectual, practical and emotional, that Holocaust Studies poses.  

Advancing Holocaust Studies (Routledge, 2020), however, reads differently. Published in a world wracked by political and ideological conflict, the essays here struggle to reconcile the time, energy and devotion Holocaust scholars have poured into their subject with the seeming failure to change real world behavior and attitudes. The essays are personal and honest. They ask hard questions about the value of Holocaust Studies about whether or how it needs to change to confront modern challenges.

Rittner and Roth have done their usual wonderful job in finding and publishing an important group of essays. It says nothing about their work to suggest that the essays provide more questions than answers.  

Kelly McFall is Professor of History and Director of the Honors Program at Newman University.

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When European powers carved political borders across the Middle East following World War I, a curious event in the international drug trade occurred: Palestine became the most important hashish waystation in the region and a thriving market for consumption. British and French colonial authorities utterly failed to control the illicit trade, raising questions about the legitimacy of their mandatory regimes. The creation of the Israeli state, too, had little effect to curb illicit trade. By the 1960s, drug trade had become a major point of contention in the Arab-Israeli conflict, and drug use widespread.

Intoxicating Zion: A Social History of Hashish in Mandatory Palestine and Israel (Stanford UP, 2020) is the first book to tell the story of hashish in Mandatory Palestine and Israel. Trafficking, use, and regulation; race, gender, and class; colonialism and nation-building all weave together in Haggai Ram's social history of the drug from the 1920s to the aftermath of the 1967 War. The hashish trade encompassed smugglers, international gangs, residents, law enforcers, and political actors, and Ram traces these flows through the interconnected realms of cross-border politics, economics, and culture. Hashish use was and is a marker of belonging and difference, and its history offers readers a unique glimpse into how the modern Middle East was made.

Haggai Ram is an historian of the modern Middle East at Ben Gurian University of Negev. His teaching and research focus on the social and cultural history of Iran, Palestine-Israel, and the Levant region.

Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health.

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Albert Camus, one of the most famous French philosophers and novelists, has a diverse fan base. British alternative rockers The Cure sang about The Stranger in their first big hit, “Killing an Arab”, released in 1980. George W. Bush announced that the novel was his summer reading in 2006 (considering the book’s central plot point and what he had unleashed in Iraq, this raised a few eyebrows). In 2009 there was a call to move his remains to the Pantheon. Camus’ concept of the “absurd” continues to resonant with those alienated by late capitalism and The Myth of Sisyphus is regularly invoked by faculty members dealing with university bureaucracies. 

But few critics properly place Camus and his work in the context of French colonialism. Born in Algeria to an impoverished pied-noir family, he was quite the outsider (dare we say “étranger”?) to the privileged world of French letters. Once a member of the Communist Party, he became a staunch critic of Stalinism and groupthink. When Camus dared to break ranks with the orthodoxy of the Latin Quarter, Jean-Paul Sartre, Simone de Beauvoir, Francis Jeanson, and others turned on him. Despite winning the Nobel Prize for literature in 1957, his reputation was further tarnished as he struggled to come to terms with the Algerian war for independence. When he died an “absurd” death in a car accident in 1960, his closest associates suppressed the pro-colonial manuscript found in the wreckage. For several decades, Camus was not a central figure in French letters. Yet, after the fall of the Soviet Union and the decline of Sartre’s influence there was a Camus revival. Now he has the posthumous stature of a fallen rock-star.

Camus and his legacy are obviously complex. Fortunately, Oliver Gloag’s Albert Camus: A Very Brief Introduction (Oxford UP, 2020) offer a concise yet nuanced account of his life and his work. Gloag excels at making Camus’ complicated philosophy accessible, and he successfully contextualizes the author as a settler colonist torn between justice and love of the country of his birth.

Oliver Gloag is Associate Professor of French and Francophone Literature at the University of North Carolina, Asheville. He was educated at Columbia University, Tulane University (J.D.), and Duke University (Ph.D.); he specializes in francophone and postcolonial literature, twentieth century French literature, and cultural history. He has published on Sartre and Camus and contributed to The Sartrean Mind. He is the author of Oublier Camus, a forthcoming book on the ideological and political claiming of Camus in contemporary France. His essay “The Colonial Contradictions of Albert Camus” on Camus were featured in Jacobin.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018).

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In the past decade, Chelsea Manning and Edward Snowden became household names. They were celebrated by many as truth-tellers who blew the whistle on governmental abuses. Yet, in the eyes of the state, Manning and Snowden had made so-called “unauthorized disclosures” that jeopardized the nation’s security. Described as such, they could not be labelled “whistleblowers.”

This is an example of what the editors of a new, rousing edited volume––not words typically strung together––call the “paradox of national security whistleblowing”: whistleblowing is widely acknowledged to be an essential feature of democracy, but the US government denies its existence. In Whistleblowing Nation: The History of National Security Disclosures and the Cult of Secrecy, editors Hannah Gurman––a Clinical Associate Professor at New York University’s Gallatin School––and Kaeten Mistry––a senior lecturer in American Studies at the University of East Anglia––and their star-studded cast of contributors help makes sense of the odd place of whistleblowing in American politics.

Their book shows how the history of whistleblowing raises questions about democracy, citizenship, and truth itself. And, as the US war against whistleblowers has continued unabated since the Vietnam War, it’s a much-needed volume. The book should interest scholars of national security, information, and civil liberties, along with concerned citizens.

And, to listeners of this podcast, Mistry and Gurman are offering a discount code—CUP30—which, if entered on the Columbia University Press website, knocks 30% off the book’s price. 

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