New Books in History

dSoon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Greg Mitchell’s The Beginning or the End: How Hollywood—and America—Learned to Stop Worrying and Love the Bomb (The New Press, 2020) chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

Greg Mitchell blogs at http://gregmitchellwriter.blogspot.com and is on Twitter at @GregMitch.

Joel Tscherne can be followed on Twitter at @JoelTscherne.

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Kara Moskowitz, Assistant Professor of African History as the University of Missouri-St. Louis. has written a terrific book, Seeing Like A Citizen: Decolonization, Development and the Making of Kenya, 1945-1980 (Ohio University Press).

Kara’s book is rigorously researched and beautifully written. She draws on both archival and life history methods to center rural Kenyans, living (or who have lived) in the Rift Valley Highlands of western Kenya, as agents of both development and decolonization.

Both of these concepts – development and decolonization—are central to Kara’s argument: that state-led processes of development defined post-colonial citizenship, which in turn dictated access to land and other state-controlled resources.

It’s a fascinating book that raises important questions about the postcolonial state as an object of international development initiatives, the developmental logic of the Kenyan state and the ways in which rural Kenyans sought to manage development to their advantage, by imploring local officials to advocate on their behalf.

In examining state-led processes from the bottom up, Kara’s work illustrates the need to study the late colonial and early colonial periods as a single period of transition, as well as the importance of learning from those subject to state-led development initiatives.

She suggests the following books for listeners wishing to learn more. Daniel Branch, Kenya: Between Hope and Despair, 1963-2011; Kenda Mutongi, Worries of the Heart: Widows, Family, and Community in Kenya and Matatu: A History of Popular Transportation in Nairobi; Priya Lal, African Socialism in Postcolonial Tanzania: Between the Village and the World, and Alden Young, Transforming Sudan: Decolonization, Economic Development, and State Formation. And, Kara Moskowitz summarizes her argument and evidence in this blog post on the Democracy in Africa site.

Kara Moskowitz is assistant professor of African history at the University of Missouri St. Louis.

Susan Thomson is associate professor of peace and conflict studies at Colgate University.

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We might call movies made before the advent of the talkies in 1927 silent films—but for the audience, they were certainly not silent. Live orchestras and solo instrumentalists accompanied early movies, adding evocative music drawn from pre-existent and newly composed sources.

Kendra Preston Leonard, author of Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism (Humanities Commons, 2010) examines the music and musicians that accompanied silent movies that she calls “spirit films” and along the way finds unexpected connections between film accompanists, mediums, and Spiritualism.

A “spirit film”—unlike a horror movie—is a film that features the appearance of spirit or ghost who tries to warn the living of, or protect them from, a dangerous circumstance, often caused by business the spirit left unfinished at their death.

White middle-class women were regularly employed as film accompanists and mediums, their gender and race contributing to the respectability of both Spiritualism and the cinema. Leonard documents that the music for these early films was influenced by sounds used by mediums during séances and those sonic signifiers continue to appear in film scores even today.

Despite publishing four books and numerous essays in collected editions with conventional presses, Leonard chose to publish Music for the Kingdom of Shadows as an open-access book through Humanities Commons using a robust peer review process in order to increase the availability of her work.

Kendra Preston Leonard is an independent musicologist and music theorist. She is the founder and executive Director of the Silent Film Sound and Music Archive. The author of five books, she has also received numerous fellowships including from the American Musicological Society and the Society for American Music. Her work centers on music and screen history, and women and music in the twentieth and twenty-first centuries.

Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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The "guard is tired." With that simple phrase, the newly installed Bolshevik regime in Russia dismissed the duly elected Constituent Assembly in January 1918. And, one might say, so started Russia's century-long interference in elections and electoral outcomes. In his new book Rigged: America, Russia, and One Hundred Years of Covert Electoral Interference (Knopf, 2020), David Shimer narrates in meticulous but page-turning detail a century of covert electoral interference, by both the United States and the Soviet Union during the Cold War, and continuing to this day with a focus on post-Soviet Russia's efforts to affect US politics. His account of the lead up to the 2016 US Presidential election makes for frightening and gripping reading. Its implications for the 2020 election are equally clear. The US needs to come up with a means to counter Russia's now well-developed expertise in disrupting and weakening American democracy. Time is running out.

Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @HistoryInvestor or at http://www.strategicdividendinvestor.com

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In her new book, After the Berlin Wall: Memory and the Making of the New Germany, 1989 to the Present (Cambridge University Press, 2019), Hope M. Harrison examines the history and meaning of the Berlin Wall, Drawing on an extensive range of archival sources and interviews, this book profiles key memory activists who have fought to commemorate the history of the Berlin Wall and examines their role in the creation of a new German national narrative. With victims, perpetrators and heroes, the Berlin Wall has joined the Holocaust as an essential part of German collective memory. Key Wall anniversaries have become signposts marking German views of the past, its relevance to the present, and the complicated project of defining German national identity. Considering multiple German approaches to remembering the Wall via memorials, trials, public ceremonies, films, and music, this revelatory work also traces how global memory of the Wall has impacted German memory policy. It depicts the power and fragility of state-backed memory projects, and the potential of such projects to reconcile or divide.

For more information on the history of the Berlin Wall check out these video clips with Dr. Harrison: Inside the Chapel of Reconciliation and Outside the Former Death Strip. And listeners might be interested in Harrison's Blog Post about arriving in Berlin a few hours after the Berlin Wall fell.

Hope M. Harrison is a Professor of History and International Affairs at George Washington University.

Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at [email protected] or on twitter @craig_sorvillo.

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History that reads like a thriller; The Good Assassin: How A Mossad Agent and a Band of Survivors Hunted Down The Butcher of Latvia (Houghton Mifflin Harcourt, 2020) by Stephan Talty is the untold story of an Israeli spy’s epic journey to bring the notorious Butcher of Latvia to justice—a case that altered the fates of all ex-Nazis.

Before World War II, Herbert Cukurs was a famous figure in his small Latvian city, the “Charles Lindbergh of his country.” But by 1945, he was the Butcher of Latvia, a man who murdered some thirty thousand Latvian Jews. Somehow, he dodged the Nuremberg trials, fleeing to South America after war’s end.

By 1965, as a statute of limitations on all Nazi war crimes threatened to expire, Germany sought to welcome previous concentration camp commanders, pogrom leaders, and executioners, as citizens. The global pursuit of Nazi criminals escalated to beat the looming deadline, and Mossad, the Israeli national intelligence agency, joined the cause.

Yaakov Meidad, the brilliant Mossad agent who had kidnapped Adolf Eichmann three years earlier, led the mission to assassinate Cukurs in a desperate bid to block the amnesty. In a thrilling undercover operation unrivaled by even the most ambitious spy novels, Meidad traveled to Brazil in an elaborate disguise, befriended Cukurs and earned his trust, while negotiations over the Nazi pardon neared a boiling point.

The Good Assassin uncovers this little-known chapter of Holocaust history and the pulse-pounding undercover operation that brought Cukurs to justice.

Renee Garfinkel is a Jerusalem-based psychologist, writer, and Middle East commentator for the nationally syndicated TV program, The Armstrong Williams Show.. Write her at [email protected] or tweet @embracingwisdom

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Historians of Latin America have long appreciated the central role of mining and metallurgy in the region. The Spanish Empire in particular was created for and founded upon the mining and coining of silver ore from its colonies. Our knowledge about this vital industry, however, remains invariably tethered to the elite sources and perspectives that were preserved in the written record. In Mining Language: Racial Thinking, Indigenous Knowledge, and Colonial Metallurgy in the Early Modern Iberian World (UNC Press 2020), Allison Bigelow provides an important historiographical contribution by demonstrating how we can revisit these sources to trace the transmission of metallurgical knowledge from the colonized indigenous laborers who worked the ore to the metropolitan authors who codified practices and knowledge.

Rather than European science diffusing to colonial outposts, Bigelow’s studies of gold, silver, copper, and iron illustrate that the technologies that sustained Iberian imperialism were amalgamations like the ores themselves. From prospecting to refining, the making of imperial wealth required learning from indigenous ways of knowing and working the earth and its resources. Moreover, Mining Language goes beyond finding hybridity in the archive by teasing out how Europeans systematically (and sometimes not so systematically) erased the indigenous roots of knowledge and practices. Bigelow shows how as information traveled from American soils to European academies through translations and retranslations, identities became reified, fantasies were confirmed, meanings were lost and occasionally pure nonsense got into the mix.

Overall, Mining Language demonstrates the possibilities opened when we reconsider the history of technology to no longer center eye-popping inventions but instead the more quotidian practices that sustain life, create wealth, and enforce power. Seen thusly, the history of technology, power, and imperialism is not a story of implementation and adaptation, but rather one of syncretism and erasure. Scholars and readers interested in the social politics of knowledge production will find Mining Language a compelling and thought-provoking work that provides essential historical background to related issues in the 21st century.

Allison Bigelow is the Tom Scully Discovery Chair Associate Professor of Spanish at the University of Virginia.

Lance C. Thurner teaches history at Rutgers Newark. His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org.

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In her nuanced case study of postemanciaption Virginia, Nicole Myers Turner, (Assistant Professor of Religious Studies at Yale University) challenges assumptions regarding the intersection between black religion and politics in this “signal moment of political and cultural transformation in the African-American experience.” Using traditional archival records from churches, political institutions and personal documents -- as well as ArcGIS to create layered maps of black religious and political participation -- Turner interrogates the integral role black churches played in postbellum Virginia politics. Black political engagement is an understudied facet of the postemancipation period but Turner explores developing relationships between two realms of life and how politics were shaped by the racial positioning of the denominations and of black people within those denominations.

In her new book Soul Liberty: The Evolution of Black Religious Politics in Postemancipation Virginia (UNC Press, 2020), Turner argues that the relationship between black religious institutions and political institutions drastically shifted as the Reconstruction amendments established rights for black citizens. That shift, and the myriad challenges black citizens encountered in their newfound citizenship, necessitated that they pursue a means for education and political power. Soul Liberty focuses on the political involvement and bargaining through which black communities achieved these goals. The term “soul liberty” captures the “combination of religious freedom, righteousness, equity and justice” that fueled remarkable institution building in the period. For example, she highlights the interracial coalitions forged with the Republican and Readjuster parties and political magnates, such as William Mahone: one of the first white politicians to recognize the political power of black churches. Turner trenchantly investigates how women in the church were pushed away from ministerial positions, and thus, often ignored as religious and political leaders. She identifies several aspects of churches and their political connections in which women demonstrated agency, such as voting on ministerial positions and tenure, leading discussions, and fundraising. She also diagnoses theological education and its male focus as the main reason that women were held out of leadership positions in the ministry. She provides a nuanced account of the election of John Mercer Langston, the first African-American congressman elected in 1890.

Soul Liberty uses the powerful tools of archival research and GIS to illustrate the transformation of black churches, explicitly and implicitly, into centers of political organization. It is currently available in three forms: print book, verbatim open access e-book, and enhanced open-access e-book, which allows the reader to manipulate some of the layered maps that Turner created with her research. A website based on her research is available at mappingblackreligion.com.

Benjamin Warren assisted with this podcast.

Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013) and, most recently, “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” in the Journal of Politics (August 2020).

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We might call movies made before the advent of the talkies in 1927 silent films—but for the audience, they were certainly not silent. Live orchestras and solo instrumentalists accompanied early movies, adding evocative music drawn from pre-existent and newly composed sources.

Kendra Preston Leonard, author of Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism (Humanities Commons, 2010) examines the music and musicians that accompanied silent movies that she calls “spirit films” and along the way finds unexpected connections between film accompanists, mediums, and Spiritualism.

A “spirit film”—unlike a horror movie—is a film that features the appearance of spirit or ghost who tries to warn the living of, or protect them from, a dangerous circumstance, often caused by business the spirit left unfinished at their death.

White middle-class women were regularly employed as film accompanists and mediums, their gender and race contributing to the respectability of both Spiritualism and the cinema. Leonard documents that the music for these early films was influenced by sounds used by mediums during séances and those sonic signifiers continue to appear in film scores even today.

Despite publishing four books and numerous essays in collected editions with conventional presses, Leonard chose to publish Music for the Kingdom of Shadows as an open-access book through Humanities Commons using a robust peer review process in order to increase the availability of her work.

Kendra Preston Leonard is an independent musicologist and music theorist. She is the founder and executive Director of the Silent Film Sound and Music Archive. The author of five books, she has also received numerous fellowships including from the American Musicological Society and the Society for American Music. Her work centers on music and screen history, and women and music in the twentieth and twenty-first centuries.

Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

History that reads like a thriller; The Good Assassin: How A Mossad Agent and a Band of Survivors Hunted Down The Butcher of Latvia (Houghton Mifflin Harcourt, 2020) by Stephan Talty is the untold story of an Israeli spy’s epic journey to bring the notorious Butcher of Latvia to justice—a case that altered the fates of all ex-Nazis.

Before World War II, Herbert Cukurs was a famous figure in his small Latvian city, the “Charles Lindbergh of his country.” But by 1945, he was the Butcher of Latvia, a man who murdered some thirty thousand Latvian Jews. Somehow, he dodged the Nuremberg trials, fleeing to South America after war’s end.

By 1965, as a statute of limitations on all Nazi war crimes threatened to expire, Germany sought to welcome previous concentration camp commanders, pogrom leaders, and executioners, as citizens. The global pursuit of Nazi criminals escalated to beat the looming deadline, and Mossad, the Israeli national intelligence agency, joined the cause.

Yaakov Meidad, the brilliant Mossad agent who had kidnapped Adolf Eichmann three years earlier, led the mission to assassinate Cukurs in a desperate bid to block the amnesty. In a thrilling undercover operation unrivaled by even the most ambitious spy novels, Meidad traveled to Brazil in an elaborate disguise, befriended Cukurs and earned his trust, while negotiations over the Nazi pardon neared a boiling point.

The Good Assassin uncovers this little-known chapter of Holocaust history and the pulse-pounding undercover operation that brought Cukurs to justice.

Renee Garfinkel is a Jerusalem-based psychologist, writer, and Middle East commentator for the nationally syndicated TV program, The Armstrong Williams Show.. Write her at [email protected] or tweet @embracingwisdom

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history