New Books in History

Lanka, Ceylon, Sarandib: merely three disparate names for a single island? Perhaps. Yet the three diverge in the historical echoes, literary cultures, maps and memories they evoke. Names that have intersected and overlapped - in a treatise, a poem, a document - only to go their own ways. But despite different trajectories, all three are tied to narratives of banishment and exile.

In Banishment and Belonging: Exile and Diaspora in Sarandib, Lanka and Ceylon (Cambridge University Press, 2020), Ronit Ricci suggests that the island served as a concrete exilic site as well as a metaphor for imagining exile across religions, languages, space and time: Sarandib, where Adam was banished from Paradise; Lanka, where Sita languished in captivity; and Ceylon, faraway island of exile for Indonesian royalty under colonialism.

Using Malay manuscripts and documents from Sri Lanka, Javanese chronicles, and Dutch and British sources, Ricci explores histories and imaginings of displacement related to the island through a study of the Sri Lankan Malays and their connections to an exilic past.

Ronit Ricci is the Sternberg-Tamir Chair in Comparative Cultures and Associate Professor in the departments of Asian Studies and Comparative Religion at the Hebrew University of Jerusalem.

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

Kelvin Ng, co-hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.

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The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema.

Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s.

Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context.

In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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As the twentieth century roared on, transformative technologies—from trains, trams, and automobiles to radios and loudspeakers—fundamentally changed the sounds of the Egyptian streets. The cacophony of everyday life grew louder, and the Egyptian press featured editorials calling for the regulation of not only mechanized and amplified sounds, but also the voices of street vendors, the music of wedding processions, and even the traditional funerary wails.

In Street Sounds: Listening to Everyday Life in Modern Egypt (Stanford University Press) Ziad Fahmy offers the first historical examination of the changing soundscapes of urban Egypt, highlighting the mundane sounds of street life, while "listening" to the voices of ordinary people as they struggle with state authorities for ownership of the streets.

Interweaving infrastructural, cultural, and social history, Fahmy analyzes the sounds of modernity, using sounded sources as an analytical tool for examining the past. Street Sounds also reveals a political dimension of noise by demonstrating how the growing middle classes used sound to distinguish themselves from the Egyptian masses. This book contextualizes sound, layering historical analysis with a sensory dimension, bringing us closer to the Egyptian streets as lived and embodied by everyday people.

This interview is part of an NBN special series on “Mobilities and Methods.”

Ziad Fahmy is a Professor of Modern Middle East History at Cornell University’s Department of Near Eastern studies.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.

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Lanka, Ceylon, Sarandib: merely three disparate names for a single island? Perhaps. Yet the three diverge in the historical echoes, literary cultures, maps and memories they evoke. Names that have intersected and overlapped - in a treatise, a poem, a document - only to go their own ways. But despite different trajectories, all three are tied to narratives of banishment and exile.

In Banishment and Belonging: Exile and Diaspora in Sarandib, Lanka and Ceylon (Cambridge University Press, 2020), Ronit Ricci suggests that the island served as a concrete exilic site as well as a metaphor for imagining exile across religions, languages, space and time: Sarandib, where Adam was banished from Paradise; Lanka, where Sita languished in captivity; and Ceylon, faraway island of exile for Indonesian royalty under colonialism.

Using Malay manuscripts and documents from Sri Lanka, Javanese chronicles, and Dutch and British sources, Ricci explores histories and imaginings of displacement related to the island through a study of the Sri Lankan Malays and their connections to an exilic past.

Ronit Ricci is the Sternberg-Tamir Chair in Comparative Cultures and Associate Professor in the departments of Asian Studies and Comparative Religion at the Hebrew University of Jerusalem.

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

Kelvin Ng, co-hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.

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The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema.

Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s.

Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context.

In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As the twentieth century roared on, transformative technologies—from trains, trams, and automobiles to radios and loudspeakers—fundamentally changed the sounds of the Egyptian streets. The cacophony of everyday life grew louder, and the Egyptian press featured editorials calling for the regulation of not only mechanized and amplified sounds, but also the voices of street vendors, the music of wedding processions, and even the traditional funerary wails.

In Street Sounds: Listening to Everyday Life in Modern Egypt (Stanford University Press) Ziad Fahmy offers the first historical examination of the changing soundscapes of urban Egypt, highlighting the mundane sounds of street life, while "listening" to the voices of ordinary people as they struggle with state authorities for ownership of the streets.

Interweaving infrastructural, cultural, and social history, Fahmy analyzes the sounds of modernity, using sounded sources as an analytical tool for examining the past. Street Sounds also reveals a political dimension of noise by demonstrating how the growing middle classes used sound to distinguish themselves from the Egyptian masses. This book contextualizes sound, layering historical analysis with a sensory dimension, bringing us closer to the Egyptian streets as lived and embodied by everyday people.

This interview is part of an NBN special series on “Mobilities and Methods.”

Ziad Fahmy is a Professor of Modern Middle East History at Cornell University’s Department of Near Eastern studies.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo’s caption, referencing the couple’s trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America’s sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States’ entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood’s silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini’s, the duce, in public opinion in American culture in the 1920s?

Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933.

Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women’s suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini’s study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day.

Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.

 

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dWho Wrote That?: Authorship Controversies from Moses to Sholokhov (Northern Illinois University Press) is Harvard historian Donald Ostrowski’s sustained reflection on what we can learn from comparison of authorship controversies. Ostrowski covers nine different cases of disputed authorship, from the Shakespeare canon, to the letters between the Russian Prince Kurbskii and Ivan IV, to the ancient Hebrew Pentateuch.

This book lays out evidence from all points of view in an even-handed way, and in doing so, Ostrowski is able to define a number of general principles that ought to animate all scholarship that attempts to answer the question: “Who wrote that?”.

Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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What was the Cold War that shook world politics for the second half of the twentieth century? Standard narratives focus on Soviet-American rivalry as if the superpowers were the exclusive driving forces of the international system. Lorenz M. Lüthi, Associate Professor of History at McGill University in his new book Cold Wars: Asia, the Middle East, Europe (Cambridge UP, 2020), offers a radically different account, restoring agency to regional powers in Asia, the Middle East and Europe and revealing how regional and national developments shaped the course of the global Cold War. Despite their elevated position in 1945, the United States, Soviet Union and United Kingdom quickly realized that their political, economic, and military power had surprisingly tight limits given the challenges of decolonization, Asian-African internationalism, pan-Arabism, pan-Islamism, Arab–Israeli antagonism, and European economic developments. A series of Cold Wars ebbed and flowed as the three world regions underwent structural changes that weakened or even severed their links to the global ideological clash, leaving the superpower Cold War as the only major conflict that remained by the 1980s. While not everyone will necessarily agree with all aspects of this at times hyper-revisionist account of the conflict that we call the Cold War, scholars and lay person alike will be ultra-impressed by the wide range of this narrative history, as well as the breath of research displayed by Professor Luthi. In short this is a book that is required reading for anyone interested in, or specializing in the Cold War.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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What are the African Middle Ages? A place, certainly, and a time period, evidently. But also a “documentary regime,” argues François-Xavier Fauvelle. How do we reconstruct these centuries of the African past in the face of a daunting lack of sources? In thirty-four thoughtful vignettes, Fauvelle takes us along for the ride as he wrestles with this question. From Aksum to the Swahili coast, and Sijilmâsa to South Africa, the distances covered by The Golden Rhinoceros: Histories of the African Middle Ages (Princeton UP, 2018) are vast. But we are in expert hands. Combining the skills of a historian and an archeologist, Fauvelle explores possible readings of the sources available while always acknowledging the limits of what is knowable. We are left with a distinct sense of loss, at how much history we may not ever be able to tell, but also filled with wonder for Africa’s “golden age.”

Elisa Prosperetti is a Visiting Assistant Professor of history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net.

 

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