New Books in History

Pearls, People, and Power: Pearling and Indian Ocean Worlds (Ohio University Press, 2020), co-edited by Pedro Machado, Joseph Christensen, Steve Mullins) is the first book to examine the trade, distribution, production, and consumption of pearls and mother-of-pearl in the global Indian Ocean over more than five centuries. While scholars have long recognized the importance of pearling to the social, cultural, and economic practices of both coastal and inland areas, the overwhelming majority have confined themselves to highly localized or at best regional studies of the pearl trade. By contrast, this book stresses how pearling and the exchange in pearl shell were interconnected processes that brought the ports, islands, and coasts into close relation with one another, creating dense networks of connectivity that were not necessarily circumscribed by local, regional, or indeed national frames. By encompassing the geographical, cultural, and thematic diversity of Indian Ocean pearling, Pearls, People, and Power deepens our appreciation of the underlying historical dynamics of the many worlds of the Indian Ocean.

Pedro Machado is a global and Indian Ocean historian with interests in commodity histories, labor and migratory movements, and the social, cultural, environmental, and commercial trajectories of objects. He is based at Indiana University, Bloomington.

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R. H. Helmholz's book Natural Law in Court (Harvard UP, 2015) serves as a guide to the uses of natural law in the past. It shows how lawyers, judges and jurists used natural law to reason and argue about all areas of the law, be they procedural or substantive. Far from being a polemic, this book delves into the legal record of multiple countries to compare, contrast and shed light on the role natural law played in actual legal disputes. Due to the renewed interest in natural law today, this book serves as an important counter-point to legal thinkers who too often rely on purely philosophical or theoretical notions of natural law in their arguments to show how natural law was (and potential can be) deployed to make effective legal arguments in actual legal proceedings.

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Long before the English became involved in the African slave trade, they imagined Africans as monstrous and deformed beings. The English drew on pre-existing European ideas about monstrosity and deformity to argue that Africans were a monstrous race, suspended between human and animal, and as such only fit for servitude. Joining blackness to disability transformed English ideas about defective bodies and minds. It also influenced understandings of race and ability even as it shaped the embodied reality of people enslaved in the British Caribbean.

Dr. Stefanie Hunt-Kennedy provides a three-pronged analysis of disability in the context of Atlantic slavery. First, she examines the connections of enslavement and representations of disability and the parallel development of English anti-black racism. From there, she moves from realms of representation to reality in order to illuminate the physical, emotional, and psychological impairments inflicted by slavery and endured by the enslaved. Finally, she looks at slave law as a system of enforced disablement.

Audacious and powerful, Between Fitness and Death: Disability and Slavery in the Caribbean (University of Illinois Press, 2020) is a groundbreaking journey into the entwined histories of racism and ableism.

Adam McNeil is a third-year PhD Student in the Department of History at Rutgers University. McNeil regularly contributes to the academic blogs Black Perspectives and The Junto.

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CAN you hear the people sing? Political music is often understood as the property of the common people, used as a potent (and noisy) weapon against the interests of the powerful. This is particularly true within the unruly context of the early American republic, when rowdy public demonstrations typically went along with democratic politics.

In Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865 (UNC Press, 2020), Billy Coleman pushes back against such assumptions, revealing an influential strand of conservative music-making that exerted influence on public life from the beginning of Washington’s government until the Civil War. Tying musical practice to visions of natural hierarchy, an intergenerational group of elites employed tempo and melody in an effort control the disorder they saw threatening the nation. Expanding our understanding of both the cultural and political dynamics of the early republic, Coleman provides a deft and theoretically innovative account of an underexamined intellectual tradition, challenging numerous assumptions about the meaning and importance of music along the way.

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With the U.S. invasion of Iraq, Iraqis abroad, hoping to return one day to a better Iraq, became uncertain exiles. Return to Ruin: Iraqi Narratives of Exile and Nostalgia (Stanford UP, 2020) tells the human story of this exile in the context of decades of U.S. imperial interests in Iraq—from the U.S. backing of the 1963 Ba'th coup and support of Saddam Hussein's regime in the 1980s, to the 1991 Gulf War and 2003 invasion and occupation.

Zainab Saleh shares the experiences of Iraqis she met over fourteen years of fieldwork in Iraqi London—offering stories from an aging communist nostalgic for the streets she marched since childhood, a devout Shi'i dreaming of holy cities and family graves, and newly uprooted immigrants with fresh memories of loss, as well as her own. Focusing on debates among Iraqi exiles about what it means to be an Iraqi after years of displacement, Saleh weaves a narrative that draws attention to a once-dominant, vibrant Iraqi cultural landscape and social and political shifts among the diaspora after decades of authoritarianism, war, and occupation in Iraq. Through it all, this book illuminates how Iraqis continue to fashion a sense of belonging and imagine a future, built on the shards of these shattered memories.

This interview is part of an NBN special series on “Mobilities and Methods.”

Zainab Saleh is Assistant Professor of Anthropology at Haverford College.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, entanglements: experiments in multimodal ethnography, and Anthropology News.

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Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.

Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017).

Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994).

Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.

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John Tolan’s latest book Faces of Muhammad: Western Perceptions of the Prophet of Islam from the Middle Ages to Today (Princeton UP, 2019) is a fascinating and rich survey of the complex perceptions of Muhammad as understood by Christian Europeans. Using sources that range from art to literature to history to theater to religion, Tolan shows that portrayals of Muhammad are varied and complex – indeed contradictory – and reveal more about the context in which these images appear than about Muhammad or Islam. In other words, the non-Muslim European discourse on Muhammad reflects the writers’ own preoccupations at home. Views about Muhammad are varied and complex, Tolan argues, and not always negative as is often highlighted. Sure, Muhammad is a false prophet, a heretic, a trickster, an idol, in some cases, but he’s also a role model, a hero, a great leader in others, sometimes in the same time period. For instance, while during the Crusades, Muhammad is a false prophet and the primary opponent of the Christian writers, during the Protestant Reformation, the prophet of Islam is received more positively, although not consistently: he is instrumentalized in the polemics between the various Christian groups such that each group – specifically the Protestants, the Catholics, the Unitarians – hold differing views on Muhammad, and parallels are drawn between him and the writer’s contemporary heroes or opponents.

In today’s discussion, Tolan shares with us the primary contributions and arguments of the book, including specific depictions of Muhammad and the contexts that shape them, legends associated with Muhammad involving bulls and doves and floating coffins, the Christian doctrine of Immaculate Conception and its relevance to Muhammad, Jewish authors’ perception of and relationship with Muhammad, and more. 

Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and interreligious marriage. She has a YouTube channel called What the Patriarchy, where she vlogs about feminism and Islam in an effort to dismantle the patriarchy; the vlog is available at https://www.youtube.com/whatthepatriarchy. She can be reached at [email protected].

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Surfers are the ultimate bad boys, living the counter-culture life of decadence and hedonism as they travel the world in search of the perfect wave, partying hard along the way. So, it’s not surprising that these social misfits and dropouts created a sub-culture tied to drugs. While most might associate surfing Jeff Spicoli with smoking marijuana in Fast Times at Ridgemont High or hippies dropping acid in late 1960s Hawai’i, Chas Smith argues that cocaine and surfing are much more intertwined. Actually, it’s not so much surfing as the “surf industry”, the fashion industry’s big money marketing of the surfing lifestyle. In this exploration of the commodification of counter-culture, Chas Smith illustrates the lines from The Clash song: “They think it’s funny, turning rebellion into money”. But like a coke binge, the surf industry has come crashing down and once massive international corporations have gone bankrupt. More gonzo journalism than academic history, Cocaine + Surfing: A Sordid History of Surfing’s Greatest Love Affair (Rare Bird, 2018) is a wild thrill ride through several decades of surfing’s love affair with addiction.

Irreverent, cynical, and surprisingly erudite, Chas Smith tells us time and time again that he hates being a surf journalist and despise the surfing industry. “I was supposed to have waved goodbye to this shallow end of the swimming pool years ago. I was supposed to be a Pulitzer Prize-winning war reporter by now, spilling valuable words on the plight of Syrian refugees while dodging bullets. Or maybe in the White House briefing room being shouted down by the press secretary for speaking truth to power. Or front row at the Fendi show in Paris, across from Anna Wintour … anywhere but here.” But there he is. Bopping about Southern California’s heart of the surfing industry. Driving from surf industry event to surf industry event, surrounded by increasingly desperate surf industry figures grinding their jaws and trying to get into the bathroom to snort a few lines. All the while, he sardonically observes the surfing industry’s free fall as he gulps down yet another vodka cocktail. Doing his best to find meaning in perhaps the shallowest subculture we could imagine. He is a detached and disgusted observer of the surf industry’s apocalypse who delivers his dispatches in insightful and often hilarious prose. Even if you don't know which side on the surfboard to wax, you’ll find it hard not to be drawn into Chas Smith’s history of surfing.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

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Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.

Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017).

Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994).

Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.

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John Tolan’s latest book Faces of Muhammad: Western Perceptions of the Prophet of Islam from the Middle Ages to Today (Princeton UP, 2019) is a fascinating and rich survey of the complex perceptions of Muhammad as understood by Christian Europeans. Using sources that range from art to literature to history to theater to religion, Tolan shows that portrayals of Muhammad are varied and complex – indeed contradictory – and reveal more about the context in which these images appear than about Muhammad or Islam. In other words, the non-Muslim European discourse on Muhammad reflects the writers’ own preoccupations at home. Views about Muhammad are varied and complex, Tolan argues, and not always negative as is often highlighted. Sure, Muhammad is a false prophet, a heretic, a trickster, an idol, in some cases, but he’s also a role model, a hero, a great leader in others, sometimes in the same time period. For instance, while during the Crusades, Muhammad is a false prophet and the primary opponent of the Christian writers, during the Protestant Reformation, the prophet of Islam is received more positively, although not consistently: he is instrumentalized in the polemics between the various Christian groups such that each group – specifically the Protestants, the Catholics, the Unitarians – hold differing views on Muhammad, and parallels are drawn between him and the writer’s contemporary heroes or opponents.

In today’s discussion, Tolan shares with us the primary contributions and arguments of the book, including specific depictions of Muhammad and the contexts that shape them, legends associated with Muhammad involving bulls and doves and floating coffins, the Christian doctrine of Immaculate Conception and its relevance to Muhammad, Jewish authors’ perception of and relationship with Muhammad, and more. 

Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. Her primary research areas include Islam, gender, and interreligious marriage. She has a YouTube channel called What the Patriarchy, where she vlogs about feminism and Islam in an effort to dismantle the patriarchy; the vlog is available at https://www.youtube.com/whatthepatriarchy. She can be reached at [email protected].

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history